REALLIFE Magazine

REALLIFE Magazine was a publication featuring written and visual material by and about young artists that was co-founded and published by artist Thomas Lawson and writer Susan Morgan between 1979 and 1994.[1][2] It served as a clearing house for new ideas and examinations of mass media and art, while chronicling New York’s developing postmodern alternative art scene. It was strongly associated with the "Pictures Generation" group of artists.[3][4][5]

REALLIFE Magazine
REALLIFE Magazine, First issue, March 1979. Artwork by Sherrie Levine.
EditorThomas Lawson and Susan Morgan
CategoriesVisual art
First issueMarch 1979 (1979-March)
Final issue1994
CountryUnited States
Based inNew York City, New York
LanguageEnglish

Magazine

The magazine’s first issue was made possible by a National Endowment for the Arts grant in art criticism, awarded to Lawson through Artists Space (New York). REALLIFE Magazine was based in New York and attentively addressed current art and its influences while continuously speculating about culture and questioning politics. Starting with a focus on the ‘Pictures’ artists - and an affinity with the world of TV, film, and popular culture - the magazine charted the rise of the postmodernism and post feminist debates before moving into more political issues, from institutional critique and hypertext to AIDS and the civil war in El Salvador. As the ‘80s unraveled, and priorities and interests shifted in the art world, the magazine remained a forum for artists’ opinions, providing exposure for those overlooked by the mainstream, and introducing the work of a new generation of practitioners. The wide range of featured artists included Sherrie Levine, Félix González-Torres, Mike Kelley, Dan Graham, Louise Lawler, Joseph Nechvatal, Matt Mullican,[6] Jeff Wall, David Hammons and Critical Art Ensemble, among others.

Exhibition

In March, 2007, Artists Space hosted the exhibition. Curated by Kate Fowle, the show looked at the 80s decade through the lens of this publication and its extraordinary roster of contributors, including Richard Baim, Eric Bogosian, Glenn Branca, Critical Art Ensemble, Jamie Davidovich, Jessica Diamond, Mark Dion + Jason Simon, Jack Goldstein, Kim Gordon, Group Material, David Hammons, Michael Hurson, Ray Johnson, Mike Kelley, Barbara Kruger, Louise Lawler, Sherrie Levine, Sol LeWitt, Robert Longo, Ken Lum, Allan McCollum, Paul McMahon, Matt Mullican, Adrian Piper, Richard Prince, David Robbins, Cindy Sherman, Michael Smith and James Welling.[7]

Book

The exhibition coincided with the publication REALLIFE Magazine: Selected Writings and Projects 1979-1994, edited by Miriam Katzeff and published by Primary Information (NY, 2007). With an introduction by Matthew Higgs, the anthology features writings and projects by Doug Ashford, Jo Baer and Bruce Robbins, Judith Barry, Dara Birnbaum, Joseph Bishop, Eric Bogosian, Jennifer Bolande, Derek Boshier, Jim Bradley, Elsa Bulgari, Rhys Chatham, Mark Dion, Spencer Finch, Felix Gonzalez-Torres, Kim Gordon, Dan Graham, Group Material, B.P. Gutfreund, The Holy Ghost Writers, Kellie Jones, Judith Kirshner, Barbara Kruger, Louise Lawler, Thomas Lawson, Christine N. Lea, Sherrie Levine, Allan McCollum, Paul McMahon, John Miller, Robert C. Morgan, Susan Morgan, David A. Muller, Matt Mullican, Kathi Norklun, Adrian Piper, Richard Prince, Rex Reason, David Robbins, Walter Robinson, John Robert, Tim Rollins and K.O.S., Ed Ruscha, Fulton Ryder, Grahame Shane, Cindy Sherman, Laurie Simmons, Howard Singerman, Michael Smith and R. Sikoryak, Jana Sterbak, Josef Strau and Stephan Dillemuth, John Stezaker, Valentin Tatransky, Bernard Tschumi, John A. Walker, Jeff Wall, Joan Wallace and Geralyn Donohue, James Welling, and Robin Winters.[8]

gollark: Yes, see, all my projects are nigh-useless to anyone but me.
gollark: If someone can somehow leverage my python beep noise script or heavdrone implementation or partial Wikipedia dump indexer into a startup they deserve vast quantities of money.
gollark: I release all the stuff I'm not utterly ashamed of under permissive licensing because it is never going to be used for cashmoney™ ever.
gollark: Some offense, but yes, what γibson said.
gollark: I don't care a massive amount either way.

References
  1. REALLIFE Magazine: Selected Writings and Projects 1979-1994
  2. Printed Matter. REAL LIFE Magazine. Retrieved January 14, 2018.
  3. Bovier, Lionel and Fabrice Stroun. “Introduction,” Mining for Gold: Selected Writings (1979–1996), Zurich: JRP|Ringier, 2004.
  4. Rickey, Carrie. “Naïve Nouveau and Its Malcontents,” Flash Art, Summer 1980.
  5. Sandler, Irving. Art of the Postmodern Era: From the Late 1960s to the Early 1990s, New York: Harper Collins, 1996.
  6. Matt Mullican's World, essay on Matt Mullican by Allan McCollum, REALLIFE Magazine, 1980
  7. REALLIFE 1979-1990
  8. Michael Lobel, "Back to (Real) Life" Modern Painters 2007 (June) 57-58.
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