Regenesis Creation

Regenesis Creation is the third album by the American symphonic black metal band Vesperian Sorrow.

Regenesis Creation
Studio album by
ReleasedMay 5, 2006
Recorded2004, Amplitude Studios, Spain
GenreSymphonic black metal
Length47:42
LabelUnderscape
Vesperian Sorrow chronology
Psychotic Sculpture
(2001)
Regenesis Creation
(2006)

About

Lyrically, the album is a concept album telling a fictional story of a race of beings from another world, exiled and forced with a new beginning to live on another planet.[1] The ending song is the climax to the album when the new race conquers their enemies and are free to rule their new homeland.[1] The album was supposed to be a 2005 release on the liner notes to the album but was not available to the public until May 2006.[2] Before the release of the album, the band toured the UK, the USA and Canada to promote the album.[3] The album received rave reviews from critics for a second time regarding them as "one of the best black metal bands in the country".[1] The album is known for having a powerfully symphonic and melodic sound as well as sounding like a Scandinavian band has made the album.[1] Most reviewers criticized the use of keyboards and thought they were overpowering the album, nonetheless it only adds to the music and gives off a powerful sensation to the music.[1] "Quest of the Exiled" is the most requested song for the band to play live and is Donn Donni's favorite song Vesperian Sorrow has written.[1]

Track listing

  1. "Intro" − 1:43
  2. "Invisible Kingdom" − 7:32
  3. "Imprisoned in Gurdon" − 4:32
  4. "Regenesis Creation" − 5:54
  5. "Quest of the Exiled" − 7:24
  6. "Relinquished" − 6:39
  7. "The Forever Vortex" − 4:08
  8. "Vanquished" − 9:55

Reissue

The CD was re-released around late 2007 or 2008, with two bonus tracks. The new track listing is as follows:

  1. "Intro" − 1:43
  2. "Invisible Kingdom" − 7:32
  3. "Imprisoned in Gurdon" − 4:32
  4. "Regenesis Creation" − 5:54
  5. "Quest of the Exiled" − 7:24
  6. "Relinquished" − 6:39
  7. "The Forever Vortex" − 4:08
  8. "Vanquished" − 9:55
  9. "Gates to Serpithia" − 5:03
  10. "Cry Lil' Sister" − 5:01 (a cover of a song from The Lost Boys soundtrack by Gerard McMahon)

Credits

gollark: ?tag bismuth1
gollark: ?tag blub
gollark: ?tag create blub Graham considers a hypothetical Blub programmer. When the programmer looks down the "power continuum", he considers the lower languages to be less powerful because they miss some feature that a Blub programmer is used to. But when he looks up, he fails to realise that he is looking up: he merely sees "weird languages" with unnecessary features and assumes they are equivalent in power, but with "other hairy stuff thrown in as well". When Graham considers the point of view of a programmer using a language higher than Blub, he describes that programmer as looking down on Blub and noting its "missing" features from the point of view of the higher language.
gollark: ?tag blub Graham considers a hypothetical Blub programmer. When the programmer looks down the "power continuum", he considers the lower languages to be less powerful because they miss some feature that a Blub programmer is used to. But when he looks up, he fails to realise that he is looking up: he merely sees "weird languages" with unnecessary features and assumes they are equivalent in power, but with "other hairy stuff thrown in as well". When Graham considers the point of view of a programmer using a language higher than Blub, he describes that programmer as looking down on Blub and noting its "missing" features from the point of view of the higher language.
gollark: > As long as our hypothetical Blub programmer is looking down the power continuum, he knows he's looking down. Languages less powerful than Blub are obviously less powerful, because they're missing some feature he's used to. But when our hypothetical Blub programmer looks in the other direction, up the power continuum, he doesn't realize he's looking up. What he sees are merely weird languages. He probably considers them about equivalent in power to Blub, but with all this other hairy stuff thrown in as well. Blub is good enough for him, because he thinks in Blub.

References

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