Pee Wee Marquette

William Clayton "Pee Wee" Marquette (October 10, 1914 – September 21, 1992)[1] was the former master of ceremonies at the Birdland jazz club in New York City. Born in Montgomery, Alabama, Marquette was the son of Willis and Kinnie Markett (or sometimes, Markette).[2]

Pee Wee Marquette
Born(1914-10-12)October 12, 1914
Montgomery, Alabama
DiedSeptember 21, 1992(1992-09-21) (aged 77)
New York, New York
Other names
  • William Crayton Marquette
  • Will Clayton Marquette
  • Billy J. Marquette
OccupationEntertainer
Known forBirdland jazz club

Marquette was under four feet tall, some reports stating three-and-a-half feet.[3]

Marquette began his career with the Francis Craig Orchestra in Nashville, and was a part of that organization for ten years, both dancing and telling jokes. While in Nashville, Marquette lived in the home of Dr. Oliver L. Hambrick, an African-American general practitioner. In 1936, "Willie (Pee Wee) Marquette" is listed as one of the performers in Nashville's spring musical, presented by the Friendship Interest Club, and held in the parlors of the Gardner Undertaking Company.[4] In 1943, he moved to New York City "with $35 in his pocket". The owner of Club Zanzibar saw him walking by on the street, and offered him a job hosting; Marquette worked there off-and-on for five years, also hosting at Hank Armstrong's Melody Room.[5] In 1949, he became host at the Birdland jazz club in Manhattan, filling that role until 1965.[6][7] On July 25, 1955, Marquette and other Birdland regulars like Count Basie appeared at New York's Dunderberg Field for an exhibition baseball game.[8]

He had a reputation for being mean and demanding "tips" to the point of extortion. An explanation of his system was given by Bobby Hutcherson in an interview.[9] He claimed Marquette told him on his first day that he was not needed and that he should "pack your things and get on out of here." This did not occur as he had been asked to play, but Marquette made Hutcherson's first night playing at the club difficult. Marquette intentionally mispronounced his name to embarrass Hutcherson and blew cigar smoke in his face to further the irritation. However once Marquette was paid his "tip" he pronounced Hutcherson's name correctly.[10] This is said to have been a pattern for him: other musicians had similar stories of having to pay him to avoid public humiliation. Perhaps because of this, or because of the era, most musicians who knew him still referred to him as a "midget".[11]

He appeared on Late Night with David Letterman on February 6, 1985, during which he discussed his memories of being at the jazz club.[12]

In 1988, Marquette filed a $2 million law suit against Warner Brothers in Manhattan Supreme Court, alleging that the Clint Eastwood film Bird portrayed him (via actor Tony Cox) in an unflattering and demeaning manner. "It's a shame what they did," he said. "There's only one of me and everyone knows me."[13] During this time, Marquette was working as a greeter and doorman at the Hawaii Kai restaurant in Times Square.

A compact disc composed entirely of his emcee introductions, entitled Every Night at Birdland: The Lost Introductions was released in 2008.[14] His voice can be heard making the introductions on Art Blakey's 1954 recordings issued as A Night at Birdland.[15] His announcements are also documented on Blakey's other Birdland albums At the Jazz Corner of the World (1959) and Ugetsu (1963). He can be heard in the introductory sequence and tail of "Birdland" on the Quincy Jones Album "Back on the Block" as well as the introduction on Us3's hit song, "Cantaloop (Flip Fantasia)."[16]

Notes
  1. Ancestry.com. U.S., Social Security Death Index, 1935-2014 [database on-line]. Provo, UT, USA: Ancestry.com Operations Inc, 2011.
  2. Ancestry.com. 1920 United States Federal Census [database on-line]. Provo, UT, USA: Ancestry.com Operations, Inc., 2010. Images reproduced by FamilySearch.
  3. The Tennessean (Nashville, TN), 2 February 1955, 9
  4. The Tennessean (Nashville, TN), 19 April 1936, 30.
  5. New York Age (New York, NY), 5 July 1947, 11.
  6. The Tennessean (Nashville, TN), 2 February 1955, 9
  7. St. Louis Post-Dispatch (St. Louis, MO), 7 December 1988, 109.
  8. The Pittsburgh Courier (Pittsburgh, PA), 23 July 1955, 15.
  9. Hutchinson interview
  10. All About Jazz Archived 2006-11-27 at the Wayback Machine
  11. “‘HALF A MOTHERFUCKER’: THE LEGEND OF PEE WEE MARQUETTE” DangerousMinds.net, 05.03.2013 (Retrieved 2018-01-09.)
  12. Late Night with David Letterman - Show #0509 Accessed 1-18-2010
  13. St. Louis Post-Dispatch (St. Louis, MO), 7 December 1988, 109.
  14. https://www.allaboutjazz.com/every-night-at-birdland-the-lost-introductions-pee-wee-marquette-review-by-nicholas-f-mondello.php
  15. Jazzztet
  16. Marquette introduction
gollark: For now it'd be neat if there were actually good AR glasses available. Google Glass got killed off, and there was this company called North doing similar stuff but... Google bought them and killed them off too.
gollark: Brains are very adaptable, so perhaps you could just dump data into some neurons in some useful format and hope it learns to decode it.
gollark: I'd be *interested* in brain-computer-interface stuff, but it'll probably be a while before it develops into something useful and the security implications are very ææææaa.
gollark: It's still stupid. If the data is *there*, you can read it, no way around that.
gollark: This is something where you could probably make it actually-secure-ish through asymmetric cryptography, but just using a symmetric algorithm and hoping nobody will ever dump the keys is moronically stupid.
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