On the Sunny Side (1961 film)

On the Sunny Side (German: Auf der Sonnenseite) is an East German musical comedy film, directed by Ralf Kirsten and starring Manfred Krug. It was released in 1962.

Auf der Sonnenseite
Directed byRalf Kirsten
Produced byAlexander Lösche
Written byHeinz Kahlau, Gisela Steineckert, Ralf Kirsten
StarringManfred Krug
Narrated byManfred Krug
Marita Böhme
Music byAndre Asriel, Manfred Krug and the Jazz Optimists from Berlin
CinematographyHans Heinrich
Edited byChristel Röhl
Production
company
Distributed byProgress Film
Release date
5 January 1962
Running time
101 minutes
CountryEast Germany
LanguageGerman

Plot

Martin Hoff, a steel smelter and an amateur actor and Jazz singer, is sent to a drama school by his factory's committee. Due to his troublesome conduct, he is expelled. Hoff meets a young woman called Ottilie who is unimpressed by him; he bets with his friends that he shall manage to charm her. Hoff begins to work in the construction site where she serves as a group manager, although she has troubles enforcing her will on her male subordinates. He only has success with her after director Jens Krüger guides him to become a diligent laborer. In addition to his work, he continues to perform in amateur plays. When theater manager Pabst sees him acting, he invites him to join his cast. Hoff and Ottilie decide to marry.

Cast

Production

During the end of the 1950s, the DEFA Studio's management noted the public's demand for entertainment and responded by producing a series of light comedies, relatively free from ideological messages. According to Heiko R. Blum, On the Sunny Side "distinguished itself by its unmitigated portrayal of real life."[1]

The film's script was largely inspired by leading star Manfred Krug's biography: he worked in a steel factory before turning to an acting career.[2] Krug's Jazz band and his singing career were also a central theme in the plot.[3][4]

Reception

According to DEFA historian Dagmar Schittly, On the Sunny Side was the most popular East German film of the early 1960, and was very successful with the audience.[5] Director Ralf Kirsten, Krug, writers Heinz Kahlau and Gisela Steineckert and cinematographer Hans Heinrich were awarded the Heinrich Greif Prize 1st class in collective for their work on the picture at March 1962.[6] Steineckert also received the Art Prize of the Free German Trade Union Federation.[7]

Krug's biographer Ralf Schenk wrote that On the Sunny Side "proved wrong the known saying that if DEFA would produce a comedy, the audiences would remain at home and cry."[8] Sabine Hake noted that, while the studio consistently opposed the concept of a star system, the film turned Krug into East Germany's only "genuine screen idol".[2] On the Sunny Side was the actor's breakthrough picture, and he became famous after its release.[9] Ina-Lyn Reif wrote that the state's artistic establishment perceived Krug as "capturing the younger generation's mood" after the release of On the Sunny Side.[10]

Sabine Brummel commented that the film "virtually lacked a political saying", an uncommon feature in DEFA's productions up to that time, and even presented a realistic depiction of the workplace: the construction team did not accept Ottilie as their manager because she was a woman, and the Workers' Brigade leader was incompetent. Still, On the Sunny Side "made concessions to the censure" by featuring the devout communist Jens Krüger as a positive father figure, and "ideology did have its place".[11] Rebecca Menzel pointed out that the film was the first East German picture to portray jeans in a neutral manner; Krug and other workers wore them. At the time, they were considered a bourgeois form of clothing and were banned in schools.[12]

gollark: Well, yes, HelloBoi DOES keep setting them on fire.
gollark: Can we just abandon shoe seller to their fate?
gollark: Are there not going to be goblins chasing us.
gollark: Besides, the law enforcement agencies don't know yet.
gollark: To be fair, these MAY have been evil goblins and we turned out to be right for really bad reasons.

References
  1. Heiko R. Blum. Film in der DDR. C. Hanser (1977). ISBN 978-3-446-12453-0. Page 41.
  2. Sabine Hake. German National Cinema. Routledge (2002). ISBN 978-0-415-08901-2. Page 130.
  3. Ian Conrich, Estella Tincknell. Film's Musical Moments. Edinburgh University Press (2007). ISBN 978-0-7486-2345-7. Page 186.
  4. Rainer Bratfisch. Freie Töne: die Jazzszene in der DDR. Links (2005). ISBN 978-3-86153-370-2. Page 57.
  5. Dagmar Schittly. Zwischen Regie und Regime. Die Filmpolitik der SED im Spiegel der DEFA-Produktionen. ISBN 978-3-86153-262-0. Page 122.
  6. DEFA chronicle: 1962.
  7. Auf der Sonnenseite. defa.de.
  8. Ralf Schenk. Manfred Krug. Die großen Kinofilme. Parthas (1997). ISBN 978-3-932529-01-6. Page 43.
  9. Ingrid Poss. Spur der Filme: Zeitzeugen über die DEFA. ISBN 978-3-86153-401-3. Page 144.
  10. Ina-Lyn Reif. Die Entstehung und Rezeption des DEFA-Spielfilms "Der Verlorene Engel": Unter Berücksichtigung des Gesamtwerkes von Ralf Kirsten. Diplomica Verlag (2009). ISBN 978-3-8366-7128-6. Page 17.
  11. Sabine Brummel. Die Werktätigen in DEFA-Spielfilmen: Propaganda in den Filmen der DDR. Diplomica Verlag (2010). ISBN 978-3-8366-9885-6. Pages 50–52.
  12. Rebecca Menzel. Jeans in der DDR: vom tieferen Sinn einer Freizeithose. Links (2004). ISBN 978-3-86153-335-1. Pages 56–57.
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