Palace of the Peacock

Palace Of The Peacock (1960) is the first novel by Guyanese writer Wilson Harris.[1][2] It is considered an important early postcolonial novel[3] and a canonical text in Caribbean Literary Studies.[4] The novel is the first in Harris's 'Guyana Quartet' of novels, which also include The Far Journey of Oudin (1961), The Whole Armour (1962) and The Secret Ladder (1963).

Palace Of The Peacock
First edition
AuthorWilson Harris
CountryUnited Kingdom
LanguageEnglish
GenreHistoriographic metafiction Magical Realism
PublisherFaber & Faber
Publication date
1960
Media typePrint (hardcover, paperback)
Followed byThe Far Journey of Oudin (1961) 

Synopsis

The novel is set in the sixteenth century and presents the narrative of a group of men from different ethnic backgrounds making their way up a dangerous and turbulent river within the jungles of Guyana. The party is led by a man named Donne, a cruel second-generation European colonialist who was born in Guyana, and who is hunting for a woman called Mariella who has run away from him. Over the course of the journey it becomes apparent that it is not the first time the men have tried to make their way up this river and that last time they attempted to traverse the river they were all drowned. It is suggested that they now exist in a liminal or spectral state between life and death. The events of the narrative are narrated by a first person narrator who is identified simply as 'Dreamer' in the opening pages of the novel. Dreamer's presence becomes increasingly oblique as the novel progresses.

Publication

The novel was written in 1959 after Wilson Harris had moved to London from Guyana. The manuscript for the novel was accepted for publication by T. S. Eliot.[5]

Further reading
  • Maes-Jelinek, Hena 'Numinous Proportions: Wilson Harris's Alternative To All Posts' in Past the Last Post: Theorizing Post-Colonialism and Post-Modernism (Brighton: Harvester Wheatshef, 1991): 47-64
  • Noxolo, Patricia and Marika Preziuso 'Moving Matter: Language in Caribbean Literature as Translation between Dynamic Forms of Matter' in Interventions 14.1 (2012): 120-135
  • Shaw, Gregory. 'Wilson Harris's Metamorphoses: Animal and Vegetable Masks in Palace of the Peacock' in Callaloo 18.1 (1995): 158-170
  • Toliver, Victoria. 'Vodun Iconography in Wilson Harris's Palace of the Peacock' in Callaloo 18.1 (1995): 173 -190
gollark: Boring.
gollark: Observe: feedback. You too can contribute, arbitrary SC player whom I am addressing in this message.
gollark: The other ones obviously do not work.
gollark: Obviously Lemmmy is Lawful Good, but there are more people than that in existence.
gollark: Please submit your suggestions for people to be on it below.

References
  1. Sparer Adler, Joyce (Winter 1977). "The Naked Design: A Reading of "Palace of the Peacock" by Hena Maes-Jelinek". Research in African Literatures. 8 (3): 415–418. JSTOR 3818789.
  2. McCarthy, Cameron (1996). "The Palace of the Peacock: Wilson Harris and the Curriculum in Troubled Times". Review of Education, Pedagogy, and Cultural Studies. 18 (1): 25–37. doi:10.1080/1071441960180104.
  3. Maes-Jelinek, Hena 'Numinous Proportions: Wilson Harris's Alternative To All Posts' in Past the Last Post: Theorizing Post-Colonialism and Post-Modernism (Brighton: Harvester Wheatshef, 1991) p.60
  4. Benítez Rojo, Antonio. The Repeating Island: The Caribbean and the Postmodern Perspective. Second Edition. Translated by James E. Maraniss. (Durham and London: Duke University Press, 1996) p.187
  5. Redemption song The Guardian. 16 December 2006. Retrieved 06 April 2015
This article is issued from Wikipedia. The text is licensed under Creative Commons - Attribution - Sharealike. Additional terms may apply for the media files.