Norberto Soliño

Norberto Soliño (born 1902) was a cinematographer businessman.[1]

Norberto Soliño
Born1902
Munguía, La Coruña
Parent(s)
  • Ramón Soliño (father)

He was born in Munguía, La Coruña.[2] He moved to La Habana with his family and he studied in a school in Pokespaie, New Jersey.[2] Then he worked with his parents and he played in the Cuba national football team, but he got an injury and left it.[2]

In 1936 he worked with his father Ramón on CIFESA in La Habana,[3] and they distributed films on Hispanoamerica.[4] At the end of 1937 he led the direction of Hispano-Film-Produktion along Johann W. Ther,[5][6] and CINA.[7] This project was received by the Germans through the figure of Wilhelm Ther and became part of a powerful cinematographic industry which was expanded since Hitler's rise to power.[8] He began offering contracts to many Spanish stars,[9] so he hired Florián Rey, Benito Perojo, Imperio Argentina, Estrellita Castro, Miguel Ligero, Roberto Rey and Ricardo Merino, between others.[10] He produced El barbero de Sevilla (1938) with Estrellita Castro and Roberto Rey,[11] and La gitanilla (1940).[12]

After the Spanish Civil War he came back to Spain.[13]

Filmography
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gollark: If you don't plan to do any gaming, open any graphically intensive application whatsoever, use hardware video decoding, or... at this point probably open a browser.
gollark: It would probably actually be better.
gollark: To be safe, you should use antimatter, to entirely annihilate the platters.

References
  1. Fernández, Martín (23 June 2019). "Narciso R. Lanza, un barreirense edil en La Habana y presidente del Centro Gallego". La Voz de Galicia (in Spanish). Retrieved 4 October 2019.
  2. Nicolás Meseguer 2004, p. 111.
  3. Torre, Franco (25 September 2015). "Noches andaluzas para la Alemania nazi". La Nueva España (in Spanish). Retrieved 4 October 2019.
  4. Nicolás Meseguer 2004, p. 103.
  5. García Ruiz, Sonia (16 January 2011). "El Hollywood español". El Día de Córdoba (in Spanish). Joly Digital. Retrieved 4 October 2019.
  6. Crusells, Magí (2001). Las Brigadas Internacionales en la pantalla. Universidad de Castilla-La Mancha. p. 248. ISBN 9788484271499.
  7. Diez Puertas, Emeterio (2003). Historia social del cine en España. Editorial Fundamentos. p. 117, 120. ISBN 9788424509514.
  8. Talens, Jenaro; Díez, Santos Zunzunegui (1998). Modes of Representation in Spanish Cinema. U of Minnesota Press. p. 73. ISBN 9780816629756.
  9. Winkel, Roel Vande; Welch, D. (7 February 2007). Cinema and the Swastika: The International Expansion of Third Reich Cinema. Springer. p. 45. ISBN 9780230289321.
  10. Nicolás Meseguer 2004, p. 102.
  11. Nicolás Meseguer 2004, p. 131.
  12. Garrido, José Ángel (2003). Minorías en el cine: la etnia gitana en la pantalla. Edicions Universitat de Barcelona. p. 241. ISBN 9788447526055.
  13. Gómez Tello (9 June 1946). "¿Quién es quién en la pantalla nacional= Norberto Soliño". Primer Plano (295).

Bibliography
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