Paul A. Grimm

Paul Grimm was an artist born to German parents in South Africa in 1891. As a small child, he moved with his parents to the United States. He reportedly was seen as having artistic talent as a child and, as an adult, attended a university-level art school in New York. Between 1910 and 1920, he reportedly went to South America for a few years before returning stateside and settling in southern California.

Grimm gained much of his present-day fame by painting landscapes of southern California in the 1920s. Many works depict alluvial fans and desert vegetation in the eastern half of Riverside County. The San Jacinto Mountains appear frequently in his work. Most of the works are oil on canvas. To a viewer untrained in art, his work looks similar to desert landscapes of Karl Albert (1911 – 2007). A residence on Calle Palo Fierro in the Palm Springs Warm Sands Neighborhood was built for him in 1935. He had a studio on Palm Canyon Drive in Palm Springs from the 1950s until his death in 1974.[1]

His work is held by Palm Springs Art Museum, Picerne Arizona Landmark Collection at the Desert Caballeros Western Museum (Wickenburg, Arizona),[2] and the Irvine Museum.[3]

Grimm's works have been part of numerous exhibtitions at the Irvine.[4][5][6][7]

Further reading

  • Edan Milton Hughes, Artists in California, 1786-1940, Hughes Pub. Co.[8]
gollark: In my `writing_ideas` notes which will probably never be written I have> The world is a simulation, and a very buggy one. You can phase through walls if you walk through them at just the right angle wearing certain colors of T-shirt. Why is the clothing tear resistance code tied into collision detection? Why does it care about color? Nobody knows; it's filled with bizarre legacy code. Occasionally someone finds a really exploitable issue, runs off to certain regions of the world to “test things”, and disappears. Perhaps they manage to escape into reality somehow. Perhaps they're somehow “hired” by the admins to patch further issues. Perhaps they're just deleted to preserve stability.
gollark: (*Ra*, *Off to be the Wizard*, *Wizard's Bane*, and I can't remember any more right now)
gollark: It just needs to be sufficiently unfathomable and complex that most people won't do it.
gollark: You don't really need much of an explanation for that without this, though?
gollark: I mean, there are lots of stories vaguely similar to this, where "magic" is "programming but it magically affects reality".

References

  1. Palmer, Roger C. (2011). Palm Springs (Then & Now). Charleston, SC: Arcadia. p. 41. ISBN 978-0738589138. LCCN 2011932500. OCLC 785786600.
  2. "Paul Grimm". askart.com. askArt. Retrieved July 11, 2020.
  3. "The Irvine Museum presents "Mastering the Medium: Works on Paper from the Museum's Collection"". artdaily.cc. artdaily. Retrieved July 11, 2020.
  4. "Abundance of Color California Flowers in Art at The Irvine Museum". artdaily.cc. artdaily. Retrieved July 11, 2020.
  5. Richard Chang. "'Sublime Wonderlands'". voiceofoc.org. Voice of OC. Retrieved July 11, 2020.
  6. "Lasting Impressions: Twenty Years of The Irvine Museum". imca.uci.edu. UCI IMCA. Retrieved July 11, 2020.
  7. Susan Landauer (1996). California Impressionists. University of California Press. p. 28. Retrieved July 11, 2020.
  8. Edan Milton Hughes (1986). Artists in California, 1786-1940. Hughes Pub. Co. p. 460. Retrieved July 11, 2020.


This article is issued from Wikipedia. The text is licensed under Creative Commons - Attribution - Sharealike. Additional terms may apply for the media files.