Richard John Taylor

Meredith Alfred Lytton (born 15 June 1985), known professionally as Richard John Taylor, is a British filmmaker[1][2]

Career

In 2011, Taylor formed Princess Films with the stated goal of producing "hard hitting and thought provoking" documentaries. His first film was I Want To Talk About It[3], a documentary looking at the effects of rape, fronted by actress Louisa Lytton.

In 2012 the company moved on to feature films, the first being Fifteen starring Nicholas Ball. He later wrote and directed Acceptance[4][5] with Billy Murray, Leslie Grantham, Crissy Rock and Chris Langham.[6]

He worked with Grantham on two more films, a short entitled Leslie[7] in which Grantham plays a fictionalised version of himself and the feature The Factory[8] which was loosely inspired by the Roald Dahl novel Charlie and the Chocolate Factory and the life of the actor Gene Wilder. Langham also makes an appearance in The Factory as the lead characters family doctor.

In March 2014, Simon Hattenstone wrote an article in The Guardian, accusing Taylor of having falsified claims in regards to his business associates and defrauded investors. According to the article, Taylor claimed to work for the BBC as chief editor for the television show EastEnders but in fact never worked on the production. The article concludes by stating the accusations were not pursued or upheld legally.

In February 2018, he wrote and directed The Krays: Dead Man Walking starring Marc Pickering and EastEnders actors Rita Simons, Leslie Grantham, Chris Ellison and Nicholas Ball. Released by Sony Pictures on 10 September 2018, it was the biggest first week on DVD of any non-theatrical British film that year.[9] In November 2019, Dread Central announced that due to the commercial success of the film, Taylor would return to direct a sequel titled The Krays: New Blood[10]. The article also revealed he was working on a memoir about the life of his best friend, the late actor Leslie Grantham, who passed away in 2018 on Taylor's birthday.

In October 2018, he wrote, edited, produced and directed Muse, a psychological horror starring Nicholas Ball. The script was first conceived as a vehicle for Leslie Grantham, who remained onboard as producer, making the film his last official screen credit[11]. Muse was released on 8th March 2019 on Amazon Prime in the US and UK. Taylor was awarded 'Best Cinematography' at the 2019 London International Motion Picture Awards for his work on the film[12].

In March 2020, an article on Dread Central[13] released news that Taylor's production company Hello Princess was in pre-production on a slate of six horror films. ‘The Disappearance of Little Lottie, The Huntress of Auschwitz, Man Eater, The Butcher Baker, Actors Vs Zombies, and The Silent Assassin would all be written and directed by Taylor with production starting as early as summer 2020. The Huntress of Auschwitz and The Butcher Baker will reunite Taylor with Jeffrey Charles Richards who starred in his award winning film Muse, while The Silent Assassin would star Nicholas Ball, whom Taylor has worked with on several previous films. In addition to revealing two more films, The Hunt and Baba Yaga, were in development, the article also revealed that Taylor's memoir of Leslie Grantham was titled Where I'm Going, You Can't Follow. An exclusive interview with journalist Mike Haberfelner[14] confirmed the news as well as that Taylor was penning a further two books and another film, I'll See Myself Out, Thank You.

On 11th August 2020, Taylor was interviewed by Dread Central[15] to celebrate the unveiling of the trailer[16] for his forthcoming film Vengeance starring Billy Murray and Leslie Grantham. The interview confirmed his production company Hello Princess had moved into pre-production on previously mentioned projects The Huntress of Auschwitz and The Disappearance of Little Lottie while also developing a female-led Dracula project. Furthermore, Taylor revealed he had penned a children's book, The Loneliest Cow, to be published in December 2020.

gollark: I assumed they had some sort of magic grandfathered in thing.
gollark: Hold on while I look up context for the pizza pricing thing?
gollark: Ah, so apparently the Eurozone is a small subset of the EU, oops.
gollark: Isn't Poland in the EU? Don't you use euros?
gollark: Added to your capitalistical profile.

References

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