Phoebe Boswell

Phoebe Boswell (born 2 January 1982), is a multi-media artist and film maker based in London, UK.[1] She has won awards in the UK and Ukraine, and has been described as "a very distinct voice that is full of power and energy"[2], "one of the most exciting young artists working today".[3]

Phoebe Boswell
Born
Phoebe Wanjiru Boswell

(1982-01-02) 2 January 1982
Nairobi, Kenya
OccupationMulti-media Artist / Film maker

Early life

Phoebe Boswell was born in Nairobi, Kenya, the daughter of Timothy, a pilot, and Joyce, a teacher. They moved to Oman when she was two years old, and then to Bahrain three years later. She attended St. Christopher's School in Isa Town, Bahrain, followed by Hurtwood House. Moving to London, Boswell studied at Central St. Martins, University of the Arts London and the Slade School of Art at the University of London.[1] She then moved back to Bahrain to make sense of her expatriate childhood, and a solo exhibition comprising portraits and recorded conversations was held at the National Museum in Bahrain, and published as Bahrainona.[4] She also co-founded the arts society, Elham. Her graduate film The Girl With Stories in Her Hair was nominated for a number of awards, including Best Film at the British Animation Awards Public Choice, Best Student film at the Bradford Animation Festival, and Best Animation in Rushes Soho Shorts.

Career

Phoebe Boswell's multimedia art works have been exhibited in numerous exhibitions in the UK, the US, South Africa, Sweden, Switzerland, Ukraine, and Italy. She has won the first ever Sky Academy Arts Scholarship (2011),[1][5] and the $20,000 Special Prize in the 2017 Future Generation Prize in Kiev,[6][7] which led to her work Mutumia being shown at the Vienna Biennale the same year. Her work has been described as using "layered methods of storytelling"[8] to explore cultural roots and identity[9] and "transient middle points and passages of migration".[3] It deals with "the subject of frailty and belief systems",[3] "questions the misrepresentation of the female and the Black body in society and culture",[2] and "recast[s the female nude] as a site of power and heroism".[10]

Filmography
  • 2016 Dear Mr Shakespeare, commissioned by the British Council and the Guardian to commemorate 400 years since William Shakespeare’s death; selected for the 2017 Sundance Film Festival[2]
  • 2011 The Pendle Witch Child, BBC4, presented by Simon Armitage, directed by Ros Ereira, animated by Phoebe Boswell.
  • 2010 Sorry To Hear You Impaled Yourself on the Roof of Edinburgh College of Art, commissioned and produced by 12foot6, directed and animated by Phoebe Boswell, story told by Andrew Morgan.
  • 2009 The Girl With Stories In Her Hair, commissioned by the National Gallery, produced by Central St Martins College of Art, written, directed, performed and animated by Phoebe Boswell, music composed by Andres Franco Medina-Mora.[11]
  • 2009 Bunty, written, directed and animated by Phoebe Boswell

Exhibitions

Selected group exhibitions
  • 2017 Mutumia (larger scale), Future Generation Prize, Kiev, and Venice Biennale[2]
  • 2017 Being Her(e), The Old Fort and the Women's Jail Galleries, Johannesburg[12]
  • 2016 Stranger In The Village, 1:54 NY Contemporary African Art Fair, Brooklyn[13][14][15]
  • 2016 Mutumia, Biennale of Moving Images, Centre d’Art Contemporain, Geneva[1][2]
  • 2015 The Matter of Memory, multimedia-installation, Göteborg International Biennial for Contemporary Art[3][16][17]
  • 2014 The Matter of Memory, multimedia-installation, Carroll/Fletcher Gallery[2][18]
  • 2014 Trade Roots, Kristin Hjellegjerde Gallery, London[19]
  • 2012 Smile for London, animation collaboration with Kate Tempest on the London Underground
  • 2011 Royal Society of Portrait Painters Annual Exhibition, Mall Galleries
  • 2010 Curiouser and Curiouser, curated by Rita Parente, Old Vic Tunnels {www.submit2gravity.com}
  • 2009 Moot, C4RD, Centre For Recent Drawing, London [www.c4rd.org.uk]
  • 2009 Kunskog, curated by Stuart Pearson Wright, Five Hundred Dollars Gallery, London {www.kunskog.com}
  • 2007 Imagining Ourselves, International Museum of Women, Los Angeles
  • 2005 Young Collectors Party - Exhibit 05, Bonhams Bond Street, London
  • 2005 Royal Academy Summer Show, Royal Academy, London
  • 2005 Slade Summer Show, University College, London
  • 2004 TEN, Adhoc Gallery, London
  • 2004 Paint London, Candid Arts Trust, London
  • 2003 Studio/Show, Hunter Studios, New York

Solo exhibitions

2019

  • Upcoming, Göteborgs Konsthall, Göteborg, Sweden[20]

2018

  • She Summons an Army, EXPO Chicago[21]
  • The Lizards Within Us, fourFOLD at Enclave, Deptford[3][8]
  • Take Me to the Lighthouse, Sapar Contemporary, New York[1][22][23]

2017

  • For Every Real Word Spoken, Tiwani Contemporary[2][24][25]

2007

  • REPRESENT, Al Riwaq Gallery, Bahrain www.alriwaqartspace.com
  • Bahrainona, Bahrain National Museum, Bahrain

Awards
  • 2017 - winner, $20,000 Special Prize by the Future Generation Art Prize at the 2017 Venice Biennale[6]
  • 2012 - £30,000 Sky Academy Arts Scholarship[1][5]
gollark: Notably, English words do not actually mean the same thing as the roots might imply, in cases where there even are obvious ones.
gollark: Just because your language theoretically has words composed of subwords doesn't mean you can ignore the various problems I mentioned (except possibly the grammar one). And "convert the words to semantic expressions" hides a lot of the complexity this would involve.
gollark: I'm pretty sure I've seen diagrams of pronounceable things of some kind, but they're more complex than just permutations of "high tone, low tone" and do not conveniently map to concepts.
gollark: What do you mean "all of the possible forms of a square diagram with two or more sides"? There are infinitely many of those. And how do I just pronounce a diagram without a predetermined mapping?
gollark: Also, I have no idea what an "objective → semantic buffer" is and I think you're underestimating the difficulty of implementing whatever it is.

References
  1. "Exhibition: Phoebe Boswell: Take Me to the Lighthouse". Contemporary&. Retrieved 2 November 2018.
  2. Takengny, Christine (25 January 2018). "News - Artist to watch - Phoebe Boswell". Contemporary Art Society. Retrieved 2 November 2018.
  3. "Artist Phoebe Boswell explores what 'home' is, migration, family and Kenya's troubled past". True Africa. 5 November 2015. Retrieved 2 November 2018.
  4. Boswell, Phoebe (2006). Bahrainona: Drawing from Life. Bahrain Media. ISBN 9789990110265.
  5. "Sky Academy Skills Studios" (PDF). Sky Academy. September 2015. Retrieved 2 November 2018.
  6. "2017 Future Generation Art Prize winners announced". Art Review. 20 March 2017. Retrieved 2 November 2018.
  7. "Phoebe Boswell - Future Generation Arts Prize". Retrieved 5 November 2018.
  8. Olaniyan, Oyin (16 January 2018). "Phoebe Boswell on Acknowledging Women and Dismantling the Male Gaze". Omenka. Retrieved 2 November 2018.
  9. Kampmann, Susanne (2018). "Phoebe Boswell". Arte.tv. WDR, Germany. Retrieved 2 November 2018.
  10. Judah, Hettie (3 October 2018). "In 2018 a woman is still more likely to feature in a gallery as a painted nude than as a painter". Evening Standard. London. Retrieved 2 November 2018.
  11. O'Reilly, Christopher; Bavasso, Charlotte; Ponzevera, Christine (eds.). Best Of British Animation Awards Vol. 8. British Animation Awards. Retrieved 2 November 2018.
  12. Sosibo, Kwanele (24 May 2017). "What does it matter if a man is in the room?". Mail & Guardian. Johannesburg, South Africa. Retrieved 2 November 2018.
  13. Klein, Alyssa (18 May 2016). "Phoebe Boswell On Her James Baldwin-Inspired Tinder Project, 'Stranger In The Village'". OkayAfrica. Retrieved 2 November 2018.
  14. White, Erin (16 May 2016). "Biracial Kenyan artist Phoebe Boswell Uses Racist Tinder Flirtations For Artistic Look At Race and Sex". AFROPUNK. Retrieved 2 November 2018.
  15. Jansen, Charlotte (3 May 2018). "Collecting: 1-54 Contemporary African Art Fair: the female gaze". Financial Times. Retrieved 2 November 2018.
  16. "A story within a story…, the 8th edition of the Göteborg International Biennial for Contemporary Art (GIBCA), announces its participating artists". Biennial Foundation. 12 May 2015. Retrieved 2 November 2018.
  17. Coussonnet, Clelia (11 September 2015). "The Matter of Memory by Phoebe Boswell". IAM Intense Art Magazine. Retrieved 2 November 2018.
  18. Greslé, Yvette (2 May 2015). "Phoebe Boswell: The Matter of Memory". Africanah.org. Retrieved 2 November 2018.
  19. "Trade Roots". KH Kristin Hjellegjerde. Retrieved 2 November 2018.
  20. "Exhibitions: Phoebe Boswell 2019.02.02 - 2019.04.14". Göteborgs Konsthall. Retrieved 2 November 2018.
  21. "Installation view Phoebe Boswell: She Summons an Army". Contemporary&. 1 October 2018. Retrieved 2 November 2018.
  22. "Artist Phoebe Boswell in conversation with curator Larry Ossei-Mensah, May 10". Art+Culture. Retrieved 2 November 2018.
  23. Wheadon, Nico (11 July 2018). "PHOEBE BOSWELL: Take Me To The Lighthouse". The Brooklyn Rail. Retrieved 2 November 2018.
  24. Greslé, Yvette (November 2017). "For Every Real Word Spoken by Phoebe Boswell (review)". Nka: Journal of Contemporary African Art. Duke University Press (41). Retrieved 2 November 2018.
  25. Frank, Priscilla (4 April 2017). "Artist Proposes A New Way Of Seeing Nude Women At The Museum". Huffington Post. Retrieved 2 November 2018.
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