Olaf Keil

Olaf Keil was the founder[1] and lead guitarist of New Zealand rock and roll group The Keil Isles, playing on their pre-1963 recordings on the TANZA and Viking record labels. He was also a custom guitar and banjo builder for Fender. He is also the creator of the Keil Midi.[2] For a period of time he also managed and took care of the booking for the Keil Isles.

Olaf Keil
Born1934
GenresPop, country music, rock & roll, polynesian music
Occupation(s)Musician, custom guitar builder, banjo builder, band manager
InstrumentsElectric guitar, hawaiian steel guitar
Years active1950s–
LabelsViking, Zodiac, Tanza, Collector Records
Associated actsKeil Isles, Freddie Keil,
Herma Keil, Eliza Keil

Biography

He was born Apia, Western Samoa in 1934. When he was young, as early as ten years of age, he began making his ukuleles out of coconut shells. He had a keen interest in electronics, photography and woodworking. In 1951 when he was 17, he left in Western Samoa to go to Fiji for a six-month photography course. The next year he arrived in New Zealand.

He began his musical career by playing in his uncle's 14 piece band and would back his cousin Freddie Keil on rock and roll songs when asked to. He taught his younger brother to play guitar and in 1956 he and his younger brothers formed the Keil Isles.[3] The Keil Isles would end up becoming very popular and Olaf and the rest of the group would tour New Zealand with Cliff Richard and The Shadows in 1961.[4] Olaf Keil was considered to be a brilliant musician[5] and he could replicate the guitar solos that were heard on overseas records. With his technical knowledge he was able to successfully design and build the first echo unit in New Zealand and attempting to copy that Elvis Presley instrumental sound that was heard on his records. This gave the Keil Isles an edge to compete with overseas acts from the UK and the US.[3]

He left the group in 1962 to move to the United States.[5]

Work at Fender

After being convinced by singer Del Shannon, he decided to move to America.[2] In spite of his band having signed a $28,000 guarantee with Philip Warren in 1962,[6] he still managed to go to America. He worked for some time in a clothing company and then joined the Fender company in 1962. He began working in the wiring department and later on to the construction of guitar bodies and then guitar necks. He actually ended up working in every department. Fender ended up acquiring a banjo building business and Keil had the distinction of being its sole banjo builder. At a period in time he was making five custom instruments every week.

In addition to custom-made banjos, he has also custom built guitars for artists as diverse as Johnny Cash, Glen Campbell, Jimi Hendrix and Buck Owens.[2]

Later years

Having learnt to play the Hawaiian steel guitar, he and other Fender musicians did a Polynesian act for a show in Las Vegas. He left the Fender company in 1973. Later with his family he was to form a Polynesian group that would work in New Orleans, Dallas and Pensacola. They were doing promotions for airline companies advertising flights to Hawaii as well.

In 1978 he moved to Central Florida and did a Polynesian act for Sea World. He later moved to Kissimmee and in April 1990 he opened Olaf Keil Woodworking Projects.[2]

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gollark: If they want to go through it, sure?
gollark: > i'd support banning it straight through, independent of any mechanisms, as peer-reviewed research has showed it's shitIf you go around banning it, though, *there is clearly a way your government can ban that stuff*, hence meaning there's a mechanism for and/or support for it. And that's bad.
gollark: If there was a mechanism in place to stop people doing that sort of only-self-harming-maybe stuff, which there is now, it *would* (and *has*) been affected by political pressure.
gollark: Thing is, this mechanism for banning things would be controlled by a *government* or something, which means that when a sufficient mass of people complain that something is Clearly Immoral™ (see: homosexuality, drugs, whatever else) it would be banned.

References
  1. Buddy Wilson. "Ben Tawhiti and The Mariners".
  2. Christine Bolcarovic (23 March 1990). "Music A Driving Force in Life of Guitar Builder From Samoa". Orlando Sentinel.
  3. "Keil Isles".
  4. Website Penumbra Cliff Richard and The Shadows 1961 Tour and Related Images
  5. Simon Rigg. "Zodiac 45's".
  6. Website Google Books Billboard 24 Nov 1962 – New Zealand, Keil Gets Work, So U.S. Trip Off by Fred Gebbie

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