Robert Sheppard

Robert Sheppard is British poet and critic. He is at the forefront of the movement sometimes called "linguistically innovative poetry".[1]

Life

Robert Sheppard was born in 1955 and was educated at the University of East Anglia (BA; MA; PhD). In 1996 he moved from London to Liverpool to teach at Edge Hill University as Professor of Poetry and Poetics and Programme Leader of the MA in Creative Writing.[2] In 1996, Sheppard became Emeritus Professor at Edge Hill.[3]

Poetry and Criticism

Sheppard's magnum opus is his long-running work "Twentieth Century Blues". This was composed over many years, and published piece-meal before Salt Publishing brought out the complete work in 2008. "Hymns to the God in which My Typewriter Believes", published in 2006, illustrates Sheppard's view of poetry as one art among many, as it alludes to and builds on other artforms. Sheppard's sonnet sequence, "Warrant Error" was published by Shearsman Books in 2009. According to Sean Colletti, Sheppard is a major talent, whose use of form includes precise use of the couplet,[4] while Alan Baker calls his work "political poetry of the first order."[5]

Sheppard has edited important studies of poets Roy Fisher and Lee Harwood, and is editor of the Journal of British and Irish Innovative Poetry" and the blogzine "Pages".

Published works

Poetry:

  • Returns:Textures,1985
  • Daylight Robbery: Stride, 1990
  • The Flashlight Sonata: Stride,1993
  • Empty Diaries: Stride, 1998
  • The Lores: Reality Street Editions, 2003
  • The Anti-Orpheus: A Notebook
  • Tin Pan Arcadia: Salt Publishing, 2004
  • Hymns to the God in which My Typewriter Believes: Stride, 2006
  • Complete Twentieth Century Blues: Salt Publishing, 2008
  • Warrant Error, Exeter: Shearsman Books, 2009
  • Berlin Bursts, Exeter: Shearsman Books, 2011
  • A Translated Man, Exeter: Shearsman Books, 2013
  • Words Out of Time, Newton-le-Willows: Knives, Forks and Spoons, 2015
  • Unfinish (forthcoming: London: Veer Publications)

Shorter Poetry Collections and Pamphlets:

  • Dedicated to you but you weren’t listening, London: Writers Forum, 1979
  • Returns, London:Textures,1985
  • Private Number, London: Northern Lights Publishers, 1986
  • Letter from the Blackstock Road, London: Oasis Books, 1988
  • Internal Exile, Southampton: Torque Press,1988
  • Codes and Diodes (with Bob Cobbing), London: Writers Forum, 1991
  • Fox Spotlights, Cheltenham: The Short Run Press, 1995
  • Free Fists (with Patricia Farrell), London: Writers Forum, 1996
  • Neutral Drums (with Patricia Farrell), London: Writers Forum, 1999
  • Blatent Blather/Virulent Whoops (with Bob Cobbing), London: Writers Forum, 2001
  • The Anti-Orpheus: a notebook, Exeter: Shearsman Books, 2004. (Also available as an e-book at www.shearsman. com)
  • Risk Assessment (with Rupert Loydell) Damaged Goods, 2006
  • The Given, Newton-le-Willows: Knives Forks and Spoons, 2010
  • The Only Life, Newton-le-Willows: Knives Forks and Spoons, 2012
  • HAP: Understudies of Thomas Wyatt's Petrarch, Newton-le-Willows: Knives Forks and Spoons, 2018

As Editor:

  • Floating Capital: New Poets from London
  • News for the Ear: Homage to Roy Fisher
  • The Salt Companion to Lee Harwood
  • The Door of Taldire: Selected Pomes of Paul Evans
  • Twitters for a Lark - Poetry of the European Union of Imaginary Authors

Criticism:

  • For Language: Poetics and Linguistically Innovative Poetry 1978-1997
  • The Poetry of Saying: British Poetry and its Discontents (Liverpool University Press, 2005)
  • Iain Sinclair (Northcote House, 2007)
gollark: I prefer higher level stuff, although it may be the least bad available one now.
gollark: This is fairly troubling. I want to produce a game of some kind, ideally to run on the web (this isn't a big constraint nowadays given WASM). Unfortunately there are about 0 languages I like enough to use for this‽
gollark: * *that*?
gollark: > imagine you remove ABR and it sends a message saying it's sorry to see you go<@319753218592866315> Why would it say *that"?
gollark: That was my autoreply, must fix that.

References
  1. [Oxford Anthology of British and Irish Poetry]
  2. - Salt Contemporary Writers
  3. - Edge Hill University website
  4. - Stride Magazine "Wandering Around - Sean Colletti reviews "Berlin Bursts"
  5. - Litter Magazine - Alan Baker reviews "Warrant Error".
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