Patrick McCaughey

Patrick McCaughey (born 1942 in Dublin) is an Irish-born Australian art historian and academic.

McCaughey was born in Dublin, his father being Davis McCaughey. He migrated with his family to Melbourne, Australia when he was ten years old.[1] His secondary education was at Scotch College, Melbourne. He resided at Ormond College, University of Melbourne, where he studied Fine Arts and English Literature.[2] He became Art Critic for the Melbourne Age in 1966. He was well known for his advocacy of abstract expressionism and of Australian artists, in particular Fred Williams.[3]

On return to Australia from a year-long Harkness Fellowship in New York, he was appointed as the first professor of Fine Arts at Monash University in 1972 and the Monash Department of Visual Arts had its first intake in 1975.[2] From 1981 he was the Director of the National Gallery of Victoria.

In 1988 he left Australia for the United States, where he held positions including Director of the Wadsworth Atheneum (1988–96),[4] the Chair in Australian Studies at Harvard University, and the director of the Yale Center for British Art.[1][2]

Patrick was married to Winsome McCaughey for a time.[5] McCaughey retired in Connecticut with his partner Donna Curran. He continues to write, while his partner runs a restaurant. [6]

Bibliography
This list is incomplete; you can help by expanding it.
  • The Pyramid in the Waste: The Search for Meaning in Australian Art 1983
  • Fred Williams 1927-1982 1987, 1996, 2008
  • The Bright Shapes and the True Names: A Memoir 2003
  • Voyage and Landfall: The Art of Jan Senbergs 2006
  • Strange Country: Why Australian Painting Matters 2014

Articles
  • Patrick McCaughey (June 2011). "Native grounds and foreign fields : the paradoxical neglect of Australian art abroad". Australian Book Review. 332: 11–13.
gollark: So if you buy a phone which got 4.5 stars or something, then you see another cheaper one with equally good reviews, you'll send the old one back...?
gollark: How will you actually know if the Voxel was going to work the same as the oPhone, though?
gollark: Let's imagine you're buying a phone or something. Imagine there are two types of phone: the Orange oPhone XIIX+MAX and the Goggle Voxel 4. They might work exactly the same for you, unrealistically, but the Orange oPhone is more expensive. You were influenced a bit because of advertising, and because of that bought an oPhone over a Voxel.
gollark: Or a mildly worse but better-advertised one, because stuff rarely works exactly the same.
gollark: A more expensive product, for example.

References
  1. "Patrick McCaughey—Griffith Review". Griffith Review. Griffith University. November 2005. Retrieved 17 June 2013.
  2. "Patrick McCaughey awarded Honorary Doctorate". Melbourne University Staff / Student E-news. University of Melbourne. 2 May 2012. Retrieved 17 June 2013.
  3. Peter Craven (3 November 2003). "Reality of a smiling public man". Sydney Morning Herald. Fairfax Media. Retrieved 17 June 2013.
  4. Wadsworth Atheneum. Retrieved 17 October 2014
  5. https://news.google.com/newspapers?nid=1301&dat=19860807&id=UKpWAAAAIBAJ&sjid=DOgDAAAAIBAJ&pg=3482,4288841
  6. http://www.theaustralian.com.au/news/features/questions-patrick-mccaughey-art-historian-71/story-e6frg8h6-1227111229825
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