Philippe Leroux

Philippe Leroux (born 24 September 1959) is a French composer living in Montréal, Québec, who has been identified as "one of the most important composers in contemporary music."[1]

Biography

Leroux was born in Boulogne-Billancourt. He studied composition starting in 1978 with Ivo Malec, Claude Ballif, Pierre Schaeffer, and Guy Rebeil at the Paris Conservatoire National Supérieur de Musique, where he obtained three first prizes.[2] He studied at both the Groupe de Recherches Musicales and at IRCAM during this period.[3] He was selected for a residency at the French Academy in Rome from 1993-1995.[2]

From 2001-2006 he was a composition teacher at IRCAM, in the Cursus d’Informatique Musicale programme. Since 2011 he has been an associate professor in composition at the Schulich School of Music, McGill University.

Selected works
  • (D)Tourner (2016/17) for solo percussion and 10 instruments
  • Envers IV (2016) for symphony orchestra
  • Postlude à l'Épais (2016) for flute, clarinet, violin, cello and piano
  • De l'imitation (2015) for saxophone quartet and electronics
  • White face (2015) for string quartet
  • Nomadic Sounds (2015) for a capella choir
  • Quid sit musicus (2013/14) for 4 voices, guitar, cello, and electronics
  • Total SOLo (2013) for 28 instruments
  • Ailes (2012) for baritone and 15 instruments
  • De l'itération (2012) for 6 percussionists
  • ...Ami...chemin...oser...vie... (2011) for 15 instruments
  • Extended Apocalypsis (2011) for 4 voices, 16 instruments, electronics, and video ad libitum.
  • Envers Symphonie (2010) for symphony orchestra
  • Pourquoi? (2009) for 4 voices and orchestra
  • Objets trouvés ...posés (2009) acousmatic
  • AMA (2009) for solo piano
  • L’unique trait de pinceau (2008/9) for saxophone and symphony orchestra
  • De la texture (2007) for 8 instruments
  • Pour que les êtres ne soient pas traités comme des marchandises (2004) for 12 mixed voices, orchestra, and ad libitum electronics
  • m'M (2003) concerto grosso for symphony orchestra
  • Du souffle (2003) for saxophone quartet
  • Airs (2003) for saxophone and percussion
  • Voi(Rex) (2002) for voice, 6 instruments, and electronics
  • Les Uns (2001) for 3 percussionists
  • De la Vitesse (2001) for 6 percussionists
  • SPP (2000) for soprano saxophone and piano
  • Plus loin (1999-2000) for symphony orchestra
  • M.É. (1998) acousmatic
  • M (1997) for 2 pianos, 2 percussion and electronics
  • AAA (1996) for 7 instruments
  • Souffles (1996) for wind quintet
  • (d')Aller (1995) for solo violin and 16 instruments
  • Continuo(ns) (1994) for quintet
  • PPP (1993) for flute and piano
  • AIR (1993) for Bb clarinet and percussion
  • AIR-RÉ (1992) for violin and percussion
gollark: The government here is just being stupid about it.
gollark: It's not.
gollark: Which is still pretty bad.
gollark: Just make big companies backdoor it.
gollark: Well, I don't think they planned to *ban* E2E.

References
  1. "IRCAM ULYSSES ManiFeste-2016, the Academy – in the Spotlight: Philippe Leroux". community.ulysses-network.eu. Retrieved 2017-04-28.
  2. "Composer Philippe Leroux official Website, biography". www.lerouxcomposition.com. Retrieved 2017-04-28.
  3. Goldman, Jonathan (2015). Trezise, Simon (ed.). "Cultural and generational querelles in the musical domain: music from the Second World War". The Cambridge Companion to French Music: 180–195.
This article is issued from Wikipedia. The text is licensed under Creative Commons - Attribution - Sharealike. Additional terms may apply for the media files.