Richard Move

Richard Move is an American present-day choreographer, dancer, performing artist, director, and filmmaker. They are the Artistic Director of MoveOpolis! and Move- It! Productions. Move is well known internationally for their interest in Martha Graham and the ability to recreate her performances.[1] They are a TEDGlobal Oxford Fellow [2] and was named 1 of 12 TED Fellows who inspire by producing art that confronts social injustice, and provokes action.[3] Move is Assistant Arts Professor at New York University in the Tisch School of the Arts’ Department of Dance.[4] In 2018, Move was Artist in Residence at Pratt Institute [5] and Monash University’s MADA (Monash Art, Design and Architecture) Artist in Residence in Melbourne, Australia. From 2014 – 2019, Move served as Assistant Professor of Dance in the Department of Drama, Theatre and Dance at Queens College, CUNY [6] and from 2012-2014, as Lecturer in Design at Yale School of Drama.

Richard Move
Richard Move (Photograph by Philip Habib)
Born
New York City
EducationVirginia Commonwealth University (BFA)
City College of New York (MFA)
New York University (MA)
New York University (M.Phil.)
New York University (Ph.D.)
OccupationChoreographer, performer, director, filmmaker, assistant professor at New York University
Height6 ft 4 in (1.93 m)
Websitemove-itproductions.com

Early life and education

Born in New York City and raised in Virginia,[7] Move studied theater and dance in high school and caught their first glimpse of Martha Graham's work on a high school field trip to Washington D.C. Move said of Graham, "The dance was beyond my comprehension at the time, but I understood it was mythic and dramatic and so sexy and violent." They studied dance at Virginia Commonwealth University and graduated with a Bachelor of Fine Arts. They also trained for three years as a scholarship student at the American Dance Festival at Duke University. While performing internationally with many dance-theater companies, from the Karole Armitage Ballet to DANCENOISE, Move worked as a go-go dancer and performed in many nightclubs throughout the world. Their birth name was Richard Winberg but was given the stage name Move by those they worked with in the nightclub industry. They were co-founder of Jackie 60, one of New York City's longest running and most exclusive avant-garde nightclubs.[8] Move earned a Master of Fine Arts in Media Arts Production from City College of New York and a Master of Arts and Master of Philosophy degrees in Performance Studies from New York University.[9] Move earned a Ph.D. in Performance Studies at New York University, where they curated and produced the controversial Ana Mendieta documentary Where is Ana Mendieta? 25 Years Later - An Exhibition and Symposium, which included his film, BloodWork - The Ana Mendieta Story. Art in America noted, "The overwhelming turnout for the symposium-turned-courtroom drama was much larger than the venue…the only such events to ever explicitly confront the circumstances surrounding her death and to overtly frame Carl Andre's acquittal of her murder as unjust."[10]

Career and achievements

One of their best-known works, Martha@... on the life and work of Martha Graham was created in 1996 and received two New York Dance and Performance Awards. Move has performed nearly 30 dances by Graham including Lamentation, Clytemnestra, Episodes and Phaedra.

Their films include Strangers With Candy (2006), Bardo (2009), recipient of the Jury Prize nomination at Lincoln Center's Dance on Camera Festival and BloodWork-The Ana Mendieta Story (2009), recipient of the National Board of Review Award/CityVisions at the Directors Guild of America. Move's feature film GhostLight (2003) had its World Premiere at the Tribeca Film Festival, is distributed by Palisades Tartan and was released on DVD in June 2012. GhostLight also stars Ann Magnuson with Isaac Mizrahi, Deborah Harry and Mark Morris.[11] Reviews of Ghostlight include "Glorious" by A.O. Scott of The New York Times [12] and "Richard Move is magnificent...Graham herself couldn't have done better." by Jami Bernard of The Daily News. [13] Move is Director and Producer of GIMP-The Documentary, which premiered at the 2014 Film Society of Lincoln Center’s Dance on Camera Festival.[14]

In 2017, they appeared in "SlowDancing/TrioA," a large scale video installation by artist, David Michalek, in collaboration with choreographer, Yvonne Rainer at New York's Danspace Project."[15] Move performed in DANCENOISE: Show at the Whitney Museum of American Art's 2015 retrospective.

They have also created many musicals and dance performances. Some of their most famous are Martha@..., Le Petomane (2006 and 2011), winner of the Outstanding Musical Award at the New York Fringe Festival, and Lamentation Variations (2007) commissioned by the Martha Graham Dance Company. Martha@... continues to be of great interest and "[Move] sees no shortage of interest or material."[16] Some critics do not like Richard Move's versions of Graham's dances and accuse him of false interpretations. Others regard Move as "The definitive, living history of one of dance's great artists." [17]Martha@...The 1963 Interview, named "Best of 2011" by ARTFORUM International, Time Out and numerous other publications, had its World Premiere at New York's Dance Theater Workshop in March of 2011 and returned for encore performances in November of 2011 at New York Live Arts. Roslyn Sulcas' review in The New York Times entitled, "Martha Graham Lives, and Is Interviewed" described Martha@...The 1963 Interview with, "Move brilliantly incarnates her..."[18] The production also featured Tony Award winning actress and playwright, Lisa Kron in the role originated by the late author and actor David Rakoff, and was presented at the 2014 Singapore International Festival of Arts.[19] Move's Martha@ continues to be presented internationally, including their work Martha@The Ravello Festival in Italy, in 2016. In 2017, Move presented the world premiere staging of Martha Graham’s little known 1928 solo, Immigrant, at the Isabella Stewart Gardner Museum in Boston, Massachusetts, which was commissioned by the Museum.[20]

In 2017, Move was commissioned by New York Live Arts to create the opening event of the annual Live Ideas Festival and premiered two new works, XXYY, exploring the gender identity spectrum and Martha@20, a 20th anniversary edition of Martha@...[21]. In an interview with The New York Times, Move spoke of the political importance of XXYY and told Siobhan Burke, "We seem to have taken a pretty large step backward in terms of understanding gender identity and accepting minoritarian sexuality. Look at the statistics around these lives, from the New York City Anti-Violence Project — they’re staggering." [22] New York Times critic Brian Seibert noted, "The greatest fascination of the program lay in the contrast ... Through Move, these voices spoke to each other, and to us."[23]

At MoMA, The Museum of Modern Art in 2013, Move appeared as Graham in 20 Dancers for the XX Century, described by The New York Times as, "…Move also was the art. The Graham choreography they performed was an exhibit, yet so were they: a dancer as a living archive of dance.”[24] Conceived by Boris Charmatz’ Musée de la Danse, “… Move and 19 other distinguished dancers inhabited spaces all through the building…” [25] The Financial Times stated, “Best of all was Richard Move’s setting…They caught her tragic Clytemnestra between the two massive screens for Douglas Gordon’s life-sized videos of elephants tromping then rolling helplessly on a Gagosian Gallery floor.” [26] Move was on exhibit as Graham at Singapore’s Asian Civilisations Museum in 2014.[27]

Move was named one of "25 to Watch" by Dance Magazine and The New York Times has published six Sunday "Arts and Leisure" features on their work.

As Artistic Director of MoveOpolis! their dance, theater and interdisciplinary works have been presented internationally. MoveOpolis! collaborators regularly include such notable figures as fashion designer Patricia Field (Sex and the City, The Devil Wears Prada), maverick filmmaker and visual artist Charles Atlas and writer Hilton Als (The New Yorker). [28] Move's The Show (Achilles Heels), originally commissioned and performed by Mikhail Baryshnikov and the White Oak Dance Project, has been hailed by Dance Magazine as "...a powerful, iconoclastic theater piece that's made to measure for 21st Century."[29] And, by The Star Ledger as "A brilliant work and the most revolutionary work Baryshnikov has commissioned."[30] The Show (Achilles Heels) had its New York premiere at The Kitchen, featuring Rock and Roll Hall of Fame inductee, Deborah Harry of Blondie and Rasta Thomas in the leading role originally created for Mikhail Baryshnikov. In 2013, the Martha Graham Dance Company premiered The Show (Achilles Heels) at New York's Joyce Theater. The Financial Times review headline read, "Graham's 'Phaedra' was impressive for its storytelling, but it was another choreographer’s work that stole the show,” and proclaimed Move's work an "...hour long tour de force...now set on the Graham company, where it deserves a long life."[31] The New York Post review called Move's "...aesthetic universal, and they do it so well that it can give you chills." [32] The New York Post also named Lloyd Mayor "3 Young Men in Ballet to Watch" for "Achilles, the gender-bending role Baryshnikov originated... in "The Show."[33]

Move's other choreographic commissions include acclaimed works for PARADIGM (Carmen DeLavallade, Gus Solomons, Jr., and Dudley Williams), the American Festival of Paris, the Opera Ballet of Florence, Italy and for New York City Ballet Principal, Helene Alexopoulos, which The New York Times reviewed as "…stunning…first rate work from both." [34] Move also conceives, directs and stages large-scale, multi-media events including productions for the European Cultural Capitol of France, the Guggenheim Museum in New York, the VH1/Vogue Fashion Awards, and, in 2014, at the Parrish Art Museum.[35] [36]

They choreographed Dame Shirley Bassey's Diamonds are Forever at the Cannes Film Festival AMFAR Gala and directed Isaac Mizrahi in his acclaimed one-man show, LES MIZrahi, "Director Richard Move and Mizrahi have created a triumph." Time Out. They also produced and directed the infamous professional wrestler, The Iron Sheik, in his one-man show, which previewed at Caroline's in New York City.

Move's many television appearances include A&E's Role Reversal, HBO's Emmy Award-winning The Artist is Present, Sundance Channel's Iconoclasts, A&E's Biography, BBC's Bourne to Dance and PBS' City Arts, on Move's work, which received an Emmy Award.

Their other stage credits include Edward Albee's Who's Afraid of Virginia Woolf? The FUSION Theater Company of New Mexico's controversial 2004 production featured Move as Martha in this iconic masterpiece. "No sharper black wit can be found in American theater, and this cast wield that wit with the precision of brain surgeons." [37]

Cease and Desist

Move’s Cease and Desist requests include those from the Martha Graham Entities,[38] The Estate of Ana Mendieta and Edward Albee.

Publication
  • "God Save Petronio! - In the Paradise of First Grace," in "ALLY:" Janine Antoni, Anna Halprin and Stephen Petronio. ( Hirmer Publishers, 2018)
  • "Sonic Bodies, Seizures and Spells" in The Oxford Handbook of Dance and Reenactment (Oxford University Press; 1st edition, 2017)
  • “The Sovereign Soloist – States of Exceptional Labor and State of Darkness" in Rhythm Field – The Dances of Molissa Fenley (Seagull Press/Enactments Series edited by Richard Schechner, 2015)
  • Introduction – “Where is Ana Mendieta?” in Where is Ana Mendieta? 25 Years Later – An Exhibition and Symposium Dossier (Women & Performance, Routledge Press, 2011)
  • Introduction – "On Part Real, Part Dream" in Part Real, Part Dream, Dancing with Martha Graham by Stuart Hodes (Concord Press, 2011)
  • Exhibition Catalogue – Where is Ana Mendieta? 25 Years Later – An Exhibition and Symposium (Fales Library and Special Collections, New York University, 2010)

Move is recipient of numerous awards including grants from Creative Capital[39] and the Foundation for Contemporary Performance.

Move's films and photographs have been exhibited internationally at festivals, museums and galleries, and Move often makes appearances as a public speaker on topics related to the arts.

gollark: And neither can easily be called "bloat".
gollark: I think mouse input is better for some tasks and keyboard input is better for others.
gollark: It could probably have gone another way, if the history of computing had gone somewhat differently.
gollark: Well, LXDE and most DEs and stuff *have* it, because icons are nice for some people.
gollark: Or, well, within a second or so.

References
  1. Kourlas, Gia (March 25, 2011). "He's the Shade of Martha Graham". The New York Times. Retrieved February 27, 2012.
  2. TED Conferences,LLC (2010). "TED Fellows Network>>Richard Move". Retrieved October 16, 2013.
  3. "Gallery: Can politics make great art? Meet 12 young artists who say yes". ideas.TED.com. Retrieved January 18, 2017.
  4. "Move, Ph.D., Joins NYU's Tisch Dance Faculty". NYU. Retrieved July 22, 2019.
  5. "PERFORMANCE AND PERFORMANCE STUDIES FACULTY". Pratt Institute. Retrieved April 18, 2018.
  6. "The Dept. Of Drama, Theater and Dance is excited to welcome Richard Move to the Faculty". Queens College. Retrieved September 22, 2014.
  7. Kourlas, Gia (June 13, 2004). "Dance; Martha Graham Like You've Never Seen Him". The New York Times. Retrieved October 30, 2013.
  8. Reardon, Christopher (January 9, 2001). "Errand Into the Maze- As Rival Factions Fight over Martha Graham's Legacy, Richard Move Re-creates the Diva's Singular Mystique". The Village Voice. Retrieved October 30, 2013.
  9. "Performance Studies, Richard Move". New York University. Retrieved September 4, 2019.
  10. Sneed, Gillian (October 12, 2010). "The Case of Ana Mendieta". Arts in America. Retrieved February 27, 2012.
  11. "IMDb Ghostlight (2003)". IMDb.com, Inc. Retrieved October 30, 2013.
  12. Scott, A.O. (May 2, 2003). "Critics Notebook; A Chaotic Bazaar, Bursting With Films". The New York Times. Retrieved October 30, 2013.
  13. Bernard, Jami (May 9, 2003). "THE TALK: LABUTE ON FINDING LOVE, BLACK ACTRESSES ON FINDING WORK". New York Daily News. Retrieved October 30, 2013.
  14. "GIMP - The Documentary". Dance Films Association. Retrieved October 30, 2013.
  15. Burke, Siobhan (June 16, 2017). "My Seven Seconds of Anyone-Can-Do-It (but Not Really) Dance". The New York Times.
  16. Kourlis, Gia (March 25, 2011). "He's the Shade of Martha Graham". The New York Times. Retrieved October 30, 2013.
  17. Whittenburg, Zachary. "Richard Move, the immortal Martha Graham." Time Out Chicago 17 Aug. 2011 https://timeoutchicago.com/arts-culture/dance/14895257/richard-move-the-immortal-martha-graham
  18. Sulcas, Roslyn (March 31, 2011). "Martha Graham Lives, and Is Interviewed". The New York Times. Retrieved October 30, 2013.
  19. "Martha @...The 1963 Interview". SIFA/ Arts House LTD. Retrieved June 14, 2014.
  20. "Migrations/ Isabella Stewart Gardner Museum". . 2017. Retrieved September 17, 2014.
  21. "RICHARD MOVE AND MOVEOPOLIS! : XXYY & MARTHA@20". NYLA. 2017.
  22. Burke, Siobhan (March 7, 2017). "Gender Outlaws, Floating Freely Outside Binary Boxes". The New York Times. Retrieved October 7, 2017.
  23. Burke, Siobhan (March 21, 2017). "Reviews: Colliding Particles, a Grim Duet and Channeling Martha Graham". The New York Times. Retrieved March 22, 2017.
  24. Seibert, Brain (October 20, 2013). "Artwork on Foot Attracts New Vantage Points In MoMA's '20 Dancers for the XX Century,' Intimacy Reigns". The New York Times. Retrieved October 30, 2013.
  25. Seibert, Brain (October 20, 2013). "Artwork on Foot Attracts New Vantage Points In MoMA's '20 Dancers for the XX Century,' Intimacy Reigns". The New York Times. Retrieved October 30, 2013.
  26. Scherr, Apollinaire (October 21, 2013). "20 Dancers for the XX Century, MoMA, New York – review". The Financial Times. Retrieved October 30, 2013.
  27. "Martha@ACM by Richard Move". Asian Civilisations Museum. May 2014. Retrieved June 13, 2014.
  28. Goodwin, Joy (December 17, 2006). "A Choreographer Begins Shedding Their Inner Martha". The New York Times. Retrieved October 30, 2013.
  29. "Dance Magazine Fall Preview Critics' Choice 2002" (PDF). Dance Magazine. September 2002. Retrieved October 30, 2013.
  30. "Baryshnikov keeps us on our toes" (PDF). The Star Ledger. June 10, 2002. Retrieved October 30, 2013.
  31. Scherr, Apollinaire (February 21, 2013). "Martha Graham Company, Joyce Theater, New York". The Financial Times. Retrieved October 3, 2013.
  32. Witchel, Leigh (February 22, 2013). "'Myth' Will move You". The New York Post. Retrieved March 24, 2013.
  33. Witchel, Leigh (April 28, 2013). "3 Young men in ballet to watch". The New York Post. Retrieved May 24, 2013.
  34. Dunning, Jennifer (July 17, 2001). "DANCE REVIEW; 7 Choreographers Pick a Sin and Run With It". The New York Times. Retrieved October 30, 2013.
  35. "Parrish Art Museum Midsummer Party". Parrish Art Museum. Retrieved June 14, 2014.
  36. "Move-It. Events". Move-It Productions. Retrieved May 24, 2013.
  37. "Information about Past Plays at FUSION Theatre." N.p., 2004. Web. 15 Aug. 2012 http://www.fusionabq.org/archive/Reviews04.htm#wavw
  38. La Rocco, Claudio (April 16, 2006). "Richard Move Resurrects Two Giants: Achilles and Martha Graham". The New York Times. Retrieved October 30, 2013.
  39. Creative Capital (2002). "Richard Move". Creative Capital.
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