Qui ?
Qui ? (Who?) is the tenth French studio album by the French-Armenian singer Charles Aznavour, released in 1963. [2]
Qui ? | ||||
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Studio album by | ||||
Released | 1963[1] | |||
Genre | Chanson | |||
Label | Barclay | |||
Producer | Paul Mauriat (orchestration) | |||
Charles Aznavour chronology | ||||
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Track listing
- For Me, Formidable (Charles Aznavour / Jacques Plante)
- Au Clair de Mon Âme (Charles Aznavour)
- Dors (Charles Aznavour)
- Qui ? (Charles Aznavour)
- O ! Toi la Vie (Charles Aznavour)
- Trop Tard (Alex Alstone / Charles Aznavour)
- Donne Tes Seize Ans (Charles Aznavour / Georges Garvarentz)
- Tu Exagères (Charles Aznavour)
- Jolies Mômes de Mon Quartier (Charles Aznavour)
- Bon Anniversaire (Charles Aznavour)
- Les Deux Pigeons (Charles Aznavour)
- Il Viendra Ce Jour (Charles Aznavour)
Track listing of the 1995 CD Reissue
- For Me, Formidable (Charles Aznavour / Jacques Plante)
- Au Clair de Mon Âme (Charles Aznavour)
- Dors (Charles Aznavour)
- Qui ? (Charles Aznavour)
- O ! Toi la Vie (Charles Aznavour)
- Trop Tard (Alex Alstone / Charles Aznavour)
- Donne Tes Seize Ans (Charles Aznavour / Georges Garvarentz)
- Tu Exagères (Charles Aznavour)
- Jolies Mômes de Mon Quartier (Charles Aznavour)
- Bon Anniversaire (Charles Aznavour)
- Les Deux Pigeons (Charles Aznavour)
- Et Je Vais (Charles Aznavour)
- Pour Faire une Jam (Charles Aznavour)
- Au Creux de Mon Épaule (Charles Aznavour)
- Il Pleut (Charles Aznavour)
- Sur la Table (Charles Aznavour)
- Sa Jeunesse (Charles Aznavour)
Personnel
- Charles Aznavour - Author, Composer, Vocals
- Georges Garvarentz - Composer
- Alex Alstone - Composer
- Jacques Plante - Composer
gollark: He makes bad jokes and abuses power to do so.
gollark: It's neither, it's just really stupid.
gollark: Yes. A "joke". Definitely. vote gibson, !lyric!demote!.
gollark: The "joke" mutings/kickings are a bad thing which should stop, yet LyricLy has not done this despite agreeing to not mute/ban people without consent and also admin guidelines.
gollark: He is also generally vaguely tyrannical.
References
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