Robert Ancelin
Robert Ancelin (22 November 1898 - 25 January 1986) was a French actor and theater director. He was married with the soprano Fanély Revoil from 1937 to 1942 and directing manager of the Théâtre de la Porte-Saint-Martin from 1940 to 1949.
Robert Ancelin | |
---|---|
Born | 22 November 1898 Poitiers (Vienne) |
Died | 25 January 1986 87) | (aged
Occupation | Theater director, actor |
Spouse(s) | Fanély Revoil |
Filmography
- 1930 : Hai-Tang by Richard Eichberg and Jean Kemm as Boris Ivanoff
- 1931 : Y'en a pas deux comme Angélique by Roger Lion as Jean Larivière
- 1931 : About an Inquest by Robert Siodmak and Henri Chomette as Klate
- 1932 : Y'a erreur by Joseph Tzipine (short film)
- 1932 : L'Amour et la veine by Monty Banks as Jackson
- 1932 : Clochard by Robert Péguy as Poum
- 1932 : The Last Blow by Jacques de Baroncelli as Lucien
- 1933 : La Poule by René Guissart as Paul Cellier
- 1933 : Prince des Six Jours by Robert Vernay as Teddy, the barman
- 1933 : Vilaine histoire by Christian-Jaque (short film) as the amateur detective
- 1933 : L'Empreinte sanglante by Jean Mamy (short film) as the amateur detective
- 1933 : Deux blondes by Jean Mamy (short film) as the amateur detective
- 1933 : Le Client du numéro 16 by Jean Mamy (short film)
- 1933 : Ce n'est pas lui, anonymous direction (short film)
- 1933 : L'Atroce Menace by Christian-Jaque (short film) as the amateur detective
- 1934 : Crime d'amour by Roger Capellani (short film)
- 1934 : Lui...ou...elle by Roger Capellani (court métrage) as the amateur detective
- 1935 : Sans elle by M. Deleric (short film)
- 1935 : La Bandera by Julien Duvivier as the lieutenant
- 1938 : Café de Paris by Yves Mirande and Georges Lacombe
- 1939 : La Loi du Nord by Jacques Feyder
Theatre
- Comedian
- 1930: Arsène Lupin banquier, operetta, libretto Yves Mirande, couplets Albert Willemetz, composer Marcel Lattes after Maurice Leblanc, Théâtre des Bouffes-Parisiens
- 1942: Occupe-toi d'Amélie by Georges Feydeau, directed by Robert Ancelin, Théâtre de la Porte-Saint-Martin
- 1943: Pour avoir Adrienne by Louis Verneuil, directed by Robert Ancelin, Théâtre de la Porte-Saint-Martin
- Theatre director
- 1940: Le Bossu by Paul Féval and Auguste Anicet-Bourgeois, Théâtre de la Porte-Saint-Martin
- 1941: Le Maître de forges by Georges Ohnet, Théâtre de la Porte-Saint-Martin
- 1941: The Two Orphans by Adolphe d'Ennery and Eugène Cormon, Théâtre de la Porte-Saint-Martin
- 1941: Mon curé chez les riches by Clément Vautel, Théâtre de la Porte-Saint-Martin
- 1941: La Porteuse de pain by Xavier de Montépin, Théâtre de la Porte-Saint-Martin
- 1941: Le Contrôleur des wagons-lits and Les Surprises du divorce by Alexandre Bisson, Théâtre de la Porte-Saint-Martin
- 1941: Les Deux Gosses by Pierre Decourcelle, Théâtre de la Porte-Saint-Martin
- 1942: La Bouquetière des Innocents by Auguste Anicet-Bourgeois and Ferdinand Dugué, Théâtre de la Porte-Saint-Martin
- 1942: Occupe-toi d'Amélie! by Georges Feydeau, Théâtre de la Porte-Saint-Martin
- 1942: Et moi je te dis qu'elle t'a fait de l'œil by Maurice Hennequin and Pierre Veber, Théâtre de la Porte-Saint-Martin
- 1943: Pour avoir Adrienne by Louis Verneuil, Théâtre de la Porte-Saint-Martin
- 1943: Mon oncle et mon curé by Jean de La Brète, Théâtre de la Porte-Saint-Martin
- 1943: Le Pavillon d'Asnières by Charles Méré after Georges Simenon, Théâtre de la Porte-Saint-Martin
- 1943: Mon curé chez les riches after the novel by Clément Vautel, Théâtre de la Porte-Saint-Martin
- 1945: A Flea in Her Ear by Georges Feydeau, Théâtre de la Porte-Saint-Martin
- 1948: Un p'tit mari en or by André Mouëzy-Éon, Théâtre de la Porte-Saint-Martin
gollark: I figure that making new companies able to scale up more easily is probably a good thing.
gollark: Intellectual property is just really weird anyway. Probably important in some form, but really weird.
gollark: In the US's internet market for example the government just throws money at the big internet companies, and actually *creates* monopolies on internet connections in some cities.
gollark: The laws of most countries are complicated enough now that nobody can actually know and understand all of them, or even the ones which directly affect them. Also, I'm responding kind of slowly because my internet service is bad right now and randomly dropping out every few minutes.
gollark: (then, not than)
External links
- Robert Ancelin on IMDb
- Films liés à Robert Ancelin sur CinéRessources.net
- Robert Ancelin sur lesArchivesduSpectacle.net
- Robert Ancelin sur La Comédie musicale en France
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