Robert Neppach
Robert Neppach (2 March 1890 – 18 August 1939) was an Austrian architect, film producer and art director. Neppach worked from 1919 in the German film industry. He oversaw the art direction of over eighty films during his career, including F.W. Murnau's Desire (1921) and Richard Oswald's Lucrezia Borgia (1922).[1] Neppach was comparatively unusual among set designers during the era in having university training.[2]
Robert Neppach | |
---|---|
Born | 2 March 1890 Vienna, Austro-Hungarian Empire |
Died | 18 August 1939 49) Zurich, Switzerland | (aged
Occupation | Film producer Art director |
Years active | 1919–1937 (film) |
In 1932 he switched to concentrate on film production. In May 1933, his first Jewish wife Nelly, a successful tennis player, took her life because of the discrimination and prosecution of Jews in Nazi Germany. He married Grete Walter, daughter of the composer Bruno Walter, in autumn of 1933. With his Jewish wife, life grew increasingly difficult for him under the Nazis. He began to work as an architect again and the couple emigrated to Switzerland. In 1939, shortly before the outbreak of the Second World War, he shot himself and his wife.
Selected filmography
Art director
- Die Frau im Käfig (1919)
- Die Augen im Walde (1919)
- Comrades (1919)
- Das Glück der Irren (1919)
- Können Gedanken töten?(1920)
- The Night at Goldenhall (1920)
- The Woman Without a Soul (1920)
- Va banque (1920)
- Das Kussverbot (1920)
- The Wandering Image (1920)
- Eternal River (1920)
- Evening – Night – Morning (1920)
- From Morn to Midnight (1920)
- The Rats (1921)
- Desire (1921)
- Miss Venus (1921)
- The Eternal Struggle (1921)
- The Fateful Day (1921)
- The House on the Moon (1921)
- Love at the Wheel (1921)
- The Amazon (1921)
- Hashish, the Paradise of Hell (1921)
- Lucrezia Borgia (1922)
- His Excellency from Madagascar (1922)
- The Stream (1922)
- The Game with Women (1922)
- The Golden Net (1922)
- Gold and Luck (1923)
- Earth Spirit (1923)
- The Blonde Geisha (1923)
- Bob and Mary (1923)
- Bismarck (1925)
- The Director General (1925)
- The Man Who Sold Himself (1925)
- The Painter and His Model (1925)
- Darling, Count the Cash (1926)
- Gretchen Schubert (1926)
- The Master of Death (1926)
- The Son of Hannibal (1926)
- At the Edge of the World (1927)
- Princess Olala (1928)
- The President (1928)
- Parisiennes (1928)
- The Abduction of the Sabine Women (1928)
- Love's Masquerade (1928)
- Vienna, City of My Dreams (1928)
- The Woman One Longs For (1929)
- The Hero of Every Girl's Dream (1929)
- Father and Son (1929)
- The Green Monocle (1929)
- The Merry Widower (1929)
- His Best Friend (1929)
- Men Without Work (1929)
- My Daughter's Tutor (1929)
- Katharina Knie (1929)
- The Song Is Ended (1930)
- Two Hearts in Waltz Time (1930)
- Him or Me (1930)
- Delicatessen (1930)
- The Adventurer of Tunis (1931)
- Grock (1931)
- Everyone Asks for Erika (1931)
- Panic in Chicago (1931)
- The Street Song (1931)
- Weekend in Paradise (1931)
- The Company's in Love (1932)
Producer
- The Heath Is Green (1932)
- The First Right of the Child (1932)
- Dream of the Rhine (1933)
- Little Man, What Now? (1933)
- Punks kommt aus Amerika (1935)
- Pillars of Society (1935)
- Kater Lampe (1936)
- Hilde Petersen postlagernd (1936)
Director
- Love and the First Railway (1934)
References
- Eisner p.351
- Bergfelder, Harris & Street p.35-36
Bibliography
- Weniger, Kay: „Es wird im Leben dir mehr genommen als gegeben …“. Lexikon der aus Deutschland und Österreich emigrierten Filmschaffenden 1933 bis 1945. Eine Gesamtübersicht. ACABUS Verlag, Hamburg 2011, ISBN 978-3-86282-049-8, p. 364.
- Bergfelder, Tim, Harris, Sue & Street, Sarah. Film Architecture and the Transnational Imagination: Set Design in 1930s European Cinema. Amsterdam University Press, 2007.
- Eisner, Lotte H. The Haunted Screen: Expressionism in the German Cinema and the Influence of Max Reinhardt. University of California Press, 2008.