Rodney Graham

Rodney Graham OC (born January 16, 1949) is an artist and musician born in Abbotsford, British Columbia. He is most often associated with the Vancouver School.

Rodney Graham
OC
park's public art – "Aerodynamic Forms in Space" by Rodney Graham
Born
William Rodney Graham

(1949-01-16) January 16, 1949
Abbotsford, British Columbia, Canada
NationalityCanadian
EducationUniversity of British Columbia, Vancouver
Known forFilm, video art, photography, painting, drawing, sculpture, installation art
Notable work
Vexation Island (1997)
MovementVancouver School

Work

Coming out of Vancouver's 1970s photoconceptual tradition, Rodney Graham's work is often informed by historical literary, musical, philosophical and popular references. He is most often associated with other West-coast Canadian artists, including Vikky Alexander, Jeff Wall, Stan Douglas, Roy Arden and Ken Lum. He was taught by fellow Vancouver school artist Ian Wallace [1] while at Simon Fraser University, Burnaby, British Columbia, from 1979 to 1980. Around this time, he played electric guitar in the band UJ3RK5 with fellow artist Jeff Wall on keyboards and Ian Wallace on electric bass, among others. His wide-ranging and often genre-busting work has frequently engaged with technologies of the past: literary, psychological and musical texts, optical devices, and film as an historical medium.

Among his earliest works is Camera Obscura (1979; destroyed 1981) a site-specific work that consisted of a shed-sized optical device on his family's farm field near Abbotsford, British Columbia. Entering the shed, the observer was confronted with an inverted image of a solitary tree.[2] Both prior to this (with Rome Ruins [1978])[3] and throughout the 1980s and 90s, Graham employed the technique of the camera obscura in his work.

Beginning in the early 1980s, Graham took found texts as the basis for his bookworks—at once conceptual and material—inserting bookmarks with additional pages, inserting textual loops or incorporating books into optical devices in works such as Dr. No* (1991), Lenz (1983) and Reading Machine for Lenz (1993) respectively. Many of these were carried out with esteemed Belgian publisher Yves Gevaert and/or the gallerist Christine Burgin. His extensive body of work related to Sigmund Freud (beginning in 1983) has developed out of this text-based practice, though, later, found object books would be integrated unmodified into Donald Judd-like sculptures, for example The Basic Writings of Sigmund Freud (1987).

Until 1997, when he represented Canada at the Venice Biennale with the film loop Vexation Island, Graham was most well known for his series of photographs of Welsh oaks seen upside-down.[4] For this project, he employed a photographer to take black and white negatives of majestic, isolated trees in the English countryside[5] with a large-format camera. He then hung the pictures upside down, like camera obscura images.[6] In 1998 Graham produced his definitive work on this theme, a series of seven monumental images of Welsh oaks printed on color paper to produce warm deep sepia and charcoal hues.[7]

A postage stamp depicting Graham's photograph, Basement Camera Shop circa 1937 was issued on March 22, 2013 by Canada Post as part of their Canadian Photography series. The image is a recreation of a snapshot discovered by the artist at an antique store. Graham places himself in the photograph as the owner standing at the counter, waiting for a customer.[8][9][10]

Film

In 1994, Graham began a series of films and videos in which he himself appears as the principal character: Halcion Sleep (1994), Vexation Island (1997) (shown at Canadian pavilion of the 1997 Venice Biennale), How I Became a Ramblin' Man (1999), and The Phonokinetoscope (2002). In The Phonokinetoscope Graham's engagement with the origins of cinema and its eventual demise surface. In this work, Graham takes up a prototype by Thomas Edison and puts forward an argument for the relation between sound and image in film.

In Vexation Island (1997), a shipwrecked sailor, played by Graham, wakes up on a tropical island only to be knocked unconscious by a falling coconut that he has succeeded in shaking out of a palm tree; after a while he reawakens, returns to the tree and the cycle repeats.[11] Later, in Rheinmetall/Victoria 8 (2003), two increasingly obsolete technologies, the typewriter and film projector, face off against one another—with the latter projecting a film of the former.[12]

The film Lobbing Potatoes at a Gong (1969) (2006), shot on 16mm and presented as a looped projection, fictitiously documents a 1969 performance strongly reminiscent of the Fluxus movement. The artist, played by Graham, is shown sitting on a chair in the setting of an alternative cultural institution, with an audience watching him trying to hit a gong with potatoes. All the potatoes that actually hit the gong were subsequently used to produce vodka in a small still. The bottle is displayed in a showcase, both an end product and part of the work. As in many of Graham's films, the relatively simple plot is in stark contrast to the effort that went into the production, with the artist conducting extensive research and hiring a professional film crew.

Drawing and painting

In 2003, Graham turned to drawing and painting for the first time. Adopting a persona in a host of related photographic, installation and painted works, The Gifted Amateur, November 10, 1962,[13] 2007, indicates both continuing performative and art historical directions in his work.

In 2009, Graham exhibited a series of film installations with Harun Farocki, called "HF/RG," at the Jeu de Paume, Paris. "HF | RG". Jeu de paume (in French). Retrieved April 6, 2009.

Exhibitions

Graham's solo exhibitions include the Vancouver Art Gallery (2012); a retrospective at MACBA, Barcelona (2010), travelling to Hamburger Kunsthalle and the Museum für Gegenwartskunst, Basel; Museum of Contemporary Art, Los Angeles (2004); Institute of Contemporary Art, Philadelphia (2005), Whitechapel Gallery, London (2002), and Hamburger Bahnhof Berlin (2001). The artist was included in documenta IX (1992), the Venice Biennale in 1997, the Whitney Biennial in 2006, and the Carnegie International in 2013.

Recognition

Graham represented Canada at the 47th Venice Biennale (1997) and among awards he has received the Gershon Iskowitz Prize, Toronto (2004), the Kurt Schwitters-Preis, Niedersächsiche Sparkassenstiftung, Germany (2006) and the Audain Prize for lifetime achievement in visual arts, British Columbia (2011).[14] In 2016, he was appointed as an Officer of the Order of Canada for his contributions to Canadian contemporary visual arts.[15]

Personal life

Graham lives in Vancouver and is married to the artist Shannon Oksanen. Though they have not divorced, she lives separately with her two children and their father. Together they own Liberty Bakery in Vancouver.[16]

gollark: You could just use "epi-pens" like people with diabetes or horrible allergies.
gollark: We don't use natural bees very much.
gollark: I mean, our bees just run the cognition stuff in software *anyway*.
gollark: No, bees probably use different hormones.
gollark: For example, in 2026, "apioforms" entered reality conceptually. This resulted in ██████ █ ██ ██████ █████ ██████████ ███ ████ ████ ███ █████ ████████████ ███ █████████ ██████ █ ██ ██████ █████ ██████████ ███ ████ ████ ███ █████ ████████████ ███ █████████ ██████ █████ ██████████ ███ ████ ████, all was lost. You can't just reschedule that.

See also

References
  1. "Drugged, kidnapped and cast away: the funny, disturbing obsessions of Rodney Graham". The Guardian. Archived from the original on January 23, 2019. Retrieved January 22, 2019.
  2. Wall, "Into the Forest: Two Sketches for Studies of Rodney Graham's Work," 21.
  3. Graham, "Artist's Notes," in Rodney Graham: Works from 1976 to 1994. Toronto; Brussels; Chicago: Art Gallery of York University; Yves Gevaert; The Renaissance Society at the University of Chicago, 1994. 83.
  4. Apollinaire Schepp (September 16, 2001), Taking a Trip by Bicycle Archived October 5, 2017, at the Wayback Machine New York Times.
  5. Rodney Graham, Welsh Oaks #1 (1998) Archived March 19, 2014, at the Wayback Machine Metropolitan Museum of Art, New York.
  6. Ken Johnson (November 4, 2005), A Mercurial Conceptualist Who Remains an Enigma Archived March 28, 2014, at the Wayback Machine New York Times.
  7. Rodney Graham, Welsh Oaks #1 (1998) Archived March 19, 2014, at the Wayback Machine Metropolitan Museum of Art, New York.
  8. "New photography stamp series gives an appreciation of Canada's best". Canada Post. Archived from the original on October 17, 2013. Retrieved October 14, 2013.
  9. "Canadian Photography". Canada Post. Archived from the original on October 17, 2013. Retrieved October 14, 2013.
  10. Griffin, Kevin (June 8, 2012). "Art Seen: Rodney Graham: Humour, Canadian-style" (blog). The Vancouver Sun. Archived from the original on October 14, 2013. Retrieved October 14, 2013.
  11. Ken Johnson (November 4, 2005), A Mercurial Conceptualist Who Remains an Enigma Archived March 28, 2014, at the Wayback Machine New York Times.
  12. "Rheinmetall/Victoria 8". The Collection. The Museum of Modern Art. Archived from the original on September 16, 2011. Retrieved April 6, 2009.
  13. "Rodney Graham". 303Gallery. Archived from the original on March 12, 2009. Retrieved April 6, 2009.
  14. Rodney Graham Archived April 1, 2014, at the Wayback Machine Lisson Gallery, London/Milan.
  15. "Governor General Announces 100 New Appointments to the Order of Canada as Canada Turns 150". The Governor General of Canada His Excellency the Right Honourable David Johnston. Archived from the original on December 31, 2016. Retrieved December 31, 2016.
  16. Morrow, Fiona (June 27, 2014). "You know Rodney Graham, artist. Now meet Rodney Graham, coffee-shop owner". Globe and Mail. Archived from the original on June 14, 2018. Retrieved August 22, 2018.
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