Robert Bone

Robert Adamson Bone (1924 – November 25, 2007)[1] was a scholar of African-American literature and a professor of English at Columbia University.

For other uses, see Robert Bone (disambiguation).
Robert Adamson Bone
Born1924
DiedNovember 25, 2007
EducationYale University
OccupationScholar

Biography

Bone was a conscientious objector during World War II,[1] and earned his B.A. in English from Yale University in 1945. He was National Secretary of the Young People's Socialist League from 1946 to 1947, and then from 1947 to 1948 he worked in the automotive industry in Flint, Michigan. Returning to Yale, he earned a master's degree in American studies in 1949 and a doctorate in 1955. Bone taught at Yale and at the University of California, Los Angeles, before joining the faculty at Teachers College, Columbia, where he taught from 1965 to 1990.[2]

Works

Bone's book The Negro Novel in America, his Yale dissertation, was published in two editions in 1958 and 1965, and translated into Japanese.[1] Reviewer August Meier places it within the New Criticism movement, and calls it a "brilliant and provocative study".[3] In it, Bone identifies four periods of African-American literature: a period of assimilation into the white middle class from 1890 to 1920, the pluralism of the Harlem Renaissance in the 1920s, a period of naturalism and protest during the Great Depression of the 1930s, and a "revolt against protest" in the 1940s. He discusses in detail many novels from each period, reserving particular praise for Richard Wright's Native Son (1940) and Ralph Ellison's Invisible Man (1952).[3]

Bone also wrote Down Home: A History of Afro-American Short Fiction from its Beginnings to the End of the Harlem Renaissance (Putnam, 1975) and a short book on Native Son author Richard Wright.[1] A manuscript left unfinished at Bone's death was completed by Richard A. Courage and published as The Muse in Bronzeville: African American Creative Expression in Chicago, 1932-1950 (Rutgers University Press, 2011).

Another of Bone's contributions is the name of the "Black Chicago Renaissance", a period of expansion for African-American culture in Chicago prior to World War II.[4]

gollark: You're indenting it already, right?
gollark: As a personal preference thing I don't use semicolons where possible but do like brackets.
gollark: I prefer them to just indentation mostly, indentation-based syntax can be flaky.
gollark: Because YAML tries to look "simple", it's actually wildly complex, problem-prone, and has weird quirks. Like Go, sort of.
gollark: TOML is, in my opinion, nicer for configs. It's basically standardized INI.

References
  1. TC Mourns Four from Its Faculty, The Campaign for Educational Equity, Teachers College, Columbia University, December 12, 2007, retrieved May 14, 2012.
  2. Robert A. Bone Collection, Teachers College, Columbia University, retrieved May 14, 2012.
  3. Meier, August (1959), "Some Reflections on the Negro Novel", CLA Journal, 2: 168–177.
  4. Tracy, Steven C. (2011). Writers of the Black Chicago Renaissance. University of Illinois Press. p. 1. ISBN 978-0-252-03639-2.
This article is issued from Wikipedia. The text is licensed under Creative Commons - Attribution - Sharealike. Additional terms may apply for the media files.