Peter Conefrey

Peter Conefrey was the parish priest of Cloone, County Leitrim. An active cultural national activist he founded the Cloone Ceili Band and was leader of the Leitrim anti-jazz[lower-alpha 1] campaign of 1934.

Father

Peter Conefrey

PP
Born1880
Died1939
NationalityIrish
OccupationClergy
Known for
  • Anti-jazz movement
  • Cloone Ceili Band

Biography

Conefrey was born in Main street Mohill, County Leitrim, in 1880. His parents were James Conefrey and Mary McGivney. He was ordained a priest in 1906.[2] During his formation for the priesthood at St Patrick's College, Maynooth his widowed mother was nearly evicted by the Earl of Leitrim which contributed to his anti-landlord stance.[3]

Conefrey had a love of Irish traditional culture including language, music, and rural lifestyle; he was concerned about dilution from outside influences. As a curate in Killoe, County Longford Coneford organised for households to use traditional spinning machines to weave cloth,[4] at one point even taking 60 people with their equipment to exhibit at the Royal Dublin Society.[5]

The Catholic Church in Ireland was very focused on sexual morality in the 1920s, 1930s and 1940s,[6] with some advocating return to Gaelic language and traditional music to shield from amoral English language media.[7] This aligned with Conefreys' views. County Leitrim being a focal point of the movement and 1933 seeing the violent protests against James Gralton and his dance hall with Gralton deported to the United States.

In 1926 Conefrey wrote in the Catholic Pictorial: "Jazz is an African word meaning the activity in public of something which St. Paul said 'Let it not be so much as named among you'. The dance and music with its abominable rhythm was borrowed from Central Africa by a gang of wwalthy Bolshevists in the U.S.A to strike at Church civilisation throughout the world".[8]

Conefrey is often credited with launching the anti-jazz campaign by organising a demonstration in Mohill on 1 January 1934, though it may have been a collaboration of several clergy who were members of the Gaelic League organisation.[9][10] Several thousand marched in support.[11] Speeches were presided over by Mohill's Canon Masterson who led with proclaiming Jazz was a treat to civilisation in and religion in Ireland and to the only two aspects that had survived the 1691 Treaty of Limerick; "Irish music" and "Irish faith"; and any man defiling those was the worst form of traitor and a threat to the Irish nation.[10] Support occurred from various leaders; head of state Éamon de Valera supported the aims of promoting Irish music and curtailing excessively late festivities whilst judiciously avoiding explicit condemnation of Jazz music.[11] The event concluded with a Ceili dance.[11]

Conefrey also called for legislation for dances to finish at 11pm.[10] He claimed "Jazz" was a bigger problem than drunkenness or landlordism, and called on the main political parties, Fianna Fáil and Fine Gael, to set aside their differences and "Put down this Jazz".[10]

In February 1934, Conefrey chaired a meeting of the South Leitrim Executive of the Gaelic League at Ballinamore and appeared to accuse the Gardai of being involved with holding all-night Jazz dances with the accusation they had even held some dances since the commencement of the anti-Jazz campaign.[1] Though Conefrey's anti-jazz campaign faded during 1934, it kindled debate that led to the Catholic Church lobbying the state to introduce the Public Dance Halls Act 1935, which restricted dances of all forms to 11pm and required public licenses for dances to be issued by a district judge. The act even affected traditional music, with gatherings of neighbours for Irish music sessions also being affected.[1]

Conefrey died in 1939 and is buried at Farnaught Cemetery, Gortletteragh,[2] to the east of Lough Rinn.

Music

Confrey was responsible for forming the Cloone Ceili Band.[2] Some recordings have survived of arrangements of ballads by Confrey, sung by Joseph Maguire and accompanied by Paddy Killoran and his orchestra, including "My Willy O" ,[12] and "The Blackbird of Sweet Avondale".[13]

Legacy

An annual "Down with Jazz" festival was begun in 2008 in Dublin, designed to respond humorously to Conefrey's campaign of the 1930s.

gollark: Yes, I like being able to have a working terminal and stuff on my phone. Apple also limit you to only their app store, which is highly æææææææææææ.
gollark: I mostly just end up buying very cheap phones and replacing them every ~2 years.
gollark: In some areas, not others.
gollark: Neither of those do *matter* much for normal use, though, really. Unless you like compiling things/gaming on your phone, or are very audiophile.
gollark: I have no idea about that, but given the lack of headphone jacks, meh.

References
  1. In the context of 1930s Ireland "Jazz" broadly encomposed many styles of non-native Irish dance brought back from America and elsewhere and with music available on the new 78rpm gramophone players[1]
  1. Brennan (2011).
  2. Mohill Parish (2020).
  3. Casey (2013), p. 137.
  4. Maume (2005), p. 87.
  5. Meenan & Clarke (1981), p. 168.
  6. Whyte (1971), p. 34.
  7. Brennan (2011), The fight against imported slush.
  8. Gibbons (1989), p. 89.
  9. Villar-Argáiz (2018), p. 65.
  10. Mullaney-Dignam (2008), pp. 185–186.
  11. Larkin (2012).
  12. Maguire, Killoran & Confrey (1939a).
  13. Maguire, Killoran & Confrey (1939b).
  • Brennan, Cathal (1 July 2011). "The Anti-Jazz Campaign". The Irish Story. Archived from the original on 6 March 2020. Retrieved 3 April 2020.CS1 maint: ref=harv (link)
  • Casey, Brian (2013). "Review: Longford History and Society: Interdisciplinary Essays in the History of an Irish County". Irish Economic and Social History. Sage Publications. 40: 177–180. JSTOR 24338627.CS1 maint: ref=harv (link)
  • Gibbons, Luke (1989). "Labour and Local History: the case of Jim Gralton, 1886-1945". Saothar. 14: 85–94. JSTOR 23195961.CS1 maint: ref=harv (link)
  • Larkin, Cormac (21 August 2012). "Ireland . . . and all that jazz". The Irish Times.CS1 maint: ref=harv (link)
  • Maguire, Joseph; Killoran, Paddy; Confrey, Peter (23 March 1939a). "My Willy O".CS1 maint: ref=harv (link)
  • ————; ————; ———— (23 March 1939b). "The Blackbird of Sweet Avondale".CS1 maint: ref=harv (link)
  • Maume, Patrick (2005). "A Pastoral Vision: The Novels of Canon Joseph Guinan". New Hibernia Review / Iris Éireannach Nua. Vol. 9 no. 4. pp. 79–98. JSTOR 20558042.CS1 maint: ref=harv (link)
  • Meenan, James; Clarke, Desmond (1981). RDS. The Royal Dublin Society 1731-1981. Dublin: Gill and MacMillan. p. 257. OCLC 9281298. OL 5653304W.CS1 maint: ref=harv (link)
  • Mohill Parish, ed. (2020). "Priests & Sisters from the Parish of Mohill". Mohill Parish. Retrieved 18 March 2020.CS1 maint: ref=harv (link)
  • Mullaney-Dignam, Karol Anne (January 2008). State, Nation and Music in Independent Ireland, 1922–51 (PDF) (PhD). Maynooth: National University of Ireland. Archived (PDF) from the original on 13 April 2020. Retrieved 13 April 2020.CS1 maint: ref=harv (link)
  • Sheehy, Kieran (producer) (1987). Down with jazz: Anti jazz campaign of the 1930's (mp3). RTÉ Radio 1. Archived from the original on 10 December 2017. Retrieved 23 April 2020.CS1 maint: ref=harv (link)
  • Villar-Argáiz, ed. (13 April 2018). Irishness on the Margins: Minority and Dissident Identities. Palgrave Macmillan. ISBN 978-3319745664. OCLC 1076576016. OL 27744467M.CS1 maint: ref=harv (link)
  • Whyte, John Henry (1971). Church and state in modern Ireland, 1923-1970. Dublin: Gill and Macmillan. ISBN 0717104869. OCLC 230162487. OL 4559524M.CS1 maint: ref=harv (link)

Further reading
  • Flynn, Jude (1983). The Life and Times of Fr. Peter Conefrey. Cloone, County Leitrim: private.CS1 maint: ref=harv (link)
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