Pan-African Orchestra

The Pan-African Orchestra (PAO) is an orchestra using indigenous African traditions and instruments. It was founded as a 48-piece ensemble[1] in 1988 in Accra, Ghana, by Nana Danso Abiam.[2][3] Abiam died in a motor accident in Accra on 24 December 2014, in the early hours following his 61st birthday.[4][5] His mission with the PAO, originally a 30-piece ensemble, had been to explore the classical foundations of traditional African music and to cultivate an integrated continental art form through new compositional and orchestral techniques.[6] The musicians play traditional instruments from across Africa, including the atenteben, gonje, kora and gyile.[7]

Background

The idea for the Pan-African Orchestra was conceived by Nana Danso Abiam while he was a student (under Professor Kwabena Nketia)[8] at the Institute of African Studies at the University of Ghana, when the country was inspired by a nationalistic movement that prevailed during the rule of Ghana's first post-independence president Kwame Nkrumah. According to AllMusic, "A government-funded paper in which Abiam called for the establishment of a national orchestra led to an invitation to take control of the Ghanaian National Symphony Orchestra. Although he accepted the invitation, Abiam became frustrated by the ensemble's 'colonial mentality' and 'resistance to moving from European instruments and composers.' Gathering musicians who were well-versed in the traditional instruments of Africa, Abiam formed the Pan-African Orchestra in 1988."[8][9] The PAO focused on so-called "re-compositions", using traditional themes as the basis for their orchestral interpretations.[9]

The PAO performed at the 1994 WOMAD Festival, and went on to record their album Opus I.[10] It was released through Real World Records in 1995, and subsequently topped the international New World Music Charts for six weeks.[11]

A youth wing of the PAO, the Pan African Youth Orchestra (PAYO), was formed in 1995 in collaboration with the National Theatre of Ghana.[12]

In 2001, in collaboration with dance company Adzido, the PAO toured the UK with the musical play Yaa Asantewaa - Warrior Queen (written by Margaret Busby and directed by Geraldine Connor),[13] and in 2003 the PAO collaborated with kora player Tunde Jegede.[11][10]

Discography
gollark: ?
gollark: Nope, we can do an outbound call.
gollark: Although I think our apiotelephone line may be busy now.
gollark: You can also dial omega-quarantine on there to find out more!
gollark: Thus join heavserver.

References
  1. Baba Abdulai, "Goodbye, Nana Danso Abiam", Weekend Sun, 22 February 2015.
  2. Daniel Avorgbedor. "Pan-African Orchestra." Grove Music Online. Oxford University Press, accessed 24 February 2014.
  3. John Owoo, "Nana Danso Abiam — A true musicial [sic] genius", Graphic Online, 22 April 2016.
  4. "Kojo Antwi, others to perform at Abiam’s vigil tonight", Starr FM, 12 March 2015.
  5. Kwesi Appiah, "To Nana Danso Abiam", Graphic Online, 7 March 2015.
  6. "Press Release: Pan African Orchestra Reviving Itself in 2012", Modern Ghana, 9 November 2011.
  7. Agawu, Victor Kofi (2003). Representing African Music: Postcolonial Notes, Queries, Positions. Psychology Press. pp. 19–20. ISBN 978-0-415-94390-1.
  8. Philip Sweeney, "Symphonies for a continent: The Pan African Orchestra uses native instruments to create a novel sound. Philip Sweeney met them in Ghana just before their first European tour", The Independent, 9 August 1994.
  9. Craig Harris, Artist Biography at AllMusic.
  10. Genevieve Ruha, "Nana Danso Abiam", GhanaNation, 18 September 2013.
  11. "Nana Danso Abiam & the Pan African Orchestra", Ghana Goods.
  12. Pan African Youth Orchestra website.
  13. "Yaa Asantewaa: Warrior Queen", National Theatre, Black Plays Archive.
This article is issued from Wikipedia. The text is licensed under Creative Commons - Attribution - Sharealike. Additional terms may apply for the media files.