Nowadays Clancy Can't Even Sing

"Nowadays Clancy Can't Even Sing" is a song by the American folk rock band Buffalo Springfield, released as the group's debut single in 1966. Neil Young wrote the song in Yorkville in 1965 shortly after returning from a series of performances in Toronto, during a period when his bid at a solo career had been met with little positive response. The lyrics reflect metaphorically on Young's frustration toward his stalled career in music, and was inspired by Ross "Clancy" Smith, an aberrant classmate who incited awe in his school. Commentators recognize "Nowadays Clancy Can't Even Sing" as one of Buffalo Springfield's signature songs, as well as a milestone in Young's progression as a songwriter.

"Nowadays Clancy Can't Even Sing"
Nationally pressed US version (1966)
Single by Buffalo Springfield
from the album Buffalo Springfield
B-side	"Go and Say Goodbye"
Released	July 1966
Recorded	July 18, 1966
Genre	Folk rock
Length	3:28
Label	Atco
Songwriter(s)	Neil Young
Producer(s)	Charlie Greene, Brian Stone
Buffalo Springfield singles chronology
"Nowadays Clancy Can't Even Sing" (1966) "Burned" (1966)

The song was the lead single to Buffalo Springfield's self-titled debut album, bubbling under the Billboard Hot 100 at 110. Buffalo Springfield played "Nowadays Clancy Can't Even Sing" at many concerts during their stay in Los Angeles where it found regional success.

Young's original demo recording for Elektra Records was included on the compilation album The Archives Vol. 1 1963–1972 (2009), and a live version, from his 1968 solo tour, appears on Sugar Mountain – Live at Canterbury House 1968 (2008). The band's rendition appears on Retrospective: The Best of Buffalo Springfield (1969) and Buffalo Springfield (1973). In 1968, Fever Tree arguably was the earliest artist to cover a Young song with their orchestrated pop interpretation of "Nowadays Clancy Can't Even Sing"; another version was recorded by the Carpenters.

Background and recording

Buffalo Springfield biographer John Einarson has written of Neil Young experiencing a phase of creativity following his time spent performing as a solo musician in Toronto in 1965.[1] While his former Squires bandmate Ken Koblun found immediate success as an in-demand bass guitarist, Young's career stalled amid stinging criticism of his concerts and material.[1] A resigned Young recalled Toronto as a "very humbling experience", one, out of frustration, which galvanized him to write a string of introspective songs.[1] The Toronto episode inspired the Young compositions "Runaround Babe", "The Ballad of Peggy Grover", and "I Ain't Got the Blues", among others.[2]

Young wrote "Nowadays Clancy Can't Even Sing" within the same timeframe under the working title "Baby That Don't Mean a Thing", partially as a rebuttal to critics of his performances.[3] In the book For What It's Worth, Young identified "Clancy" as his former Winnipeg high school classmate Ross "Clancy" Smith. Young described Smith as a "strange cat"—an aberrant figure tormented by others for singing hymns blithely.[3] The theme "not to the loner but to the individualist", in Paul Williams' words, is most evident throughout the song; "That's who Neil Young is [an individualist]", Williams adds.[4]

Richie Furay first heard "Nowadays Clancy Can't Even Sing" late in 1965 while Young was visiting his apartment in New York City. "I thought the song was really unique", Furay recalled of his first hearing, noting the quality already evident in Young's material.[5] Furay performed the song as a solo singer during auditions at the Bitter End nightclub and committed it to tape.[5] Fellow folk musician Jean Gurney commented "All things being equal, Richie was the preferred provider for that song. Neil's voice didn't lend itself well to such a complicate tune like that".[5] Young recorded demos of "Nowadays Clancy Can't Even Sing" and six other originals in January 1966 at a session for Elektra Records in hopes the tapes would jumpstart his career, only to have them rejected.[6] Once back in Toronto, Young had a chance encounter with Bruce Palmer, who offered him membership in the Mynah Birds.[6] In April 1966, Young and Palmer moved to Los Angeles where they found creative fulfillment with another group -- Buffalo Springfield.[7]

The group's rendition of "Nowadays Clancy Can't Even Sing" was stylized as a folk rock song.[8] Young contributed on guitar and provided backing vocals to Buffalo Springfield's recording of the song at Gold Star Studios in Hollywood, featuring Furay singing lead.[7]

Release and reception

Originally, the intention had been to release "Nowadays Clancy Can't Even Sing" as the B-side of the lead single from Buffalo Springfield, until Atco Records persuaded the band Young's song was the most obvious choice.[9] The song was therefore issued on the A-side in July 1966 in Southern California with Stephen Stills' "Go and Say Goodbye", followed by national distribution a month later.[10] The release was accompanied by a series of concerts in which Buffalo Springfield opened for the Byrds and shared bills with Johnny Rivers among others; at the Hollywood Bowl, the group opened for the Rolling Stones.[9] In addition, Charlie Greene and Brian Stone, Buffalo Springfield's management team, bartered an advance tape of the Beatles' "A Day in the Life" to KHJ radio; in exchange, the station became the first to give "Nowadays Clancy Can't Even Sing" substantial airplay.[9]

The single was successful in Los Angeles but achieved little attention elsewhere.[11] "Nowadays Clancy Can't Even Sing" was listed at number 110 on the Billboard charts on August 20 before disappearing just a week later.[10] On the single's lackluster commercial performance, Furay later suggested "Nowadays Clancy Can't Even Sing" was "too deep" and "too ambitious" of a choice for the A-side, and considered "Do I Have to Come Right Out and Say It" and "Sit Down I Think I Love You" as songs better suited for pop radio.[12] The song was issued on Buffalo Springfield in December 1966, providing evidence, in music historian Richie Unterberger's words, of Young already arriving as "a songwriter of great talent and enigmatic lyricism".[13]

Along with "For What It's Worth", "Nowadays Clancy Can't Even Sing" remains one of Buffalo Springfield's signature songs.[8] David V. Moskowitz in his book The 100 Greatest Bands of All Time calls the song one of the "gems" of the band's debut album[14] and "the original Buffalo Springfield song", while Matthew Greenwald of AllMusic declared: "Young has written 100 other songs that are probably 'better' than this, but he's never written anything else quite like it".[8] Paul Williams praises the "beauty" of Young's melody and unique use of lyrical fragments to express "his evident sincerity".[4] To Williams, "Nowadays Clancy Can't Even Sing" is "the breakthrough" song—the point where Young "asserted his power as a songwriter".[4]

Young's original demo recording of "Nowadays Clancy Can't Even Sing" was officially released on the box set The Archives Vol. 1 1963–1972, in 2009.[15] A live version of the song by Young, recorded at the Canterbury House in 1968 shortly after Buffalo Springfield disbanded, was included on the album Sugar Mountain – Live at Canterbury House 1968.[16] Buffalo Springfield's rendition was compiled on Retrospective: The Best of Buffalo Springfield (1969) and Buffalo Springfield (1973).[8]

Other renditions

The psychedelic rock band Fever Tree recorded the song for their 1968 self-titled album.[17] The song was produced by Scott and Vivian Holtzman, and arranged by David Angel who also worked on Love's Forever Changes (1967).[17][18] Unterberger, who described the song as highly orchestrated, attests Fever Tree's rendition "must count as one of the earliest covers of a Neil Young composition". On Uni Records, "Clancy" was also released as a single in 1969 but failed to chart.[17] Also in 1969, the Carpenters included their own take of the song on their album Ticket to Ride.[19]

References

1. Einarson 1997, p. 52.
2. Wilson 2014.
3. Einarson 1997, pp. 52-53.
4. Williams 1997.
5. Einarson 1997, pp. 55-56.
6. Einarson 1997, pp. 56-57.
7. Buffalo Springfield (booklet). Atco Records. 1998. 7567-90389-2.
8. Greenwald, Matthew. "Nowadays Clancy Can't Even Sing - Review". AllMusic. Retrieved October 21, 2017.
9. Zimmer 1994, p. 40.
10. Einarson 1997, p. 118.
11. "Buffalo Springfield". Rock and Roll Hall of Fame. Retrieved October 21, 2017.
12. Einarson 1997, pp. 118-119.
13. Unterberger, Richie. "Buffalo Springfield - Review". AllMusic. Retrieved October 21, 2017.
14. Moskowitz 2015, p. 123.
15. Hermes, Will. "Neil Young Archives, Volume 1". Rolling Stone. Retrieved October 21, 2017.
16. Erlewine, Stephen. "Sugar Mountain: Live at Canterbury House 1968 - Review". AllMusic. Retrieved October 21, 2017.
17. Unterberger, Richie. "Liner Notes For Fever Tree's Fever Tree/Another Time, Another Place". Collectables Records. Retrieved October 21, 2017.
18. Unterberger, Richie. "Fever Tree - Biography". AllMusic. Retrieved October 21, 2017.
19. Eder, Bruce. "Ticket to Ride - Review". AllMusic. Retrieved October 21, 2017.

Bibliography

• Einarson, John (1997). For What It's Worth: The Story of Buffalo Springfield. Taylor Trade Publications. ISBN 0-8154-1281-9.CS1 maint: ref=harv (link)
• Moskowitz, David V. (2015). The 100 Greatest Bands of All Time. ABC-CLIO.CS1 maint: ref=harv (link)
• Williams, Paul (1997). Neil Young: Love to Burn. Omnibus Press. ISBN 978-0-85712-733-4.CS1 maint: ref=harv (link)
• Wilson, Sharry (2014). Young Neil: The Sugar Mountain Years. ECW Press. ISBN 978-1-77041-186-9.CS1 maint: ref=harv (link)
• Zimmer, Dave (1994). Crosby, Stills, and Nash: The Biography. Da Capo Press. ISBN 0-306-80974-5.CS1 maint: ref=harv (link)