Phil Upchurch

Philip Upchurch (born July 19, 1941, Chicago, Illinois, United States)[1] is an American blues, jazz and R&B guitarist and bassist.

Phil Upchurch at the 2012 NAMM Convention, Anaheim, California

Career

Upchurch started his career working with the Kool Gents, the Dells, and the Spaniels, before going on to work with Curtis Mayfield, Otis Rush, and Jimmy Reed.[2] (His association with Kool Gents member Dee Clark would continue, including playing guitar on Clark's 1961 solo hit "Raindrops".) He then returned to Chicago to play and record with Woody Herman, Stan Getz, Groove Holmes, B.B. King, and Dizzy Gillespie.

In 1961, his record "You Can't Sit Down" by the Philip Upchurch Combo,[2] sold over one million copies and was awarded a gold disc.[3] "You Can't Sit Down, Part 2" peaked at No. 29 on the Billboard charts in the US.[4] And he released his first album. In the 1960s he toured with Oscar Brown, appearing on the 1965 live album, Mr. Oscar Brown, Jr. Goes to Washington. In the mid-1960s he was house guitarist of Chess Records and he played with The Dells, Howlin' Wolf, Muddy Waters and Gene Chandler.[2] He also played with John Lee Hooker, Grover Washington, Jr.[5] and Cannonball Adderley. Upchurch was part of a group called the Soulful Strings during the 1960s, prior to working with Rotary Connection on Chess's Cadet label.

In the 1970s, he worked with Donny Hathaway, Harvey Mason, Ramsey Lewis, Quincy Jones and led his own quartet with Tennyson Stephens.[5][2] He met Bob Krasnow and Tommy LiPuma, the founders of Blue Thumb Records, and he released "Darkness Darkness". Upchurch played on Donny Hathaway's "This Christmas" and "The Ghetto". He also played guitar on Hathaway's "Live" album (1972).[6] In the mid 1970s and 1980s, he performed with George Benson,[5] Mose Allison, Gary Burton, Lenny Breau,[7] Joe Williams, Chaka Khan, Natalie Cole, Carmen McRae, Cat Stevens, David Sanborn, and Michael Jackson. In the 1990s he worked with Jimmy Smith and Jack McDuff.

On June 25, 2019, The New York Times Magazine listed Phil Upchurch among hundreds of artists whose material was reportedly destroyed in the 2008 Universal fire.[8]

Discography

As leader
  • You Can't Sit Down, Part Two (Boyd/United Artists #UAL-3162 mono and #UAS-6162 stereo, 1961)
  • The Big Hit Dances: The Twist... (United Artists #UAL-3175 mono and #UAS-6175 stereo, 1962)
  • Feeling Blue: The Phil Upchurch Guitar Sound (Milestone #9010; OJC #1100, 1967)
  • Upchurch (Cadet/Chess #LPS-826, 1969) with Donny Hathaway on piano.
  • The Way I Feel (Cadet/Chess/GRT #LPS-840, 1970)
  • Darkness, Darkness (Blue Thumb #BTS-6005, 1972)
  • Lovin' Feeling (Blue Thumb #BTS-59, 1973)
  • Upchurch/Tennyson with Tennyson Stephens (Kudu/CTI #KU-22, 1975)
  • Phil Upchurch (Marlin/TK Records #MAR-2209, 1978) produced by John Tropea and George Benson.
  • Free & Easy (JAM/Jazz America Marketing #007, 1982)
  • Revelation (JAM #011, 1982)
  • Name of the Game (JAM #018, 1983)
  • Companions with Jimmy Witherspoon (JAM #021, 1985) issued as Paladin/Virgin #PAL-4 for UK market.[2]
  • Phil Upchurch Presents L.A. Jazz Quintet (Pro Arte/Intersound #631, 1986) with Brandon Fields, Bobby Lyle, Brian Bromberg, Harvey Mason.
  • Dolphin Dance (Sound Service #6177, 1987)
  • Midnite Blue (Electric Bird/King [Japan] #KICJ-53, 1991) compilation of JAM material.
  • All I Want (Ichiban #ICH-1127, 1991)
  • Whatever Happened To The Blues (Ridgetop/Bean Bag/Go Jazz #55566, 1992) issued as Go Jazz #VBR-2066 for Germany market.
  • Love Is Strange (Ridgetop/Bean Bag/Go Jazz #55552; Go Jazz #6012, 1995)
  • Rhapsody & Blues (Go Jazz #6035, 1999)
  • Tell the Truth! (Evidence #22222, 2001) produced by Carla Olson.
  • Impressions Of Curtis Mayfield by Jazz Soul Seven (BFM Jazz/Varese Sarabande #62413, 2012) produced by Brian Brinkerhoff; co-produced and arranged by Phil Upchurch; featuring Terri Lyne Carrington, Russ Ferrante, Master Henry Gibson, Bob Hurst, Wallace Roney, Phil Upchurch, Ernie Watts. ["The album I'm most proud of", Phil Upchurch 2012].

With the Soulful Strings
  • Paint It Black (Cadet/Chess #LPS-776, 1966)
  • Groovin' with the Soulful Strings (Cadet/Chess #LPS-796, 1967)
  • Another Exposure (Cadet/Chess #LPS-805, 1968)
  • The Magic of Christmas (Cadet/Chess #LPS-814, 1968)
  • Back by Demand: The Soulful Strings in Concert (Cadet/Chess #LPS-820, 1969)
  • String Fever (Cadet/Chess #LPS-834, 1969)
  • Play Gamble-Huff (Cadet/Chess/GRT #LPS-846, 1971)
  • The Best of the Soulful Strings (Cadet/Chess/GRT #2CA-50022, 1972) compilation/2-LP set

As sideman

With George Benson

With Stan Getz

With Chaka Khan

With Bob Dylan

With Peabo Bryson and Natalie Cole

With Dizzy Gillespie

With Anita Baker

With Minnie Riperton

With Donny Hathaway

With Red Holloway

With Natalie Cole

With Michael Jackson

With Sheena Easton

  • No Strings (MCA, 1993)

With Hubert Laws

With Ramsey Lewis

With Jack McDuff

With Carmen McRae

  • Fine and Mellow [live] (Concord, 1987)

With Muddy Waters

With Jimmy Reed

With Ben Sidran

gollark: I haven't made minoteaur. Although I did start on it and I have a semi-working implementation.
gollark: Æ x-ii 12.
gollark: i am very competent sysadmin™.
gollark: Nope! I can handle THAT stuff!
gollark: We have over 57% reliability.

References
  1. Feather, Leonard; Gitler, Ira (November 18, 1999). The Biographical Encyclopedia of Jazz. Oxford University Press. p. 6 – via Internet Archive. Phil Upchurch.
  2. Colin Larkin, ed. (1997). The Virgin Encyclopedia of Popular Music (Concise ed.). Virgin Books. pp. 1204/5. ISBN 1-85227-745-9.
  3. Murrells, Joseph (1978). The Book of Golden Discs (2nd ed.). London: Barrie and Jenkins Ltd. p. 140. ISBN 0-214-20512-6.
  4. Joel Whitburn, Top Pop Singles. 12th edition, 2009, p. 1013.
  5. "Phil Upchurch Page". Soulwalking.co.uk. Retrieved September 29, 2019.
  7. Phil Upchurch, "Companions" - Jam Records, 1984
  8. Rosen, Jody (June 25, 2019). "Here Are Hundreds More Artists Whose Tapes Were Destroyed in the UMG Fire". The New York Times. Retrieved June 28, 2019.
This article is issued from Wikipedia. The text is licensed under Creative Commons - Attribution - Sharealike. Additional terms may apply for the media files.