Ottakoothar

Ottakoothar (c. 12th century CE) was a Tamil court poet to three Later Chola kings, namely Vikrama Chola, Kulotunga II and Rajaraja II.[1] He wrote poems in praise of these three kings.[2]

Ottakoothar
BornPonnambalakoothar, Koothan
Thiruverumbur, Tiruchirapalli
OccupationCourt poet, Minister
NationalityCholan
Period12th century
Literary movementShaivism
Notable works
  • Vikrama Cholan Ula
  • Kulottunga Cholan Ula
  • Rajarajan Ula
  • Kulothunga Cholan pillai tamil
  • Takkayaakaparani
  • Eeti-elupattu
RelativesSengunthar

The poet's memorial is believed to be still in a place known as Darasuram in Kumbakonam, just opposite the famous Airavatesvara Temple. According to legend, the goddess Saraswati blessed him in Koothanur, then he became a famous poet.[3]

Family

According to a legend, there was once a Chola king called Muchukundan who had his capital at Karur. He is said to have won the favor of God Murugan after deep penances and the latter is said to have bestowed upon him his personal bodyguards to aid him in his wars. Muchukundan Chola then married Chitravalli, daughter of the warrior chief and Murugan's bodyguard called Virabahu and spawned a new line. The poet Ottakoothar is presented as the scion of the family of this Sengunthar chief in his work Eeti-elupattu.[4] It is worth mentioning that this Muchukunda Chola figures in the ancestry of Rajendra Chola I as detailed in his Tiruvalangadu copper plates.[5]

Literary works

The poet is renowned for his Ula poems on the three successive kings, Vikrama Chola, Kulothunga Chola II and Rajaraja Chola II.[6] The Ula poems are generally written in honor of the king and describe the triumphant procession of the king amidst the people and his subjects.[7] He also authored a work dealing with the Kulottunga II's childhood called Kulottunga Cholan Pillai Tamil.[8]

During this period when he was very popular, the Sengunthar community, the one to which he belonged, requested him to compose a work in their honor. He initially refused but then later agreed provided they brought him 1008 heads of their first born sons. Accordingly, 1008 members of the community sacrificed their lives so that he could write about their history. The poet then wrote, Eetiyelupattu, a poem consisting of seventy verses in honor of the spear and extolled the glorious past of the Sengunthar chiefs and soldiers. He later wrote another poem called Eluppelupattu in order to bring back the 1008 dead members to life. When he sang it the heads are said to have miraculously attached to their bodies and the dead became alive once again. The poet Koothan thus came to be known as OttaKoothan for he attached the heads to the bodies.[9]

In the 1957 Tamil film Ambikapathy, the character of Ottakoothar was portrayed and was performed by M. N. Nambiar. The character was also played by Rajesh in Mahasakthi Mariamman, a 1986 Tamil film.

gollark: Is this some kind of microcontroller microcontrolling stream?
gollark: <@!220691068654452736> I'm curious, what exactly is the weird project you have going on with the ominous barcodes?
gollark: The on-chip hardware RNGs are not PRNGs but extract entropy from electrical noise.
gollark: I do not think you understand what I am referring to.
gollark: Yes it is.

See also

References
  1. "Packed with information". The Hindu. India. 27 August 2004.
  2. "Ula Ilakkiyam". Tamil Virtual University. Retrieved 24 January 2012.
  3. "Consecration of 1000-yr old Saraswathi Temple on July 6". Times of India. Chennai, India. 20 June 2003.
  4. Rajeshwari Ghose. The Tyāgarāja Cult in Tamilnāḍu: A Study in Conflict and Accommodation. Motilal Banarsidass, 1996 - Tamil Nadu (India) - 414 pages. pp. 78–79.
  5. S. R. Balasubrahmanyam. Early Chola Temples: Parantaka I to Rajaraja I, A.D. 907-985. Orient Longman, 1971 - Architecture, Chola - 351 pages. p. 194.
  6. Ramesh Chandra Majumdar; Achut Dattatrya Pusalker; A. K. Majumdar; Dilip Kumar Ghose; Vishvanath Govind Dighe; Bharatiya Vidya Bhavan (2007). The History and Culture of the Indian People: The struggle for empire.-2d ed. Bharatiya Vidya Bhavan, 1966. p. 364.
  7. A. Ve Cuppiramaṇiyan̲; Shu Hikosaka; G. John Samuel. Literary genres in Tamil: a supplement to a descriptive catalogue of palm-leaf manuscripts in Tamil. Institute of Asian Studies, 1993 - Manuscripts, Tamil - 493 pages. pp. 311–313.
  8. Prema Kasturi; Chithra Madhavan. South India heritage: an introduction. East West Books (Madras), 2007 - History - 616 pages. p. 294.
  9. Kallidaikurichi Aiyah Nilakanta Sastri. The Cōḷas, Volume 2, Issue 1. University of Madras, 1937 - Chola (Indic people). pp. 522–523.



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