Robert Macaire

Robert Macaire is a fictional character, an unscrupulous swindler, who appears in a number of French plays, films, and other works of art. In French culture he represents an archetypal villain. He was principally the creation of an actor, Frédérick Lemaître, who took the stock figure of "a ragged tramp, a common thief with tattered frock coat patched pants" and transformed him during his performances into "the dapper confidence man, the financial schemer, the juggler of joint-stock companies" that could serve to lampoon financial speculation and government corruption.[1]

For the British diplomat, see Robert Macaire (diplomat).

Playwright Benjamin Antier (1787–1870), with two collaborators Saint-Amand and Polyanthe, created the character Robert Macaire in the play l'Auberge des Adrets, a serious-minded melodrama. After the work's failure at its 1823 premiere, Frédérick Lemaître played the role as a comic figure instead. Violating all the conventions of its genre, it became a comic success and ran for a hundred performances. The transformation violated social standards that demanded crime be treated with seriousness and expected criminals to be punished appropriately. The play was soon banned, and representations of the character of Macaire were banned time and again until the 1880s.[2] Lemaître used the character again in a sequel he co-authored titled Robert Macaire, first presented in 1835.[3]

Frontispiece: G. W. M. Reynolds' Robert Macaire; or the French Bandit in England (London: J. Dicks, 1839)

The British author George William MacArthur Reynolds authored a penny dreadful entitled Robert Macaire; or, The French Bandit in England (1839).[4]

The book Physiologie du Robert-Macaire (1842) written by Pierre-Joseph Rousseau (1797–1849) and illustrated by Honoré Daumier[5] identified Macaire with a variety of contemporary social types, all involved in "shady schemes for instant wealth", and especially Émile de Girardin (1806-1881), a businessman who promoted his financial adventures through his own newspaper, La Presse.[1] Daumier also published a series of a hundred lithographs of Macaire in Charivari between 1836 and 1842.[6]

Edward Jakobowski based his comic opera Erminie on an English translation of the play Robert Macaire. It premiered in London in 1885. It had a considerable success. Its first New York production ran for 571 performances.

Two silent films used the character Macaire: Robert Macaire and Bertrand (1906) and The Adventures of Robert Macaire (1925).

The French film Les Enfants du Paradis (1945), set in the 1830s, presents Pierre Brasseur as Lemaître playing the role of Macaire.[7]

La Robert-Macaire was the name of a popular dance, mentioned along with the cancan in an 1841 play.[8]

French cuisine includes a vegetarian potato dish called pommes de terre Macaire.[9]

Earlier use of the name

Before Lemaître created his politically charged Macaire character, the name Robert Macaire was associated with a figure in a 14th-century legend who was required to engage in trial-by-combat with a dog. A melodrama called Le Chien de Montargis, ou la Forêt de Bondy premiered in Paris on 18 June 1814 and ran until 1834. It was translated into English[10] and German. In an English-language compendium of oddities published in 1869, Macaire murders a man in the forest of Bondy on the outskirts of Paris. The only witness to survive in the victim's dog. King Charles V orders a trial by combat and the dog defeats Macaire, which leads to Macaire's conviction and hanging.[11]

gollark: > I wish I were anything but sober. The lads binged movies with atrocious Rotten Tomatoes scores, and I'm now upset that some of these films received any credit whatsoever.How would combined brain/liver poisoning help?
gollark: And also the rest of this discord server.
gollark: What if you're just hallucinating "RocketRace"?
gollark: Protocol Sigma.
gollark: There will be no negotiation.

References
  1. Ramus, Charles F. (1978). Daumier, 120 Great Lithographs. New York: Dover Publications. Retrieved 21 February 2016.
  2. McCormick, John (1993). Popular Theatres of Nineteenth Century France. Routledge. p. 106. Retrieved 21 February 2016.
  3. Hamilton, Paul (2016). The Oxford Handbook of European Romanticism. Oxford University Press. p. 765. Retrieved 21 February 2016.
  4. Jay, Elizabeth (2016). British Writers and Paris: 1830-1875. Oxford University Press. p. 270. Retrieved 8 January 2017.
  5. "Physiologie du Robert-Macaire". Museum of Fine Arts Boston. Retrieved 19 February 2016.
  6. Kerr, David S. (2000). Caricature and French Political Culture 1830-1848: Charles Philipon and the Illustrated Press. Oxford University Press. pp. 41–2.
  7. Butler, Margaret (2004). Film and Community in Britain and France: From La Regle du Jeu to Room at the Top. I.B. Tauris. p. 65. Retrieved 21 February 2016.
  8. Cognard Frères and Théodore Muret (1841). 1841 et 1941, ou aujourd'hui et dans cent ans, revue fantastique en deux actes (in French). Lacombe. p. 22. Retrieved 14 February 2017. Messieurs les étudians, / S'en vont à la Chaumière, / Pour y danser l'cancan, / Et la Robert-Macaire !
  9. Franey, Pierre (18 December 1985). "Holiday Classics to Give the Cook a Magic Touch". New York Times. Retrieved 19 February 2016.
  10. Barrymore, William; Fawcett, John (1814). Murder Will Out, or The Dog of Montargis (Plays Submitted to the Lord Chamberlain ed.). p. 55.
  11. Chambers, Robert (1869). "October 8th". The Book of Days: A Miscellany of Popular Antiquities. Retrieved 19 February 2016.
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