Peggy Napangardi Jones

Peggy Napangardi Jones or Peggy Jones (1951 – 20 August 2014) was a Warlpiri/ Warumungu woman born at Phillip Creek Station near Tennant Creek.[1] She was a significant Australian Aboriginal artist who had 10 solo shows and approximately 50 group exhibitions. She was also selected in the Telstra National Aboriginal & Torres Strait Islander Art Awards[2] and acquired by many national and international collections.[3][4]

Life and painting

Jones was born at Phillip Creek Station to a Warlpiri mother and a Warumungu father and, from them, she inherited dreamtime stories and laws; these form her inspiration to paint.[1] In her early years her family walked from Phillip Creek Station to Brunchilly Station, where her mother worked as a servant and her father was mostly absent, and, for most of her early life, they travelled between here and Banka Banka Station. This continued until, as a young woman, the family travelled to Alekerenge (also known as Ali Curung) where she met and married a Warumungu man. Following their marriage, in 1970, the couple moved to Tennant Creek, where they lived at village camp, where their 3 children (Wayne, Jessica and Joshua) were born.[5][6]

Jones was introduced to acrylic painting on canvas in 1996 at a Julalikara CDEP Women's Arts and Craft program at the 'Pink Palace' (Julalikari Arts) in Tennant Creek.[1] Her first paintings were in the classic 'dot and circle' style[3] and relate strongly to her country; soakages, wells, bush tucker, animals and birds. Jones works are highly coloured and have ostensibly loose compositions but their colours and strengths make them strong, fresh and vibrant.[7]

Throughout her career Jones had various residencies at Batchelor Institute of Indigenous Tertiary Education and Northern Territory University, now Charles Darwin University[3] and, at these, she learnt to work with a variety of mediums including silk painting, ceramics and lino block printing.[7]

Jones work is held in many important collections and major institutions including:

Jones, who called herself "the artist of all time",[3] was represented by the Alcaston Gallery in Melbourne throughout her career[8] until her retirement in 2011.[1]

Jones died on 20 August 2014.[9]

gollark: https://www.eff.org/deeplinks/2020/04/challenge-proximity-apps-covid-19-contact-tracing
gollark: The rough idea of the decent-for-privacy idea is apparently to have each phone have a unique ID (or one which changes periodically or something, presumably it would store all its past ones), and devices which are near each other (determined via Bluetooth signal strength apparently) for some amount of time exchange identifiers, and transmit in some way the IDs of devices of people who get inected.
gollark: I see.
gollark: What's that using, then?
gollark: If you're talking about contact tracing, there was a proposal for how to do it in a decent privacy-preserving way.

See also
  • Art of Australia

References
  1. "Peggy Napangardi Jones (1951-2014)". Alcaston Gallety.
  2. "Peggy Jones". Nomad Art. 12 January 2012. Retrieved 7 March 2020.
  3. "About". NYINKKA NYUNYU. Retrieved 7 March 2020.
  4. Jones, Peggy. "Nappangarti". Item held by National Gallery of Australia. Retrieved 7 March 2020.
  5. "Peggy Napangardi Jones' painting 'Snake' from the Tennant Creek area in the Northern Territory. Palya Art 1151HR". Palya Art. Retrieved 7 March 2020.
  6. "Alison Alder - Kujjura Mampaly Nyirrila (Two Together)". alisonalder.com. Retrieved 7 March 2020.
  7. "THE ART SCENE". www.artplan.com.au. Retrieved 7 March 2020.
  8. Knight, Beverly (2016). "Peggy Napangardi Jones 2016". Alcaston Gallery.
  9. "Peggy Napangardi Jones | Artists | NGV". www.ngv.vic.gov.au. Retrieved 7 March 2020.
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