Powers Music School

Powers Music School is a musical institution serving New England for more than 50 years. Powers Music School is a community music center based in Belmont, Massachusetts. The School provides private music lessons, early childhood and group classes, ensembles, orchestra, theory, music therapy, and performance opportunities to over 1000 students throughout Massachusetts, New Hampshire, and Rhode Island.

Powers Music School, Belmont

Powers Music in the Community

Powers Music School provides the greater Boston community with access to music education programs, well known faculty, festivals, performances, and outreach programs. Powers offers instruction and performance opportunities for interested students of all ages. In addition, Powers Music School also runs the summer programs Music on the Hill (MOTH), and Pow-Wow. Music on the Hill (MOTH) offers jazz and classical training to advanced high school students, with an emphasis on chamber music, while Pow-Wow provides a creative musical environment for younger kids.

Powers Faculty (partial list)

Todd Brunel, Clarinet
Michael Shea, Piano
Peter Morelli, Piano
Judith Bedford, Bassoon
Laura Blustein, Cello
Jessica Cooper, Early childhood
James Doran, guitar
Carol Hunt Epple, flute, baroque flute, MOTH**
Susanna Fiore, Family Drum Jam, Keys for Kids, Musikgarten
Sarah Freiberg, cello
Andrew Goodridge, Piano
Vladimir Gurin, Piano
Jane Hershey, Viola da gamba, viol consort
Levon Hovsepian, piano
Faith Hutchison-Williard, flute
Yasuko Ishibashi, piano, Dalcroze Eurhythmics, Pow-Wow
Veda Kogan, piano
Lisle Kulbach, piano, lap harp, recorder
Collen McGary-Smith, cello
Tamara Medoyeva, piano
Peter S. Morelli, piano
Dubravka Sajfar Moshfegh, viola, violin
Sam Ou, cello, MOTH**
Jane Parkhouse, Co-Artistic Director for Pow-Wow
Dimitar Petkov, viola, violin, MOTH**
Alfa Radford, organ
Natacha Rist, piano
Kathryn Rosenbach, Piano, piano accompaniment
Jay Rosenberg, Suzuki guitar, recorder
Michael Shea, Piano)
Lucy Joan Sollogub, Guitar, mountain dulcimer
Gary Spellissey, Percussion
Liana Zaretsky, violin, MOTH**

gollark: There are some other !!FUN!! issues here which I think organizations like the FSF have spent some time considering. Consider something like Android. Android is in fact open source, and the GPL obligates companies to release the source code to modified kernels and such; in theory, you can download the Android repos and device-specific ones, compile it, and flash it to your device. How cool and good™!Unfortunately, it doesn't actually work this way. Not only is Android a horrible multiple-tens-of-gigabytes monolith which takes ages to compile (due to the monolithic system image design), but for "security" some devices won't actually let you unlock the bootloader and flash your image.
gollark: The big one *now* is SaaS, where you don't get the software *at all* but remote access to some on their servers.
gollark: I think this is a reasonable way to do copyright in general; some (much shorter than now!) length where you get exclusivity, which can be extended somewhat if you give the copyright office the source to release at the end of this perioid.
gollark: This isn't really "repair"y, inasmuch as you can't fix it if it breaks unless you happen to be really good at reverse engineering.
gollark: Maybe what you mean is banning DRM-ish things, so you can definitely copy the program and run it elsewhere and such?

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