Passion Despair

Passion Despair is a documentary film by Swiss filmmaker Steff Gruber. Gruber started shooting in 2005. The film premiered at the Gdansk Dokfilm Festival 2011.[1]

Passion Despair
Directed bySteff Gruber
Produced bySteff Gruber
Written bySteff Gruber
StarringDaniel Leuenberger
Romina Juravskaia
Olga Stepnova
Katja Neugodnikova
Ana Neugodnikova
Ana Nasushnaia
Larisa Sirbu
Luba Voitetcaia
Tamara Zaitseva
u.a.
Music byJimmy Gelhaar
CinematographyJürg Hassler
Steff Gruber
Edited bySteff Gruber
Release date
  • 7 May 2011 (2011-05-07)
Running time
93 minutes
LanguageGerman
English
Russian
Romanian

Overview

Steff Gruber's documentary film portrays the Swiss photographer Daniel Leuenberger, who lives in Moldova and specialises in photographing girls aged between 9 and 14.

Daniel has caused much controversy with the photos of his models which he sells via the Internet. Daniel's critics base their argument above all on the fact that the majority of his customers are pedophiles.

Daniel Leuenberger too finds himself marginalised and pushed to the edge. In the film he talks about how he deals with his feelings, about prejudice and about his work as a photographer of girls. The film raises questions of how images are used and their effects in a world increasingly dominated by the media.

In addition to Daniel's work as a portrait photographer, the film concentrates on the daily struggle for survival of Moldovan families and life in the officially non-existent neighbouring state of Transnistria. The small state, in which half a million people live, is hermetically sealed off from the outside world. Police and secret service are omnipresent; any opposition is nipped in the bud. The film shows how the mostly fatherless families in these two countries find ways to survive.

Festivals

Gdansk DocFilm Festival 2011

gollark: I don't really want to do very abstract mathy stuff for ages, which is also mentioned in my notes.
gollark: A 17x17 grid is small enough that you can probably get away with inefficiency, ubq.
gollark: I see.
gollark: Oops too many newlines.
gollark: Quoted from my notes:The relevant factors for course choice are probably something like this, vaguely in order: “personal fit” - how much I'll actually like it. This is quite hard to tell in advance. During the Y11 careers interview I was recommended some kind of trial thing for engineering, but I doubt that's on now, like many other things. Probably more important than other things, as I'd spend 3-5 years on said course, will perform better if I do enjoy it, and will probably not get much use out of studying a subject I would not like enough to do work related to. flexibility/generality - what options are opened by studying this stuff? Especially important in a changing and unpredictable world. how hard a subject is to learn out of university - relates to necessity of feedback from people who know it much better, specialized equipment needed, availability of good teaching resources, etc. Likely to decline over time due to the internet/modern information exchange systems and advancing technology making relevant equipment cheaper. earning potential - how much money does studying this bring? I don't think this is massively significant, it's probably outweighed by other things quite rapidly, but something to consider. Apparently high for quantitative and applied subjects. entry requirements - how likely I am to be able to study it. There are some things I probably cannot do at all now, such as medicine, but I didn't and don't really care about those, and there shouldn't be many. Most of the high-requirement stuff is seemingly available with more practical ones at less prestigious universities, which is probably fine.

References
  1. "9-th Edition | Gdansk DocFilm Festival". Gdansk DocFilm Festival. Archived from the original on 24 February 2015. Retrieved 24 February 2015.


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