Norbert Bisky
Norbert Bisky (born 1970) is a German artist based in Berlin. He is one of the most important representatives of a new figurative painting in the 21st century.[1][2][3]
Life
Norbert Bisky was born in Leipzig and grew up in the former German Democratic Republic[4] as “part of a very Communist family that really believed in all that stuff”.[5][6]
From 1994 to 1999 Norbert Bisky studied painting at Hochschule der Künste in Berlin where he was a Master Student of Georg Baselitz and at the Salzburg Summer Academy in the class of Jim Dine.
In 1995, he spent a year as an exchange student in Madrid, where he discovered the works of Francisco de Goya, Francisco de Zubaráns and Jusepe de Ribera.
Bisky was a guest professor at the HEAD Academy of arts in Geneva from 2008 to 2010 and from 2016 to 2018 at HBK Braunschweig.[7][8] In 2015, he swapped studios with Tel Aviv based artist Erez Israeli for three months.[9]
Work
Norbert Biskys early paintings are most commonly described as heavily influenced by socialist realism, the official art of the GDR. Comparing the belief in communism to a religion, he processed his childhood memories by painting “those images of paradise” and “false promises” into dazzling bright images of idealized bodies and untouched nature.[10]
In later years, Bisky’s large-size paintings, often depicting adolescents, increasingly shifted towards darker themes. Personal loss, the experience of terror, travels to Brazil and media reports inspired him to examine subjects such as violence, sexuality and destruction symbolized by figures, in many cases floating, falling or tumbling without any gravitational axis.[11][12] Firmly established in the public conscience through media images following the September 11 attacks, these falling figures explore the transience of youth, the loss of autonomy, isolation and the disintegration of modern civilization.
The aesthetic tumult surrounding the figures is punctuated by the cross pollination of cues from Christian ideology, art history, gay culture, pornography and apocalyptic visions.[13][14] Through this, Bisky transmits an impression of instability on the canvas that distinctly resonates with our contemporary state of affairs.[15]
In May 2013, Norbert Bisky created his first stage set for the piece “Masse” by the Berlin State Ballet that premiered in the legendary Berlin Nightclub Berghain in May 2013 and was the subject of a TV documentary by German director Nicole Graf.[16]
Since May 2017 Norbert Bisky’s large-format painting “Vertigo” is prominently displayed in Berghain’s entrance hall as part of the club’s art concept, which also features works by Wolfgang Tillmans and Joseph Marr.[17]
For World Press Freedom Day, Norbert Bisky created the painting “Rauschen” which was printed on the title page of numerous German daily newspapers, in collaboration with the Federal association of German newspaper publishers (BDZV: Bundesverband Deutscher Zeitungsverleger) on May 3rd, 2019.[18][19]
Bisky is being represented by König Galerie in Berlin.[20]
Exhibitions
2019
- „RANT”, Villa Schöningen, Potsdam, Germany[21] / „POMPA”, St. Matthäus-Kirche, Berlin, Germany[22]
- „Tainted Love/Club Edit”, Villa Arson, Nizza, France[23]
2018
- „Fernwärme“, Museum Langmatt, Baden, Switzerland[24]
- „Hope and Hazard: A Comedy of Eros”, curated by Eric Fischl, Hall Art Foundation, Reading, USA[25]
- „Boezemvriend” (with Grit Hachmeister), Cokkie Snoei Gallery, Rotterdam, Netherlands[26]
2017
- „Trilemma“, König Galerie, Berlin, Germany[27]
- „Die Revolution ist tot. Lang lebe die Revolution!“, Kunstmuseum Bern, Bern, Switzerland[28]
- „MISSING: Der Turm der blauen Pferde by Franz Marc – Contemporary artists in search of a lost masterpiece“, Haus am Waldsee, Berlin, Germany[29]
2016
- „Dies Irae“, Crone Wien, Vienna, Austria[30]
- „A FUGA“, Galeria Baró, São Paulo, Brazil[31]
- „Elective Affinities – German Art Since The Late 1960s“, Latvian National Museum of Art, Riga, Latvia[32]
- „Zeitgeist – Arte da Nova Berlim“, Centro Cultural Banco do Brasil, Rio de Janeiro, Brazil[33]
2015
- „Hérésie“, Galerie Daniel Templon, Brussels, Belgium[34]
- „Levinsky Street“, Givon Art Gallery, Tel Aviv, Israel[35]
- „Balagan“, Bötzow Berlin, Berlin, Germany[36]
- „Black Bandits“, Haus am Lützowplatz, Berlin, Germany[37]
2014
- „Zentrifuge“, Kunsthalle Rostock, Rostock, Germany
- „Works on Paper“, Galerie Daniel Templon, Paris, France[38]
- „Riots“, Galería Espacio Mínimo, Madrid, Spain[39]
- „10“, Berghain, Berlin, Germany
- „Utopie Picturale 2“, Fonderie Kugler, Geneva, Switzerland[40]
2013
- „Norbert Bisky: Special Report“, MEWO Kunsthalle, Memmingen, Germany[41]
- „Paraisópolis“, Galerie Crone, Berlin, Germany[42]
2012
- „Stampede“, Leo Koenig Inc., New York, USA[43]
- „I am a Berliner“, Tel Aviv Museum of Art, Tel Aviv, Israel[44]
- „Laboratories of the Senses“, MARTa Herford, Herford, Germany[45]
2011
- „A Retrospective. Ten Years Of Painting“, Kunsthalle Marcel Duchamp, Cully, Switzerland
- „Decompression“, Galerie Daniel Templon, Paris, France
2010
- „befall“, Galerie Crone, Berlin, Germany[46]
- „Maudit“, Galerie Charlotte Moser, Geneva, Switzerland
2009
- „Mandelkern“, Kunstverein Dortmund, Dortmund, Germany[47]
- „crossing jordaan“, Cokkie Snoei, Rotterdam und Amsterdam, Netherlands[48]
- „Nefasto Máximo“, Galería Espacio Mínimo, Madrid, Spain[49]
- „Norbert Bisky: Paintings“, Haifa Museum of Art, Haifa, Israel[50]
2008
- „cloud cuckoo land“, Gallery Mirchandani + Steinruecke, Mumbai, India
- „privat“, Galerie Crone, Berlin, Germany[51]
- „minimental“, Cokkie Snoei Gallery, Rotterdam[52]
2007
- „Ich war’s nicht“, Haus am Waldsee, Berlin, Germany[53]
- „What's wrong with me“, Leo Koenig Inc., New York, USA[54]
- „Behind Innocence“, Gallery Hyundai, Seoul, South Korea[55]
2006
- „Total Care“, Contemporary Art Center, Vilnius, Lithuania
- „es tut mir so leid“, Galerie Michael Schultz, Berlin, Germany[56]
2005
- „Norbert Bisky“, Studio d’Arte Cannaviello, Milan, Italy[57]
- „Déluge“, Galerie Suzanne Tarasiève, Paris, France
- „Malerei“, Künstlerhaus Bethanien, Berlin, Germany
2004
- „The Proud, the Few“, Leo Koenig Inc., New York, USA[58]
- „Abgesagt“, Mannheimer Kunstverein, Mannheim, Germany
- „Opkomst en Verval“, Cokkie Snoei Gallery, Rotterdam, Netherlands[59]
2003
- „Schlachteplatte“, Galerie Michael Schultz, Berlin, Germany[60]
2002
- „Norbert Bisky“, Museum Junge Kunst, Frankfurt/Oder, Germany
2001
- „Wir werden siegen“, Galerie Michael Schultz, Berlin, Germany[61]
- „Almauftrieb“, Kulturbrauerei Prenzlauer Berg, Berlin, Germany
- „Vorkämpfer“, Chelsea Kunstraum, Cologne, Germany
Public collections
- MoMA[62]
- Museum der bildenden Künste, Leipzig, Germany
- Museum Ludwig, Cologne, Germany
- National Museum of Contemporary Art, Gwacheon, South Korea
- Fonds National d'Art Contemporain, Paris, France
See also
Notes
- Texte zur Kunst art magazine, No. 78, 20th year, June 2010, p. 250
- Handelsblatt newspaper, May 23, 2019; accessed November 26, 2019
- Berliner Morgenpost newspaper, January 10, 2015; accessed November 26, 2019
- Interview with Norbert Bisky by Herlinde Koelbl, Zeit online edition; published March 18, 2010; accessed May 12, 2019
- Norbert Bisky in an interview with Karen Wright, in: Modern Painters, March 2005, pp. 76-81.
- Mullins, 2006, p. 142
- Website of HBK Braunschweig; accessed May 12, 2019
- Official website of the artist; accessed May 12, 2019
- Article in Jüdische Allgemeine newspaper; published March 27, 2015; accessed May 12, 2019
- Norbert Bisky in an interview with Karen Wright, in: Modern Painters, March 2005, pp. 76-81.
- "Interview with Norbert Bisky; accessed May 12, 2019". Archived from the original on 29 October 2018. Retrieved 19 June 2019.
- Ein großer Maler auf dem Absturz nach oben, Article by Hans-Joachim Müller for Die Welt newspaper; published April 27, 2017; accessed May 12, 2019
- Angriff mit Farbe, Article by Elisa von Hof for Berliner Morgenpost newspaper; published September 09, 2017; accessed May 12, 2019
- http://www.literaturfestival.com/archive/participants/authors/2012/norbert-bisky?set_language=en
- https://artmap.com/koenigandclinton/exhibition/norbert-bisky-2007 Exhibition text for “What's Wrong With Me?” at Leo Koenig Inc., New York, 2007
- Website of Ballet Journal
- Want to See Norbert Bisky’s New Paintings? You’ll Have to Get Into Berlin’s Notorious Berghain Nightclub First, Article by Henri Neuendorf for Artnet.com; published April 28, 2017; accessed May 12, 2019
- Website of Monopol magazine
- TV documentation
- Artist website at König Galerie
- Website of Villa Schöningen
- Website of St. Matthew's Church
- Website of Villa Arson
- Website of Museum Langmatt
- Website of Hall Art Foundation
- Website of König Galerie
- Website of Kunstmuseum Bern
- Website of Haus am Waldsee
- "Archived copy". Archived from the original on 22 June 2019. Retrieved 19 June 2019.CS1 maint: archived copy as title (link)
- Museum website
- Website of CCBB
- Gallery website
- Gallery website
- [boetzowberlin.de/index.php?id=52]
- Gallery website
- Gallery website
- Gallery website
- "Website of MEWO Kunsthalle". Archived from the original on 20 June 2013. Retrieved 17 June 2013.
- Gallery website
- "Museum website". Archived from the original on 22 June 2019. Retrieved 19 June 2019.
- Article in Tagesspiegel newspaper
- Gallery website
- Gallery website
- Museum website
- Article in B.Z. newspaper
- Gallery website
- Gallery website
- Gallery website
- Gallery website
- Gallery website
- Gallery website
- Gallery website
- Gallery website
- MoMA Website
Sources
- Mullins, Charlotte (2006). Painting People: Figure Painting Today. New York: Distributed Art Publishers. ISBN 978-1-933045-38-2