Pieter Casteels II

Pieter Casteels II or Pieter Casteels the Younger[1] (fl. 1673–before 30 March 1701) was a Flemish painter mainly known for his imaginary Italianate landscapes and views of harbours.[2]

Capriccio View of a Busy Harbour Scene with Figures Loading their Boats

Life

Information about Pieter Casteels II is scarce. He was registered as a master of the Antwerp Guild of Saint Luke in 1673–1674.[3] He married Elisabeth Bosschaert and their son Pieter Casteels III trained as a painter with his father. Their son became an accomplished still life painter who was active in England.[4]

Pieter Casteels II was active in the late 17th century in Antwerp and died in the early 18th century.[3]

Work
View of the Antwerp port

Pieter Casteels II is known for his landscape paintings. Most of these paintings are imaginary views of harbours in an Italianate style. They are typically populated with many figures and often feature fantastic high-rise buildings.[5][6] He also painted a number of realistic landscapes including views of Paris and Antwerp.[7][8] Some history paintings are also attributed to him.[9]

His work is kept in the collections of museums such as the Louvre, the Statens Museum for Kunst, the Museo Nacional de Bellas Artes (Buenos Aires), the Musée des beaux-arts de Quimper and the Musée des Beaux-Arts et d'archéologie de Besançon.[5][10][11]

gollark: You would still have to spam and read messages very fast, but it wouldn't affect anything else.
gollark: There are linked cards, which are paired card things which can just directly send/receive messages to each other over any distance. If the problem here is that your data has to run across some central network/dispatcher/whatever, then you could use linked cards in the thing gathering data and the thing needing it urgently to send messages between them very fast without using that.
gollark: It would be kind of inelegant and expensive, but maybe for time- and safety-critical stuff like this you could just send the data directly between the computers which need it by linked card.
gollark: You can save cell cost by allocating item types to cells such that you fill up your cells to max "bytes" rather than max "types".
gollark: Or to defragment the system to save space.

References
  1. Name variations: Peter Casteels II, Petrus Casteels, Peter Kasteels II, Pieter Kasteels II
  2. Peter Casteels (II) at the Netherlands Institute for Art History (in Dutch)
  3. Angel Miguel Navarro, Flemish and Dutch Masters (from the XVIth to the XVIIIth Century at the National Museum of Fine Arts, Asociación Amigos del Museo Nacional de Bellas Artes, 2001, p. 32
  4. Marie-Louise Hairs, Dominique Finet, The Flemish flower painters in the XVIIth century, Lefebvre et Gillet, 1985, pp. 417–420
  5. Musée du Louvre, Alain Roy (maître-assistant.), Le XVIIe [i.e. Dix-septième] siècle flamand au Louvre: histoire des collections: catalogue, Éditions des Musées nationaux, 1977, p. 16 (in French)
  6. Pieter Casteels II, A Capriccio View of a Busy Harbour Scene with Figures Loading their Boats at Sotheby's
  7. Pieter Casteels II, A View of the Antwerp Port, at Sotheby's
  8. Pieter Casteels II, View of the Louvre and the Tour de Nesles from the Ile de la Citė at the Louvre
  9. Pieter Casteels II, Bacchus and his followers in a landcape (sic): allegory of the wine vintage, at the Netherlands Institute of Art History
  10. Peter II Casteels at the Statens Museum for Kunst
  11. Tableaux flamands et hollandais du Musée des beaux-arts de Quimper, Quimper (France). Musée des beaux-arts Institut Néerlandais, 1987, p. 82 (in French)
This article is issued from Wikipedia. The text is licensed under Creative Commons - Attribution - Sharealike. Additional terms may apply for the media files.