Norton Dodge

Norton Townshend Dodge (June 15, 1927 – November 5, 2011) was an American economist who amassed one of the largest collections of Soviet-era art outside the Soviet Union.

Education and teaching

A native Oklahoman and graduate of Deep Springs College, Dodge first traveled to the USSR in 1955, ostensibly to study tractors as part of his research for a PhD from Harvard University.[1]:3 He completed his doctorate in 1960, with the thesis Trends in Labor Productivity in the Soviet Tractor Industry: a Case Study in Industrial Development. Johns Hopkins University Press published his research on women's roles in the Soviet economy in 1966 as Women in the Soviet Economy : Their Role in Economic, Scientific, and Technical Development. Dodge was a professor of economics at the University of Maryland, College Park for over twenty years until 1980 when he took a post at St. Mary's College in southern Maryland. He retired from St. Mary's in 1989.[2]

Art collection
It wouldn't be an exaggeration to say that Norton singlehandedly saved contemporary Russian art from total oblivion. This makes him an evangelical figure

Viktor Tupitsyn[1]:16

A Sovietologist who did pioneering work on the role of women under Joseph Stalin, Dodge smuggled into the West the works of dissident artists, painters and sculptors in the former Soviet Union. He continued to acquire art and meet clandestinely with artists, often at great personal risk, till the death of dissident artist Evgeny Rukhin and the coming of perestroika. He managed to smuggle nearly 10,000 works of art from the USSR to the United States during the height of the Cold War. Dodge's role in the preservation and patronage of art disallowed by the government led to Elena Kornetchuk calling him "the Lorenzo de' Medici of Russian art."[1]:96 Dodge's work is detailed at length in John McPhee's The Ransom of Russian Art (1994).[3]

Dodge appears in an Andrei Zagdansky documentary Vasya (2002) about a Russian Nonconformist artist Vasily Sitnikov. The latest award-winning documentary about Norton Dodge and his unique art collection "The Russian Concept: Reflections on Russian Non-Conformist Art" was produced in 2009 by Igor Sopronenko.

The Norton and Nancy Dodge Collection of Soviet Nonconformist Art, which contains roughly 20,000 works of art, was donated to Rutgers University in the mid-1990s, where it is on permanent display at the University's Jane Voorhees Zimmerli Art Museum. The Dodge Collection includes work by Russian painter Irina Nakhova, who in 2015 was selected as the first female artist to represent Russia in a solo show in its pavilion at the Venice Biennale.[4]

Dodge is one of the founding board members of the Kolodzei Art Foundation, a US-based group dedicated to advancing the study of Russian non-conformist art.

gollark: I just have a reasonable case, like a correct person.
gollark: Fortunately, you can just throw a rug over the fence.
gollark: Well, you'll need to break into NSA headquarters to find their secret crypto knowledge.
gollark: Oh, you're one of those people who doesn't believe in capitalization.
gollark: Oh no, is it an impossible phone?

See also

References
  1. John McPhee (April 1, 2011). The Ransom of Russian Art. Farrar, Straus and Giroux. ISBN 978-0-374-70848-1.
  2. Emily Langer. "Norton T. Dodge, U-Md. economics professor and Soviet art collector, dies at 84". The Washington Post. Retrieved March 23, 2014.
  3. Margalit Fox (November 11, 2011). "Norton Dodge Dies at 84; Stored Soviet Dissident Art". The New York Times. Retrieved March 23, 2014.
  4. Irina Nakhova to Represent Russia in 2015 Venice Biennale

Further reading
  • Rosenfeld, Alla (editor); Dodge, Norton T. (editor). From Gulag to Glasnost : Nonconformist Art from the Soviet Union. Thames and Hudson/The Jane Voorhees Zimmerli Art Museum, Rutgers, 1995. ISBN 978-0-500-23709-0.
  • John McPhee (April 1, 2011). The Ransom of Russian Art. Farrar, Straus and Giroux. ISBN 978-0-374-70848-1.
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