Nudrat Afza

Nudrat Afza is a photographer who has concentrated on documenting community life in and near Bradford, where she lives.

Life and career

Afza was born in Rawalpindi in 1955; she moved to Bradford in 1964. In 1986 Yorkshire Arts awarded her a grant to document the Bangladeshi community in Bradford. From 1989 to 1990 she worked on an exhibition at Huddersfield Art Gallery about South Asian communities in Kirklees.[1] She has been a full time carer for over 30 years for her daughter, who has had a serious liver disorder.[2] Since becoming a carer, she has not been able to afford her own camera, and has depended on grants and the loans of equipment.[3]

Afza guessed in 2011 that the owner of a hair salon might be approaching retirement, asked if she might photograph it, was permitted to do so, and learned that the owner indeed planned to sell up. For one year, she photographed the salon and its customers, many of whom had been going there for decades.[4] The work was exhibited at the University of Bradford.[5]

Afza first watched soccer when she accompanied her daughter to a Bradford City match; she was immediately struck by the number and enthusiasm of the female fans.[2][6][7] For her series City Girls, she photographed female fans of Bradford City in the Valley Parade stadium in black and white, using a Hasselblad Xpan camera given to her by Simon Beaufoy.[8]

From 2018 to 2019, Afza, a Muslim, photographed the Bradford Tree of Life Synagogue in Manningham, Bradford's last synagogue, and the people attending it before and after services. In 2013 this Grade II* listed building had needed expensive repair work and the synagogue's few members could not afford repairs; the Bradford Council for Mosques was among the organizations that contributed to preserve the building. Afza wanted to document the culture, which decades earlier had thrived in Bradford, before it disappeared. Under the title Kehillah (Hebrew for congregation or community), the photographs were exhibited in 2019.[3][9][10][11] She is now an honorary member of the synagogue.[3]

Simon Beaufoy commented on Kehillah:

Like all the best art, the images reflect the artist: watchful, politely enquiring, melancholic with the hint of a smile. So unobtrusive is the photographer's eye, that it's easy to miss what is being explored. There is always warmth and empathy, but often a distant sound of thunder.[11]

Exhibitions

Solo and pair exhibitions

Group exhibitions
  • 5 Women. The Pavilion, Leeds, 1988–89.[18]
  • Fabled Territories: New Asian photography in Britain. City Art Gallery, Leeds, and touring. 1989.[19][20]
  • In Focus. Horizon Gallery, London, February–March 1990. With Mumtaj Karimjee, Zarina Bhimji and Pradipta Das.[21][22]
  • One Hundred Years of Cheetham and Broughton. Jewish Museum, Manchester, February–December 2001.[1][23]
  • Local People. City Park, Bradford. July–August 2019. With Ian Beesley, Shy Burhan, John Cade, Phil Jackson and Justin Leeming.[24]
gollark: As planned.
gollark: https://lhartikk.github.io/jekyll/update/2017/07/12/chapter3.html
gollark: And all "balances" are just unspent transaction outputs to addresses under your control.
gollark: The receiver of a transaction is identified by public key I think.
gollark: It's a Merkle-tree-ish thing, like blockchains.

References
  1. "Afza, Nudrat". Not Just Hockney. Accessed 26 September 2019.
  2. Emma Clayton, "Exhibition captures unity and devotion of Bradford City's female fans." Telegraph & Argus, 14 November 2017. Accessed 26 September 2019.
  3. Helen Pidd, "Say a prayer: The Muslim woman who photographed Bradford's last synagogue." The Guardian, 8 September 2019. Accessed 27 September 2019.
  4. Nudrat Afza, "The Kenmore Salon", HowDo?! Issue 9, October/November 2012. p. 12. Here at Issuu. Accessed 26 September 2019.
  5. Caroline Hick, "Nudrat Afza; featured artist", HowDo?! Issue 9, October/November 2012. p. 8. Here at Issuu. Accessed 26 September 2019.
  6. Haigh Simpson. "New calendar captures raw emotion of female fans." The Bradford Review, issue 9, November 2015. Pp. 23–. Here at Issuu. Accessed 26 September 2019.
  7. Colin Neville, "City Girls", Jaquo. Accessed 26 September 2019.
  8. "Bradford City's female football fans featured in exhibition." BBC, 16 November 2017. Accessed 26 September 2019.
  9. "Community groups rally together to save Bradford's historic synagogue", Telegraph & Argus, 5 March 2013. Accessed 27 September 2019.
  10. "Bradford synagogue congregation featured in exhibition", BBC, 14 September 2019. Accessed 26 September 2019.
  11. Emma Clayton, "Muslim photographer documents life at city's synagogue." Telegraph & Argus, 15 September 2019. Accessed 27 September 2019.
  12. "Box 18 Contents – Invitations 1990 – 1999" (archive catalogue). Making Histories Visible, University of Central Lancashire. Accessed 26 September 2019.
  13. Gen Doy, Black Visual Culture: Modernity and Postmodernity. London: I.B. Tauris, 2000. ISBN 1860643825. P. 228.
  14. Exhibition notice for The Salon, Bradford University. Accessed 26 September 2019.
  15. Exhibition notice for City Girls, National Science and Media Museum. Accessed 26 September 2019.
  16. "City Girls exhibition set for National Science and Media Museum." Bradford City, 7 November 2017. Accessed 27 September 2019.
  17. Exhibition notice for Kehillah. Saltaire Festival, 13 September 2019. Accessed 27 September 2019.
  18. Elizabeth Chaplin, Sociology and Visual Representation. London: Routledge, 1994. ISBN 0-415-07362-6 (hardback), ISBN 0-415-07363-4 (paperback). Pp. 114, 116.
  19. Melanie Klein and Liz Ward, eds, Recordings: A Select Bibliography of Contemporary African, Afro-Caribbean and Asian British Art. London: The Institute of International Visual Arts, 1996. ISBN 1-899846-06-9. Here at Issuu. Accessed 26 September 2019. Pp. 27–28.
  20. Maxine Walter. "Fabled territories: Photographer Maxine Walter discusses the touring exhibition of South Asian photography in Britain." Women's Art Magazine, January–February 1991, pp. 22+.
  21. Melanie Klein and Liz Ward, eds, Recordings: A Select Bibliography of Contemporary African, Afro-Caribbean and Asian British Art. London: The Institute of International Visual Arts, 1996. ISBN 1-899846-06-9. Here at Issuu. Accessed 26 September 2019. P. 20.
  22. "Box 13 Contents – Flyers & Information Sheets 1990s" (archive catalogue). Making Histories Visible, University of Central Lancashire. Accessed 26 September 2019.
  23. "The Manchester Irish Festival: 9th–18th March 2001: Education and Exhibitions", Manchester Irish Festival, 2001. Accessed 26 September 2019.
  24. Jo Winrow, "Local People focus for big screen Not Just Hockney display." Telegraph & Argus, 27 June 2019. Accessed 27 September 2019.


This article is issued from Wikipedia. The text is licensed under Creative Commons - Attribution - Sharealike. Additional terms may apply for the media files.