Paul West (writer)

Paul Noden West (23 February 1930 18 October 2015) was a British-born American novelist, poet, and essayist.[3] He was born in Eckington, Derbyshire in England to Alfred and Mildred (Noden) West. Before his death, he resided in Ithaca, New York, with his wife Diane Ackerman, a writer, poet, and naturalist. West is the author of more than 50 books.[4]

Paul West
Paul West in Florida, 2010
BornPaul Noden West[1]
(1930-02-23)23 February 1930
Eckington, Derbyshire, England
Died18 October 2015(2015-10-18) (aged 85)
Ithaca, New York, U.S.
OccupationAuthor, professor
GenreNovels, poetry, memoirs, essays
SpousesPaula Radcliffe (1960)[2]
Diane Ackerman

Early life

West grew up in a mining town in Derbyshire, England. His father, partly blinded in World War I, was often unemployed. His mother, a talented pianist, gave private lessons to help support the family. She encouraged West in his love of words and his literary ambitions.[3] In a 1989 interview by author and literary critic David W. Madden, West said he was also encouraged by three teachers, "amazing women who taught English, French, and Latin and Greek" at an otherwise "mediocre grammar school". They were, he said, "...marvelous to me. They encouraged me because they felt I had some gift for languages and should pursue that, and they groomed me."[5]

After graduating with honors in English from the University of Birmingham, West studied at Lincoln College, Oxford, and then Columbia University in the United States, from which he graduated with a master's degree in 1953. His early life also included a stint in the Royal Air Force,[3] during which he achieved the rank of flight lieutenant.[6] He later taught English literature at Memorial University of Newfoundland and, in 1963, began teaching at Pennsylvania State University.[3] It was there in the early 1970s that he met Diane Ackerman, who became his wife.[3]

Awards

Among other honors, West's literary awards have included the American Academy of Arts and Letters award for literature (1985), the Lannan Prize for fiction (1993), and the Grand-Prix Halpèrine-Kaminsky Prize (1993) for best foreign book. West was named a "literary lion" by the New York Public Library and a Chevalier of the Order of Arts and Letters (Ordre des Arts et Lettres) by the French government.[7]

Analysis

West's work is highly varied in form and content. According to reviewer Lore Segal, "He has published poetry, criticism, essays, memoirs (including an extended, sometimes hilarious meditation on learning to swim in middle age) and...novels of an unsettling nonuniformity."[8] Among the many writers who influenced West's work, writes literary critic David Madden, were Jean-Paul Sartre (direct prose, existentialism, alienation, self-definition); Shakespeare (language); Thomas De Quincey (involutes; that is "compound experiences incapable of being disentangled"); Samuel Beckett (word play, nonconforming fiction); and T. S. Eliot (the objective correlative, which West called "an emotional shorthand; a morse for the soul").[9]

According to Madden, West placed high importance on the role of the imagination, as distinguished from convention or dogma, in the creation of fiction and non-fiction.[10] He favored intense flamboyant prose over minimalist writing, which he regarded as generally vapid.[10] His interest in the mutability of what is conventionally thought to be real led to an interest in Latin American fiction and its "penchant for the magical and improbable".[11] Likewise, it led him to scientific studies of "the overwhelming abundance of the universe" from atoms to stars, a friendship with astronomer Carl Sagan, and the writing of The Universe, and Other Fictions and other work expressing amazement at existence.[10]

West told Madden that music was his favorite art and that he usually listened to music while writing.[12] For the writing itself, he used an electric typewriter, which for him had a musical link: "Sometimes I think I am playing the piano, which I cannot do, but I hear rhythms in my tapping and sometimes, Glenn Gould-like, I chant as I go to remind myself what's coming in the next few lines."[13]

West and his novel The Very Rich Hours of Count von Stauffenberg figure prominently in a chapter in Nobel Laureate J. M. Coetzee's book Elizabeth Costello. Coetzee's title character is disturbed by the horrors West describes in his book, which includes vivid descriptions of the deaths, by torture and hanging, of the Germans who tried to assassinate Hitler. In a lecture, "Witness, Silence and Censorship", given in Amsterdam at a conference on evil, she plans to question whether authors should think or write about such things. West (Coetzee's fictitious character), unbeknown to Costello until only hours before her pointed lecture, is also attending the conference. When she seeks him out to warn him that she is using his novel an example of something that should not be written, he listens but says nothing. Author and critic David Lodge, in his review of Elizabeth Costello, says, "For a writer to introduce another, living writer as a character into his fiction, especially in such a prejudicial light, is a very unusual, perhaps unprecedented, thing to do."[14]

Personal life

West retired from teaching in 1995.[3] In 2003, he had a stroke, his second, which his wife, Diane Ackerman, has written about in her book One Hundred Names for Love: A Stroke, a Marriage and the Language of Healing.[15] He died on 18 October 2015 at the age of 85 in Ithaca, New York, from pneumonia.[3] He is survived by his sister, Sheila Forster, and perhaps by a daughter, Amanda, about whom he wrote but with whom he later lost touch.[3]

Works

Long fiction

  • A Quality of Mercy, 1961
  • Tenement of Clay, 1965
  • Alley Jaggers, 1966
  • I'm Expecting to Live Quite Soon, 1970
  • Caliban's Filibuster, 1971
  • Bela Lugosi's White Christmas, 1972
  • Colonel Mint, 1972
  • Gala, 1976
  • The Very Rich Hours of Count von Stauffenberg, 1980
  • Rat Man of Paris, 1986
  • The Place in Flowers Where Pollen Rests, 1988
  • Lord Byron's Doctor, 1989
  • The Women of Whitechapel and Jack the Ripper, 1991
  • Love's Mansion, 1992
  • The Tent of Orange Mist, 1995
  • Sporting with Amaryllis, 1996
  • Life With Swan, 1997
  • Terrestrials, 1997
  • OK: The Corral, the Earps and Doc Holliday, 2000
  • The Dry Danube: A Hitler Forgery, 2000
  • A Fifth of November, 2001
  • Cheops: A Cupboard for the Sun, 2002
  • The Immensity of the Here and Now: A Novel of 9.11, 2003

Short fiction

  • The Universe and Other Fictions, 1988

Poetry

  • Poems, 1952
  • The Spellbound Horses, 1960
  • The Snow Leopard, 1964
  • Alphabet Poetry
  • Tea with Osiris, 2006

Non-fiction

Books

  • The Growth of the Novel, 1959
  • Byron and the Spoiler's Art, 1960 – 2nd ed. 1992
  • I, Said the Sparrow, 1963
  • The Modern Novel, 1963
  • Robert Penn Warren, 1964
  • The Wine of Absurdity: Essays in Literature and Consolation, 1966
  • Words for a Deaf Daughter, 1969
  • Out of My Depths: A Swimmer in the Universe, 1983
  • Sheer Fiction, 1987
  • Portable People, 1990
  • Sheer Fiction, vol. 2, 1991
  • Sheer Fiction, vol. 3, 1994
  • James Ensor, 1991
  • My Mother's Music, 1996
  • A Stroke of Genius: Illness and Self-Discovery, 1995
  • The Secret Lives of Words, 2000
  • Master Class, Scenes From A Fiction Workshop, 2001
  • Oxford Days, 2002
  • Sheer Fiction, vol. 4, 2004
  • My Father's War, 2005
  • The Shadow Factory, 2008

Articles

  • West, Paul (January 2009). "Memoir : Cadets : On not flying in the Royal Air Force". Harper's Magazine. 318 (1904): 58–62.
  • West, Paul (Summer 2012). "A Feast of Fat Things". The American Scholar. 81 (3): 68–80.

Edited text

  • Byron: Twentieth Century Views, 1963
gollark: I memorized 13-ish digits a few years ago because of boredom, and it's never been any use at all.
gollark: I mean, 3.11 is right to two significant figures, and do you really need more?
gollark: 1st gen Ryzen 3 gang!
gollark: How helpful for research actually *is* simulating all the protein folding stuff?
gollark: Devices with LCD panels don't do that because they don't have excessively-rapidly-degrading LEDs.

References

  1. "Paul (Noden) West Biography". Net Industries. Retrieved 22 October 2015.
  2. Madden 1993, p. 6.
  3. Grimes, William (21 October 2015). "Paul West, Writer Who Shoveled Absurdity Into His Books, Dies at 85". The New York Times. Retrieved 22 October 2015.
  4. West, Paul (1 June 2007). "Mem, mem, mem". The American Scholar. Phi Beta Kappa Society. 76 (3): 66–79. Retrieved 16 December 2010.
  5. Madden, David W. (Spring 1991). "An Interview with Paul West". The Review of Contemporary Fiction. II (1): 154–76. Retrieved 27 October 2015 via Gale Artemis Literary Sources.
  6. Madden 1993, p. 5.
  7. "Paul West". AGNI Online. AGNI Magazine. 2008. Retrieved 25 October 2015.
  8. Segal, Lore (16 February 1986). "The Flasher of the Apocalypse". The New York Times Book Review. Retrieved 16 December 2010.
  9. Madden 1993, pp. 7–18.
  10. Madden 1993, pp. 13–16.
  11. Madden 1993, p. 142.
  12. Madden 1993, p. 2.
  13. Bruce, Harry (2010). Page Fright: Foibles and Fetishes of Famous Writers. Toronto: McClelland and Stewart. p. 80. ISBN 978-0-7710-1713-1. Retrieved 17 November 2015 via Google Books.
  14. Lodge, David (20 November 2003). "Disturbing the Peace". The New York Review of Books. Retrieved 16 December 2010.
  15. Ackerman, Diane (11 May 2011). "After a Stroke, Relearning Home". The New York Times. Retrieved 22 October 2015.

Works cited

Further reading

  • Cyclopedia of World Authors, 3rd Ed. Vol. 5, Sim-Z. "Paul West". pp 2137–2138.
  • "Word Patriots—Paul West Early Years" November 2011 radio program/podcast discussing West's early work; hosted by Mark Seinfelt.
  • 'Mem, Mem, Mem' After a stroke, West struggles to say how the mental world of aphasia looks and feels. According to his wife Diane Ackerman: "this is an excerpt from The Shadow Factory, the aphasic memoir West dictated with such struggle and resolve, 'forcing language back on itself.' "
  • "The Paul West Experience – Liberating the Microcosms" An homage from former student Edward Desautels, delivered at the 4th Biennial &Now Festival of Innovative Writing & the Literary Arts, 2009, Buffalo, NY as part of the panel "Purple Mind: A Paul West Panel."
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