Norah Simpson

Norah Simpson (5 July 1895 – 19 February 1974) was an Australian modernist painter. She grew up in Sydney and is described as "giving impetus to modernism" in Australia: when returning from France in 1913, she brought back a series of reproductions of then-current works which were influential to her fellow art students. Sydney-based modernists inspired by those works and Simpson's descriptions of techniques include Grace Cossington Smith, Roy de Maistre and Roland Wakelin.

Biography

Norah Simpson was born on 5 July 1895 and grew up in Sydney.[1][2] In 1911 Simpson was a student of Antonio Dattilo Rubbo,[1] an Italian-born artist who taught in Australia from 1897,[3] fellow students were Tempe Manning and Grace Cossington Smith.[4] Late in 1911 Simpson travelled to London, and lived in Chelsea.[1] Next year she enrolled in the Westminster School of Art and was taught by Walter Sickert,[1] then she travelled to France to see the work of Cézanne, van Gogh, Matisse and Picasso. In 1913 she brought back to Australia a suitcase-ful of art books and reproductions of their works, thereby "giving impetus to modernism" in Australia.[5][6] The works contributed to "the debate and practice of new techniques and new subjects" by Simpson, Smith and Manning.[4] Other Sydney artists influenced by Simpson include Roy de Maistre and Roland Wakelin.[1] By 1915 Simpson had returned to London, then moved to Glasgow in 1919 and on to France in 1920.[1] In 1920 she married Edward Richardson Brown and they had a son, Donald, and by 1921 Simpson was no longer painting.[1][2] In 1950 she married William Henry Cockren, and she died in 1974 at Crossways, Instow, North Devon.[1]

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References
  1. Gray, Anne (7 May 2012). "Norah Simpson: Biography". Design and Art Australia Online. Retrieved 30 October 2012.
  2. "Studio Portrait, Chelsea (1915) by Norah Simpson". Art Gallery NSW. Retrieved 30 October 2012.
  3. Oakley, Carmel (1988). "Rubbo, Antonio Salvatore Dattilo (1870 - 1955)". Australian Dictionary of Biography. Melbourne University Press. ISSN 1833-7538. Retrieved 30 October 2012 – via National Centre of Biography, Australian National University.
  4. Harding, Lesley (1997). The first Australian modernists : Tempe Manning, Norah Simpson and Grace Cossington Smith : gender, myth and art criticism during the First World War (M. A. thesis). University of Melbourne, Department of Fine Arts.
  5. "Australian Painters". Australia's Culture Portal. Government of Australia. Archived from the original on 4 May 2010. Retrieved 30 October 2012.
  6. Butler, Rex; Donaldson, A. D. S. (2010). "French, Floral and Female: A History of UnAustralian Art 1900-1930 (Part 1)" (PDF). emaj (Melbourne Art Journal) (5). Archived from the original (PDF) on 4 March 2011. Retrieved 30 October 2012.
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