Paul Edwin Roth
Paul Edwin Roth (1918–1985) was a German stage, television and film actor. Roth made his screen debut in the rubble film And the Heavens Above Us (1947).[1] He was a regular in West Germany films and television during the post-war years. He was also a notable voice actor, dubbing a number of international stars (particularly American and British) for the German market.
Paul Edwin Roth | |
---|---|
Born | 22 October 1918 |
Died | 28 October 1985 Munich, West Germany |
Occupation | Actor |
Years active | 1945 - 1987 (film) |
Selected filmography
- And the Heavens Above Us (1947) - Werner Richter
- Our Daily Bread (1949) - Harry Webers
- Ingrid – Die Geschichte eines Fotomodells (1955)
- Children, Mother, and the General (1955)
- Confess, Doctor Corda (1958) - Dr. Schimmer
- For Love and Others (1959) - Otto Lürmann
- Im Namen einer Mutter (1960) - Sachverständiger
- Fabrik der Offiziere (1960) - Oberfeldrichter Wirrmann
- The Miracle of Father Malachia (1961) - Secretary of the Bishop
- The Longest Day (1962) - Col. Schiller (uncredited)
- Irrungen - Wirrungen (1966) - Sprecher
- 4 Schlüssel (1966) - Konrad von Brenken
- Die Gentlemen bitten zur Kasse (1966, TV miniseries) - Peter Masterson
- The Bordello (1971) - Herr Silberstein
- Und Jimmy ging zum Regenbogen (1971) - Dr. Karl Friedjung
- Zoff (1972)
- The Stuff That Dreams Are Made Of (1972) - Oswald Seerose
- Die Hinrichtung (1976)
- Drei Bürger zum Geburtstag (1979)
- Drei Schwedinnen auf der Reeperbahn (1980) - Jens-Uwe
- Seitenstechen (1985) - Norbert's father
- Zirkuskinder (1985) - Pfarrer Erhardt (final film role)
gollark: No, not you.
gollark: > hoping for more people to die and greater economic damage because it would boost your political ideology
gollark: The economic damage is almost certainly better than the increased deaths/sick people which would result from doing less.
gollark: And I'd argue that not knowing exactly what it can do means you should treat it more seriously.
gollark: It's very infectious, mortality rate between, what, 0.2% and 10%, depending (probably only 10% as an upper bound with really overloaded healthcare), and not really any good treatments yet.
References
- Shandley p.211
Bibliography
- Shandley, Robert R. Rubble Films: German Cinema in the Shadow of the Third Reich. Temple University Press, 2001.
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