Pratima Bandopadhyay
Pratima Bandopadhyay (Bengali: প্রতিমা বন্দ্যোপাধ্যায়) (21 December 1934 – 29 July 2004) (born as Pratima Chatterjee aka Pratima Chattopadhyay) was a Bengali playback singer from Kolkata, who sang numerous songs in popular Bengali language movies and non-film as well, particularly during the 1950s, 60s and 70s.[1] She was also known as Pratima Banerjee.
Srimati Pratima Bandopadhyay | |
|---|---|
 শ্রীমতী প্রতিমা বন্দ্যোপাধ্যায় | |
| Background information | |
| Born | 21 December 1934 Kolkata, West Bengal, India |
| Died | 29 July 2004 (aged 69) |
| Genres | Playback singer |
| Occupation(s) | Singer |
Early life
Pratima Bandopadhyay's ancestors were native to Baherak (Bengali: বাহেরক), Bikrampur, Dhaka, Bangladesh. She lost her father Mani Bhusahn Chattopadhyay at the age of one year only. Her mother Kamala Chattopadhyay raised her in their house at Bhabanipur, Kolkata. She started taking lessons in music at a very early age from Sri Prakash Kali Ghoshal.[2]
Career
Pratima Bandyopadhyay's first record appeared in 1945 through Senola Records. She made her debut in playback singing in Bengali films in 1951 when she recorded "Totini ami, Tumi sudurer chand" under the music direction of Shri Sudhirlal Chakraborty in film "Sunandar Biye". Over three decades, she lent her voice to more than 65 Bengali movies and numerous non-film songs.
Death and legacy
After the death of Pratima's husband Shri Amiyo Kumar Bandyopadhyay in 1986, her health deteriorated rapidly, and on 29 July 2004 she breathed her last. She was survived by her daughter Raikishori Bandyopadhyay and family.[1]
Memoirs
- Pulak Bandyopadhyay, the famous and noted lyricist of Bengal of the yesteryear, mentioned in his memoir: "When the song "Ke prothom kachhe esechhi", written by me and sung by Manna De and Lata Mangeskar, became popular, I received a call from a mysterious fan, praising the lyrics. She did not reveal her name. Since then I used to receive call from her whenever a song written by me became a sensation. At last one day she agreed to come to meet me at certain location in Elgin road at 5 o'clock in the afternoon. I was overwhelmed. The time was approaching, and cleaned my car and got dressed. Then the phone rang. It was Hemanta Mukherjee. He insisted that I should visit his house for creation of Puja songs at 5 o'clock. Pratima Bandopadhyay would be there waiting. All my persuasion to change the date failed. While driving my car towards Hemanta-da's house, the clock was approaching 5, I was thinking about the mysterious lady, and first two lines came in to my mind, "Baro saadh jaage, ekbar tomay dekhi" (I wanna see you just for once). Never heard of the lady ever after. Pratima recorded the song."[3]
- Nirmla Mishra recalled: "One night at about 12 o'clock I received a phone call. It was a great surprise for me, because the caller was none other than the famous artist Pratima Bandopadhyay. She told, 'Nirmala, Manab Babu had given us a song. Let us practice it here.' Regularly Pratima Bandopadhyay used to call me after mid night for practice." The song was: Abire Rangalo Ke Amay /Film Mukhujjye Paribar (1956).[4]
Discography
Films
| Year | Film |
|---|---|
| 1951 | Sunonda'r Biye |
| 1952 | Andhar Surjyo |
| 1953 | Bouthakuranir Haat |
| 1953 | Laljhuti Kakatua |
| 1954 | Dhuli |
| 1954 | Jodu Bhatta |
| 1954 | Jaydev |
| 1954 | Sadanander Mela |
| 1955 | Aparadhi |
| 1955 | Bhalobasa |
| 1955 | Dasyu Mohan |
| 1955 | Hrod |
| 1955 | Shap Mochan |
| 1955 | Tar Aar Par Nei |
| 1955 | Shap Mochan |
| 1956 | Asamapta |
| 1956 | Putrabodhu |
| 1956 | Shyamali |
| 1956 | Sinthir Sindur |
| 1957 | Aalo Andhare |
| 1957 | Daata Karna |
| 1957 | Harano Sur |
| 1957 | Harishchandra |
| 1957 | Neelachale Mahaprobhu |
| 1957 | Punarmilan |
| 1957 | Tasher Ghar |
| 1958 | Bandhu |
| 1958 | Kalamati |
| 1958 | Sahara (Hindi) |
| 1959 | Ek Gochha Rajanigandha |
| 1959 | Janmantar |
| 1959 | Lalu Bhulu |
| 1960 | Goriber Meye |
| 1960 | Kshudito Pashan |
| 1960 | Natun Fasal |
| 1960 | Prabesh Nishedh |
| 1961 | Jhinder Bondi |
| 1962 | Bandhan |
| 1962 | Bipasha |
| 1962 | Dadathakur |
| 1962 | Mayar Sangsar |
| 1963 | Dwiper Naam Tiyarang |
| 1963 | Kalsrot |
| 1963 | Uttarayan |
| 1964 | Kasti Pathar |
| 1965 | Mahalagna |
| 1965 | Mukhujjye Paribar |
| 1966 | Angeekar |
| 1966 | Ek Saathe |
| 1966 | Harano Prem |
| 1966 | Rajodrohi |
| 1967 | Chhuti |
| 1967 | Miss Priyambada |
| 1968 | Chowranghee |
| 1968 | Teen Adhyaya |
| 1969 | Parineeta |
| 1969 | Sabarmati |
| 1970 | Pratima |
| 1971 | Ekhane Pinjar |
| 1971 | Jiban Jigyasa |
| 1971 | Pratham Basanta |
| 1972 | Aalo Aamar Aalo |
| 1972 | Anindita |
| 1972 | Shapath Nilam |
| 1973 | Bindur Chhele |
| 1974 | Alo O Chhaya |
| 1974 | Bisarjan |
| 1974 | Jadu Bangsha |
| 1974 | Sujata |
| 1974 | Thagini |
| 1076 | Asamay |
| 1977 | Golap Bou |
| 1978 | Joy Maa Tara |
| 1979 | Heerey Manik |
| 1981 | Kapalkundala |
| 1987 | Lalan Fakir |
Others
- Musical Opera
Pratima Bandopadhyay also rendered her voice in the following Musical Opera:
- Alibaba (Opera) Part-1 & 2 (Children Opera) created by Kshirod Prasad Bidyabinod. Drama: Pranab Ray, Music: V Blsara.
- Shree Radhar Manbhanjan (Religious Opera). Compilation: Pranab Ray, Music: Rabin Chattopadhyay.
- Music Composition by Pratima Bandopadhyay
- Tandrahara Raat - Hemanta Mukhopadhyay; Lyrics - Debashis Chattopadhyay; Music - Pratima Bandopadhyay; (code 2vY3CeAHI8M).
References
- "Outlook 30 July 2004". Retrieved 6 September 2017.
- "কাজলা দিদি". Retrieved 6 September 2017.
- Bandyopadhyay, Pulak (1999). Kathay Kathay Raat Hoye Jay (Bengali: কথায় কথায় রাত হয়ে যায়). Ananda Publishers Pvt. Ltd. ISBN 978-8-172-15977-1.
- Nirmala Mishra Says about Pratima Bandopadhyay on YouTube; (accessed 30 August 2017)