Pieter van der Heyden

Pieter van der Heyden[1] (c. 1530 - after March 1572) was a Flemish printmaker who is known for his reproductive engravings after works by leading Flemish painters and designers of the 16th century.[2]

Autumn, after Hans Bol

Life and work

It is believed the artist was born in Antwerp in 1551. It is not clear with whom he trained. He received commissions from the leading Antwerp publisher Hieronymus Cock. He made engravings after the paintings of famous Flemish painters of the previous generation as well as contemporary artists such as Hieronymus Bosch, Pieter Bruegel the Elder, Frans Floris and Lambert Lombard. He also worked after the original designs made by contemporary artists such as Pieter Bruegel and Hans Bol for the publishing projects of Hieronymus Cock. An example is the project of four prints representing the four seasons, originally started by Bruegel as a project for Hieronymus Cock. Bruegel had revived the medieval tradition of depicting the four seasons with his monumental series of the months painted in 1565. When Bruegel died in 1569, he had only completed the designs for Spring and Summer. Hieronymus Cock then commissioned Bol to make designs for Autumn and Winter. The set of four prints were engraved by Pieter van der Heyden and published by Cock in 1570.[3]

Avarice, after Pieter Bruegel the Elder

Pieter van der Heyden was from 1556 onwards one of the primary engravers of the work of Pieter Bruegel the Elder. Although van der Heyden was not an inventive engraver and his figures are considered to be stiff and angular, Bruegel seems to have preferred working with the artist because of his highly skilled technique and his fidelity to the design he was copying. It is possible that because of his awareness of these limitations of van der Heyden, Bruegel started to adapt his designs so that they did not require skill in translating washing and free-flowing marks but could be followed line for line. Van der Heyden made 26 engravings after designs by Bruegel, the most of any other printmaker.[4]

Pieter van der Heyden marked his prints often with PME, the initials of his Latinized name, Peter Mercinus. He was last mentioned in March 1572.

gollark: Hmm. Apparently there's a garbage collector for C, and people actually use this.
gollark: I'm sure it's very exciting.
gollark: The real issue here is C's lack of macros. If we just make C into Lisp, this would be easy to fix.
gollark: If I *had* to use this for some reason, I would prefer the top one unless I cared about dubiously shaving off a few microseconds of runtime.
gollark: You're right, this would be best implemented as some sort of GCC frontend.

References
  1. Alternative name variations and spellings: Pieter van der Heijden, Pieter Verheijden, Pieter Verheyden, Petrus Ameringius, Petrus a Merica, Petrus Mericinus, Petrus Miricenys, Petrus Miricinus, Petrus Miriginus, Petrus Myricenis
  2. Pieter van der Heyden at the Netherlands Institute for Art History (in Dutch)
  3. Albert Elen, Hans Bol at Museum Boijmans van Beuningen
  4. Nadine Orenstein, Pieter Bruegel the Elder: Drawings and Prints, Metropolitan Museum of Art (New York, N.Y.),, 45-46 and 137
This article is issued from Wikipedia. The text is licensed under Creative Commons - Attribution - Sharealike. Additional terms may apply for the media files.