Peter Alfred Schou

Peter Alfred Schou, known as P.A. Schou (8 October 1844, Copenhagen - 21 November 1914, Frederiksberg)[1] was a Danish painter, the brother of Ludvig Abelin Schou.

P.A. Schou (late 1900s)

Biography

He was born to a family of merchants from Slagelse shortly after their arrival in Copenhagen. Originally, he chose to follow his father into business and attended a trade school. From 1865, he looked after his family's interests in Hamburg but, possibly inspired by his older brother's death in 1867, he began to spend his summers attending classes at the Dresden Academy of Fine Arts.[1]

In 1876 he went to Paris, where he studied with Léon Bonnat.[2] His first exhibition at the Salon came in 1880.[1] The following year, a work of his was rejected by the censorship committee for the Charlottenborg Spring Exhibition and he went back to Hamburg.

As a result of his experience at Charlottenborg, he established the "Aktclub", a venue where artists could paint nude models without academic constraints.[3] Among those who worked there were Arthur Siebelist, Julius von Ehren and Julius Wohlers. He returned to Denmark in 1902 and was a regular participant in several annual exhibitions after that time.[1]

His paintings were mostly very simple; interiors with one or two figures in a dark, Post-Impressionist style. Many capture sad moments. The bedside of a tubercular young man is a recurring theme. He also painted some portraits and still-lifes.

In 1911, he was awarded Det anckerske Legat, a grant for composers, writers and artists and, in 1908 and 1912, he received the Eckersberg Medal.[2] He is buried in Solbjerg Park Cemetery.

Selected paintings
  • Left Behind
  • The Last of His Line
  • The Artist's Sister, Ida
  • Painter at His Easel
gollark: Try repression and denial.
gollark: I still hit "too much recursion" reordering it.
gollark: Replying to https://discord.com/channels/346530916832903169/348702212110680064/747565111799054358... probably not. Also his seems to support function calls and stuff.
gollark: Use antimemes to erase the concept of gender from their minds.
gollark: This is probably not actual BNF.

References
  1. Biographical notes @ Kunstindeks Danmark.
  2. Biographical notes @ Den Store Danske.
  3. Carsten Meyer-Tönnesmann: Der Hamburgische Künstlerclub von 1897. Verlag Christians, 1985, ISBN 3-7672-0919-5
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