Otto Berchem

Otto Berchem (born 1967 Milford, Connecticut) is an American artist who lives and works in Bogota.

Work

Otto Berchem’s practice explores social and visual codes, focusing on the relationships between language, architecture, history and poetry. His conceptual based practice employs a wide variety of media, including painting, video, public interventions and other unconventional artist activities.

Berchem’s interest in codes goes back to 1994’s Men’s Room Etiquette, a public intervention touching upon the unwritten codes of how men behave with other men in public toilets.

With The Dating Market, a project conceived in 2000, Berchem created a series of shopping baskets with a flower motif that patrons of supermarkets could opt for, labeling themselves “available” and looking for a date.

In Temporary Person Passing Through, a work for the 2005 Istanbul Biennial, Berchem investigated the relationship of Istanbul’s street children and their movement within the city, using the visual language of Hobo Signs, a system of symbols employed by itinerant workers in the USA from the 19th to the mid 20th century.

With his recent work the artist continues his exploration of signs, human relationships and codes, to create a chromatic alphabet. Berchem’s chromatic code is inspired by the writings of Jorge Adoum and Vladimir Nabokov, Peter Saville’s designs for the first three New Order albums, and the condition of Synaesthesia (which Nabokov had).

Through the use of this alphabet, Berchem has proposed a series of work reviewing iconic images and creating his own documents by strategically deleting pre-existing meanings and slogans, and replacing them with his interpretation of reality.

Education

Berchem obtained his BFA from Parsons School of Design in New York City in 1990. In 1994, he received his MFA from Edinburgh College of Art and in 1995/1996, attended Rijksakademie van beeldende kunsten, Amsterdam.[1]

Exhibitions
Solo
  • (2000) The Dating Market, Ellen de Bruijne Projects, Amsterdam
  • (2001) Art Statements, ArtBasel 32, Basel
  • (2002) Going Public, Iff, Houston
  • (2003) The 16th Minute, Ellen de Bruijne Projects, Amsterdam
  • Going Public, Galerie Display, Prague
  • Everything I know about Liverpool I saw on TV, Fact, Liverpool
  • (2004) Survivor, Sleeper, Edinburgh
  • (2009) What is seen and what is not seen, Ellen de Bruijne Projects, Amsterdam
  • (2011) Blue Monday, La Central, Bogota
  • (2013) Revolver, Ellen de Bruijne Projects, Amsterdam[1]
  • (2015) Clip-Clapper, Bis - Oficina de Proyectos, Cali
Selected Group
  • (2015) Beyond Borders, 5th Beaufort triennial, Oostende
  • (2015) Theorem, Mana Contemporary, Jersey City
  • (2014) Sucursal 32 - La Ene en Malba, Malba, Buenos Aires
  • (2013) Les Pleiades, Les Abattoirs,[2] Toulouse
  • (2013) Le Futur commence ici, Frac Nord-Pas de Calais, Dunkirk
  • (2012) Jardin de Esculturas, El Nuevo Museo de Arte Contemporpaneo (NuMu), Guatemala City
  • (2012) Stem Terug, *De Appel,[3] Amsterdam
  • (2012) Etat de Veille, Jousse Entreprise, Paris
  • (2011) You Are Not Alone, Fundacio Miro,[4] Barcelona
  • (2011)Out of Storage, Timmerfabriek,[5] Maastricht
  • (2008) 4th Triennale of Contemporary Art, Friedrichshafen
  • (2006) Give(a)way, EV+A, Limerick
  • (2005) 9th Istanbul Biennale, Istanbul, Turkey
  • (2005) The Suspended Moment (H & F Collection), Crac Alsace, Altkirch, France
  • (2002) 4th Gwangju Biennale, Gwangju, South Korea
gollark: IDEA: AutoBotRobot inventory system.
gollark: Hello.
gollark: For PotatOS I have to use the raw SPUDNETv1 protocol through `wscat`.
gollark: Heavpoot actually has a better webUI than me for Heavdrone management.
gollark: The PCN is present on about three servers and CC has no RAM limit.

References
  1. "Otto Berchem Curriculum Vitae". Otto Berchem. Retrieved 2 November 2013.
This article is issued from Wikipedia. The text is licensed under Creative Commons - Attribution - Sharealike. Additional terms may apply for the media files.