L'art pompier

L'art pompier, literally "Fireman Art", or style pompier is a derisive late-nineteenth-century French term for large "official" academic art paintings of the time, especially historical or allegorical ones. It derives from the helmets with horse-hair tails, worn at the time by French firemen, which are similar to the Attic helmet often worn in such works by allegorical personifications, classical warriors, or Napoleonic cavalry.[1] It also suggests half-puns in French with pompéien ("from Pompeii"), and pompeux ("pompous"). Pompier art was seen by those who used the term as the epitome of the values of the bourgeoisie, and as insincere and overblown.

William-Adolphe Bouguereau (1825–1905) – Orestes Pursued by the Furies (1862)

L'art pompier (a term supporters mostly avoid) has enjoyed something of a critical revival in the last twenty years, partly caused by the new Musée d'Orsay in Paris, where it is displayed on more equal terms with the Impressionists and Realist painters of the period.[2]

The Manifeste Pompier (Fireman Manifesto) by Louis-Marie Lecharny, was published in Paris in 1990. He also wrote L'art Pompier (1998).

William-Adolphe Bouguereau, Paul-Jacques-Aimé Baudry, Alfred Agache, Alexandre Cabanel and Thomas Couture are among the classic Pompier artists.

Notes
  1. Harding, 7, quoting the definition of Pompier in the Dictionnaire Larousse
  2. Harding, 14–22
gollark: Modular phones are also really hard.
gollark: ... nobody is enforcing that, some things are just hard and/or undesired.
gollark: I suppose it's reasonable to just blame other people's different preferences and the high capital cost of phone manufacturing rather than just "the market" but meh.
gollark: I want a phone which doesn't look terrible, but I also don't care that much about aesthetics and want something cheap, durable, and functional, and apparently the market doesn't want to provide that.
gollark: Great, *more* expensive pointless designs.

References
  • Harding, James. Artistes pompiers: French academic art in the 19th century, New York: Rizzoli, 1979.
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