Ophelia complex

Ophelia complex is the term used by Gaston Bachelard to refer to the links between femininity, liquids, and drowning which he saw as symbolised in the fate of Shakespeare's Ophelia.[1]

Main theme

Bachelard traced in Romanticism a nexus of ideas linking the dissolution of the self[2] - male or female - with immersion in the feminine element of water, as symbolised by Ophelia's drowning.[3]

Literary offshoots

Federico García Lorca explored the image of water and a despairing sexuality, epitomised in the Ophelia complex, throughout his writings.[4]

Exteriorised adolescence

A later, and unconnected use of the terms Ophelia complex/Ophelia syndrome was introduced by Mary Pipher in her Reviving Ophelia of 1994. There she argued for a view of Shakespeare's character as lacking inner direction, and externally defined by men (father/ brother);[5] and suggested that similar external pressures were currently faced by post-pubescent girls.[6] The danger of the Ophelia syndrome was that of abandoning a rooted childhood self, for an apparently more sophisticated but over-externalised facade self.[7]

gollark: There is a difference between "body" and even "human body" and "person".
gollark: It's historically important, at least.
gollark: I mean, it doesn't seem very well-written, or hugely coherent.
gollark: Is it actually that good as fiction goes though?
gollark: I assume they'll just extend the dam thing into a giant Netherlands-covering dome.

See also

References
  1. A. Thompson ed., Hamlet (Arden 2016) p. 26-7
  2. G. Wisker, Rites of Passage in Postcolonial Women's Writing (2010) p. 241
  3. P. Brooker, A Practical Reader in Contemporary Literary Theory (2010) p. 34
  4. The Weeping Brook
  5. D. Lester, Katie's Diary (2004) p. 93-5
  6. K. Douglas, Life Narratives and Youth Culture (2007) p. 160
  7. D. Lester, Katie's Diary (2004) p. 95

Further reading

G. Bachelard, L'Eau et les reves (Paris 1942)

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