Paulo Alvarado

Paulo Alvarado (born 1960) is a Guatemalan cellist, composer and producer born in Guatemala. He studied architecture at Universidad Rafael Landívar but dropped out in 1983 to become a full-time member of the groundbreaking Guatemalan rock band Alux Nahual.[1] Besides his role in that band, continuing to date, he is notable for exploring the use of the cello in a variety of contexts[2] and is active in classical music. In 1992 he founded Cuarteto Contemporaneo de Guatemala, a string quartet specializing in a repertoire by Guatemalan composers, either written specifically for a string quartet or adapted for it. He has also been involved in the performance and production of Guatemalan music from the colonial period.[3]

Paulo Renato Alvarado
Background information
Born1960 (age 59–60)
Guatemala City
Genres
Occupation(s)Musician, songwriter, producer.
InstrumentsCello
Years active1969–present
LabelsDIDECA
Associated acts

Alvarado is the son of Manuel Antonio Alvarado a Guatemalan educator, and brother of Manuel Alvarado, a British-Guatemalan academic in media studies. He writes a weekly column, Presto non troppo in Prensa Libre, a Guatemalan daily newspaper.[4]

In 2016 he performed and produced El Chelo Guatemalteco, a collection of Guatemalan music rendered for the Cello, with Costa Rican pianist Gerardo Meza Sandoval.<ref>Villalobos Viato, Roberto (27 November 2016). "Lanzamiento de novedoso disco de violonchelo y piano con música guatemalteca". Prensa Libre. Retrieved 17 June 2018.

Discography
  • La Cantoría de Tomás Pascual (1994). El repertorio de San Miguel Acatán, "Música Guatemalteca, Siglos XVI y XVII", CD, Pajarito Discos 50294-1. (Producer, cello)
  • La Cantoría de Tomás Pascual (2000). El Repertorio de San Sebastián Lemoa, CD, Pajarito Discos. (Producer, cello)
  • El Actor Etéreo. La música de la Nueva Escena Guatemalteca (2000). Guatemala. CD, Pajarito Discos. (Composer, producer, cello)
  • Cuarteto Contemporáneo, "Música Guatemalteca, 1582 - 1990", 1998. CD, (Producer, cello)
gollark: And "whosoever lieth with apioforms shall be put to death".
gollark: Well, in recent weeks we have launched a project to spread apioforms further, hence "thou shalt not suffer apioforms to live".
gollark: I think the first prefixed versions of "apioform" were stuff like cryoapioform/pyroapioform, in heavpoot's game. This was popularized by ABR ++apioform.
gollark: As far as I can tell, "apiohazard" was never very popular though.
gollark: Around this time the APIONET IRC network was started up, mostly as a joke.

References
  1. "Paulo Alvarado Discography". Discogs. Retrieved 17 June 2018.
  2. Hernández, Oswaldo (15 May 2011). "Paulo Alvarado: Más allá del instrumento". Siglo 21. Retrieved 17 June 2018.
  3. Duarte, Arturo; Alvarado, Paulo (1998), "Música de Guatemala en el siglo XVIII: los villancicos de Tomás Calvo", Mesoamérica, 19 (36): 441–498
  4. "Paulo Alvarado", Wikiguate, April 1, 2015, retrieved June 16, 2018
  • ADESCA – Aporte para la Descentralización Cultural (1999). Informe 1999. Guatemala, p. 10.
  • De Gandarias, Igor (2008). La Música Electroacústica en Guatemala. Dirección General de Investigación, Universidad de San Carlos de Guatemala. Guatemala.
  • Prensa Libre (2002). Diccionario de Artistas Guatemaltecos (A). Guatemala
  • Hernandez, D., L'Hoeste, H., & Zolov, E. (Eds.). (2004). Rockin Las Americas: The Global Politics Of Rock In Latin/o America. Pittsburgh, Pa: University of Pittsburgh Press. Retrieved from https://www.jstor.org/stable/j.ctt9qh62v.
  • Hegarty, P., Halliwell, M. (2011). Beyond and Before: Progressive Rock since the 1960s. London: Bloomsbury.


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