Piano accordion

A piano accordion is an accordion equipped with a right-hand keyboard similar to a piano or organ. Its acoustic mechanism is more that of an organ than a piano, as they are both wind instruments, but the term "piano accordion"—coined by Guido Deiro in 1910[1]—has remained the popular name. It may be equipped with any of the available systems for the left-hand manual.

Main article: Accordion
Piano accordion
Classification Free-reed aerophone
Playing range

Right-hand manual: F3 to A6 (scientific pitch notation) is the written range for the right-hand manual of a standard 120-bass/41-key piano accordion, three octaves plus a major third. Actual range sounds one octave lower and one octave higher (F2-A7) depending on stops chosen.

Left-hand manual

Musicians
List of accordionists
More articles or information
Accordion, Chromatic button accordion, Bayan, Diatonic button accordion, Piano accordion, Stradella bass system, Free-bass system, Accordion reed ranks & switches

In comparison with a piano keyboard, the keys are more rounded, smaller, and lighter to the touch. These go vertically down the side, pointing inward, toward the bellows, making them accessible to only one hand while handling the accordion.[notes 1]

The bass piano accordion is a variation of a piano accordion without bass buttons and with the piano keyboard in an octave lower. They typically have around 3 octaves.

History

The first accordion to feature a piano keyboard was probably the instrument introduced in 1852 by Bouton of Paris.[2] Another source claimed the first piano accordion was introduced in 1854 at the Allegemeine Deutsche Industrieausstellung in Munich. It was showcased by the instrument builder Mattäus Bauer and quickly became a serious competitor to button accordions.[3]

The first chromatic piano-like accordions in Russia were built in 1871 by Nikolay Ivanovich Beloborodov.[4]

In the United States, the piano accordion dramatically increased in popularity between 1900 and 1930 because of its familiarity to students and teachers, and its uniformity, whereby accordion dealers and instructors did not have to support different styles of accordions for many European immigrant groups. The piano keyboard layout was also promoted by the fame of Vaudeville performers Guido Deiro and his brother Pietro who premiered the instrument on stage, recordings and radio. After the Deiro's success, popular chromatic button accordionist Pietro Frosini chose to disguise his accordion's buttons to look like a piano keyboard so as not to appear "old-fashioned." [5] (See Accordion music genres) The piano accordion is the official city instrument of San Francisco[6]

As of 1972 it could be largely said that the piano system dominated the English-speaking North American continent, Scotland, and certain East European countries, while differing button systems are generally to be found in Scandinavia, France, Belgium and former Soviet countries.[7] The piano accordion is also predominant in Italy, New Zealand, Australia and South Africa.

gollark: Someone else can probably explain better than I. I mostly just muddle my way around coroutines.
gollark: sleep was not messing it up - it expected coroutine.yield to pass it events. The fault is your own.
gollark: Not really.
gollark: Coroutine usage directly is generally best for setups where you need to add/remove coroutines during execution.
gollark: parallel.waitForAll(func1, func2, ...)

See also

Notes
  1. Felt or rubber is placed under the piano keys to control touch and key noise: it is also used on the pallets to silence notes not sounded by preventing air flow. This material eventually wears with use, resulting in a clacking noise, so has to be replaced to quieten the mechanism.

References
  1. Henry Doktorski, The Brothers Deiro and Their Accordions (The Classical Free-Reed, Inc.: 2005)
  2. Joseph Macerollo, Accordion Resource Manual, Avondale Press (1980), 17.
  3. Bjarne Glenstrup, Harmonikaens Historie (1972), The University of Copenhagen (Faculty of Music), p. 41
  4. Fadeyev, I.G. and I.A. Kuznetsov. Remont garmonik, bayanov, i akkordeonov. Izdaniye 2-e, ispravlennoye i dopolnenoye. Moscow: Legkaya industriya, 1971. p.9-10.
  5. "Looks Like a Cash Register and Sounds Worse" The Deiro Brothers and the Rise of the Piano Accordion in American Culture 1908-1930 by Peter C. Muir
  6. "CITY MAKES ACCORDION SAN FRANCISCO'S OFFICIAL INSTRUMENT". Associated Press. 24 April 1990. Retrieved 24 April 1990. Check date values in: |accessdate= (help)
  7. Bjarne Glenstrup, Harmonikaens Historie (1972), The University of Copenhagen (Faculty of Music), p. 42
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