Puck (A Midsummer Night's Dream)

Puck, also known as Robin Goodfellow, is a character in William Shakespeare's play A Midsummer Night's Dream, based on the ancient figure of Puck found in English mythology.

Vince Cardinale as Puck from the Carmel Shakespeare Festival production of A Midsummer Night's Dream, September 2000

Puck is a clever, mischievous fairy, sprite, or jester. He is the first of the main fairy characters to appear, and creates the drama of the human lovers' story by splitting up a young couple lost in an enchanted forest. As a "shrewd and knavish sprite", he is an impish trickster and delights in pranks and practical jokes, like replacing Bottom's head with that of an ass.

Appearances in the play

Puck (1789) by Joshua Reynolds

The audience is introduced to Puck in Act 2 Scene 1 when one of Titania's fairies encounters Puck:

FAIRY
Either I mistae your shape and making quite,
Or else you are that shrewd and knavish sprite
Call'd Robin Goodfellow: are not you he
That frights the maidens of the villagery;
Skim milk, and sometimes labour in the quern
And bootless make the breathless housewife churn;
And sometime make the drink to bear no barm;
Mislead night-wanderers, laughing at their harm?
Those that Hobgoblin call you and sweet Puck,
You do their work, and they shall have good luck:
Are not you he?

PUCK
Thou speak'st aright;
I am that merry wanderer of the night.
I jest to Oberon and make him smile
When I a fat and bean-fed horse beguile,
Neighing in likeness of a filly foal:
And sometime lurk I in a gossip's bowl,
In very likeness of a roasted crab,
And when she drinks, against her lips I bob
And on her wither'd dewlap pour the ale.
The wisest aunt, telling the saddest tale,
Sometime for three-foot stool mistaketh me;
Then slip I from her bum, down topples she,
And 'tailor' cries, and falls into a cough;
And then the whole quire hold their hips and laugh,
And waxen in their mirth and neeze and swear
A merrier hour was never wasted there.
But, room, fairy! Here comes Oberon

Puck (c. 1810–1820), Henry Fuseli's depiction of the character

Puck is the servant of the fairy king Oberon, who is angry with Titania the fairy queen. Oberon is jealous of Titania's fondness for her Indian slave boy. Puck is sent to fetch a flower that, having been struck by Cupid's arrows, now has the power to induce love in anyone who drinks its juices. Puck is then instructed by Oberon to use the love flower to fix the love entanglement occurring between the Athenian lovers who are on a merry chase in the forest. He mistakenly administers the charm to the sleeping Lysander instead of Demetrius. Puck provides Nick Bottom with a donkey's head so that Titania will fall in love with a beast and forget her attachment to the slave boy, allowing Oberon to take the child from her. Later, Puck is ordered by Oberon to fix the mistake he has made, by producing a dark fog, leading the lovers astray within it by imitating their voices, and then applying the flower to Lysander's eyes, which will cause him to fall back in love with Hermia. The four lovers wonder if the events that occurred in the forest were real, or merely a shared delusion (or, to put it another way, A Midsummer Night's Dream). At the end of the play (Act 5 Scene 1) Puck delivers a speech in which he addresses the audience directly, and suggests that anyone who might have been offended by the play's events should, like the characters, consider that the whole performance was just a bad dream:

If we shadows have offended,
Think but this, and all is mended,
That you have but slumber'd here
While these visions did appear.
And this weak and idle theme,
No more yielding but a dream,
Gentles, do not reprehend:
If you pardon, we will mend:
And, as I am an honest Puck,
If we have unearned luck
Now to 'scape the serpent's tongue,
We will make amends ere long;
Else the Puck a liar call;
So, good night unto you all.
Give me your hands, if we be friends,
And Robin shall restore amends.

Name of character

The original texts of Shakespeare's plays do not have cast lists, and can sometimes be inconsistent about what they call characters, but Puck's is a particularly awkward case. Both the Quarto and the First Folio call the character "Robin Goodfellow" on the first entrance, but "Puck" later in the same scene, and they remain inconsistent. The Arden Shakespeare calls the character "Puck", and amends all stage directions (but not actual dialogue) that refer to the character as "Robin" or "Robin Goodfellow".[1]

Portrayals

Puck by Carl Andersson (sculptor), Midsommarkransen, Stockholm, Sweden

Film and TV

Theatre

School productions

Fine arts

Logo for the magazine Puck, 1871-1918

Literature

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References

  1. Arden Shakespeare introduction and text of A Midsummer Night's Dream
  2. James, Clive (17 September 2016). "Clive James: 'Mickey Rooney hammed it up rotten as Puck'". The Guardian. Retrieved 11 April 2019.
  3. Clarke, Andrew. "Shake up your Shakespeare: 10 innovative plays for today". East Anglian Daily Times. Retrieved 11 April 2019.
  4. Dobson, Michael; Wells, Stanley; Sharpe, Will; Sullivan, Erin (2015). The Oxford Companion to Shakespeare. Oxford University Press. ISBN 9780191058158. Retrieved 11 April 2019.
  5. Burnett, Mark Thornton; Streete, Adrian; Wray, Ramona (31 October 2011). "The Edinburgh Companion to Shakespeare and the Arts". Edinburgh University Press. Retrieved 15 October 2017 via Google Books.
  6. Perlmutter, David (2018). The Encyclopedia of American Animated Television Shows. Rowman & Littlefield. p. 231. ISBN 9781538103746. Retrieved 11 April 2019.
  7. Shakespeare, William (1905). A Midsummer Night's Dream. Sourcebooks, Inc. p. 70. ISBN 9781402226809. Retrieved 11 April 2019.
  8. Richards, Stuart James (2017). The Queer Film Festival: Popcorn and Politics. Springer. p. 191. ISBN 9781137584380. Retrieved 11 April 2019.
  9. "Meet the cast of A Midsummer Night's Dream". Radio Times. Retrieved 11 April 2019.
  10. "Review | This new 'Midsummer Night's Dream' movie is set in Hollywood. Sounds cool, no? Wrong". Washington Post. Retrieved 11 April 2019.
  11. "BBC Two - Upstart Crow, Series 3, Lord, What Fools These Mortals Be!, If we shadows have offended". BBC. Retrieved 11 April 2019.
  12. "Upstart Crow - S3 - Episode 1: Lord, What Fools These Mortals Be!". Radio Times. Retrieved 11 April 2019.
  13. Sorren, Martha. "Robin From Chilling Adventures of Sabrina Part 3 Has Shakespearean Roots". Refinery29.com. Retrieved 2 February 2020.
  14. Inc, Nielsen Business Media (17 January 1948). "Billboard". Nielsen Business Media, Inc. p. 42. Retrieved 11 April 2019.
  15. The Music Magazine/Musical Courier. 1961. p. 57.
  16. Shakespeare, William (1905). A Midsummer Night's Dream. Sourcebooks, Inc. p. 14. ISBN 9781402226809. Retrieved 11 April 2019.
  17. Aucoin, Don (14 September 2009). "Dream in 'Donkey Show' is Shakespearean". Boston.com. Retrieved 11 April 2019.
  18. Wollman, Elizabeth L. (2009). The Theater Will Rock: A History of the Rock Musical, from Hair to Hedwig. University of Michigan Press. p. 215. ISBN 9780472034024.
  19. Shakespeare, William (2016). The New Oxford Shakespeare: The Complete Works. Oxford University Press. ISBN 9780199591152.
  20. "A Midsummer Night's Dream". TheaterMania. Retrieved 26 March 2020.
  21. Barnes, Jennifer (2017). Shakespearean Star. Cambridge University Press. ISBN 9781107181113. Retrieved 11 April 2019.
  22. "The North Wall: From the school stage to living the artistic dream". The Oxford Times. Retrieved 11 April 2019.
  23. Sillars, Stuart (2006). Painting Shakespeare: The Artist as Critic, 1720-1820. Cambridge University Press. pp. 241–242. ISBN 978-0-521-85308-8. Retrieved 1 March 2020.
  24. Finn, Robin (19 September 2013). "Penthouses for the Puck Building". The New York Times. Retrieved 29 March 2019.
  25. Alleman, Richard (2013). New York: The Movie Lover's Guide: The Ultimate Insider Tour of Movie New York. Crown/Archetype. p. 283. ISBN 9780804137782. Retrieved 29 March 2019.
  26. Kahn, Michael Alexander; West, Richard Samuel (2014). PUCK: What Fools These Mortals Be!. IDW Publishing. p. 13. ISBN 9781623026691.
  27. "Puck". www.skulptur.stockholm.se. Retrieved 29 March 2019.
  28. ""Denna gestalt skulle alla oberoende av kön kunna spela"". BÄTTRE STADSDEL. 7 March 2016. Retrieved 11 April 2019.
  29. Rubenstein, Charlotte Streifer, American Women Sculptors: A History of Women Working in Three Dimensions, G. K. Hall and Co. Boston, 1990 p. 248
  30. Levenson, Jill L.; Ormsby, Robert (27 March 2017). "The Shakespearean World". Taylor & Francis. p. 386. Retrieved 12 October 2017 via Google Books.
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