Pearly Black

Pearly Black (born February 1967) is an Australian singer. Her performance style varies widely, performing with several ensembles in different genres and in short-run shows. She is perhaps best known for collaborations with avant-garde composer and musician John Rodgers, including their "sex-and-death-cabaret-rock" band Madam Bones Brothel which developed a cult following in Brisbane and Melbourne.

Pearly Black
Pearly Black in 2001
Background information
BornFebruary 1967 (age 53)
OriginBrisbane, Queensland, Australia
GenresCabaret
Rock
Folk-noir
Acoustic prog-rock
Flamenco
Latin
Bulgarian folklorica
Gospel
Disco
Occupation(s)Singer
InstrumentsVocals, guitar
Years active1989–present
Associated actsMadam Bones Brothel
Diastima
Tell Heaven
Hood
Websiteblackcherry.com.au

Career

Pearly began singing in Brisbane in the late 1980s where she met John Rodgers (sometimes known as John Bone) and created Madam Bones Brothel.[1]

She moved to Melbourne in the early 1990s (with John and other Brothel members) and worked extensively over the next 10 years in many diverse settings. Apart from performing solo and with Madam Bones Brothel, she was a member of acoustic prog-rock duo Diastima, Robin Casinader's folk-noir ensemble Hood,[2] stadium-disco band Butt Funky, and the short-lived Latin/cabaret quartet Las Tangolitas.

During her time in Melbourne, Pearly also sang with Petrunka (the Melbourne Women's Bulgarian Choir) and performed as a local cast member for dance troupe Stomp.

In 1996, Pearly had a minor role in the film Love and Other Catastrophes as "Woman in Bathroom Making Love".[3]

In 2003, Pearly lived in Hobart and studied at the Conservatory of Music and with Maria Lurighi. She was a member of the Southern Gospel Choir.

She returned to Brisbane in 2004 and once again began collaborating with John Rodgers. She has performed with John and other musicians in many and varied circumstances including in the gospel revue Tell Heaven,[4] in the transcendental cabaret The Ultimate Prize – A John Rodgers Retrospective,[5] and with The God Botherers (the precursor to Tell Heaven).

She was a member of the cast in 2004 for Women in Voice, Brisbane's annual singing showcase, alongside Chrissy Amphlett and Kate Miller-Heidke. Her performance was described as having a smoldering moodiness.[6]

She has twice performed in shows with music composed by John in Mount Isa to audiences of thousands of people[7] for the Queensland Music FestivalBobcat Dancing in 2003 and Bobcat Magic! in 2005. She performed lead vocals in a 2007 show for the Queensland Music Festival The Dream Catchers, also written by John Rodgers, held in Innisfail.[8]

In 2006, Pearly was a member of the cast for Tom Waits For No Man, a cabaret show featuring the music of Tom Waits, performed at the Brisbane Cabaret Festival. The show returned for the 2007 season of the Festival by popular demand[9] where it won a Matilda Award (Queensland's annual theatre industry awards) for the Best Musical Production.[10]

She continues to perform regularly in Brisbane and less regularly in Melbourne. She also offers singing tuition in styles ranging "from jazz to heavy metal".[11]

Partnership with John Rodgers

John Rodgers is a composer, improviser, violinist, pianist, and guitarist.[12] At a young age he was heavily involved in classical music with orchestras, touring Europe and Asia, often appearing as a soloist.[13]

John chose not to follow a promising career in the classical field and Madam Bones Brothel, formed with Pearly, was a sharp rejection of all things represented in the highly controlled world of classical music. As a composer, John is highly regarded for his creative genius[12] and a vast amount of this uniquely brilliant music has been written for Pearly to perform. The material in Madam Bones Brothel (composed by John) ranged from funk to rap, jazz to rock, country to flamenco, often in the same set.

Madam Bones Brothel has not performed since 2000 but John and Pearly continue to play music together. John plays with Pearly in the gospel group Tell Heaven and they also play as a duo for special events (sometimes performing Madam Bones Brothel songs). John played in the Women in Voice band in 2004 when Pearly was a featured star and one of the songs she performed was The Ultimate Prize, a song previously recorded by The Brothel. In recent years, John has received several major grants to compose music for large shows and Pearly has often been included in the cast. Pearly sings the lead vocals in John's most recent large-scale musical theatre piece, The Dream Catchers.[8]

Recordings

With Madam Bones Brothel

  • Family of Abjects (1994)
7 tracks, album
  • Fleas on the Bitch (2000)
8 tracks, album

With Diastima

  • Where Were You When I Needed You? (1999)
8 tracks, limited-release album

With Hood / Robin Casinader

  • Are You Wearing Despair? (not yet released[14])
9 tracks, album
  • Useful Tunes (2005)
11 tracks, album

With Tell Heaven

  • Live at the Judy (2006)
8 tracks, promotional EP
  • White Stone Chapel (2009)
Live concert DVD

With Las Tangolitas

  • Lush Latin Cabaret (undated)
7 tracks, promotional EP

Compilation and guest appearances

  • Sweet Young Corn (1998) by Sweet Young Corn
Track: Temptation, composed by Tom Waits
Track: Cancion Mixteca, composed by Ry Cooder
  • Andrew Entsch Tribute Live at the Empress (1999)
Track: Queen of Hearts, with Hood
  • Deeper Shades (2004) by Bat
Track: The Place of the Stars
  • Bobcat Magic! (2005)
Track: When They Shine
Track: A Weird Kind O' Strange
Track: If You Happen To Be There, with Sven Swenson
  • The Minotaur's Lament (2006) by Dark Waters Tango
Track: Desire
Track: Poison Tango
gollark: Is there some way to switch over subtypes or whatever?
gollark: ADTs? ADTs ADTs. ADTs ADTs ADTs, ADTs ADTs!
gollark: ADTs!
gollark: ```haskelldata Node = Thingy Int Int Int | Thingummy String Int | Whatsit [Node]```
gollark: You should use nice things like ADTs in a sane language.

References

This article is issued from Wikipedia. The text is licensed under Creative Commons - Attribution - Sharealike. Additional terms may apply for the media files.