Nomy Lamm

Naomi Elizabeth "Nomy" Lamm[1] (born September 1, 1975)[2] is an American singer/songwriter and political activist. Lamm has described herself as a "bad ass, fat ass, Jew, dyke amputee."[3][4] Her left foot was amputated at age three, in order to be fitted with a leg prosthesis, to treat a bone growth disorder. This trauma influenced Lamm's later work concerning body image. She is also known for her activism on the issue of fat acceptance.

Nomy Lamm
Birth nameNaomi Elizabeth Lamm
Born (1975-09-01) September 1, 1975
GenresRiot grrrl, punk rock
Occupation(s)Musician, activist
InstrumentsVocals, accordion, theremin
Years active1991 - present
Associated actsThe Need

Biography

1990s

Lamm was involved with musical theater during her youth. She became part of the queercore scene in Olympia, Washington, where she performed with various musicians. In 1991 she published the first of three issues of a zine titled I'm So Fucking Beautiful. The zine's visual narrative of vulnerability deliberately counters its textual power where she expresses her anger at her treatment as a young fat woman.[5]

In 1999, Lamm released a solo debut album of punk rock music with revolutionary themes, titled Anthem. Originally, the record company Talent Show sought to compile the work of the various bands with whom she performed as frontwoman, but Lamm chose to re-record the music as a solo project. Later in 1999, Lamm released The Transfused, a soundtrack to the anti-corporate rock musical that she created with The Need. Lamm also toured as part of Doctor Frockrocket’s Vivifying Reanimatronic Menagerie and Medicine Show. Effigy, released by Yoyo Recordings, represented a departure for Lamm, with electronica replacing the sparse production of her previous work. "What I'm doing now is total disco-pop," she said at the time, "but it’s still punk because it was created through punk channels using punk ethics." Thematically, Effigy continued Lamm's call for a revolution, but this album's focus was on an internal, rather than external revolution.

2000s

Lamm continued to publish zines, and she also gave theatrical college lectures on fat oppression, sometimes dressed in fairy wings and waving a magic wand. For this, Lamm was nominated for Ms. magazine's "Woman Of The Year" award.[6] Lamm also toured as part of the spoken word performance troupe, Sister Spit, and wrote as a regular columnist for Punk Planet magazine.

From January 2004 until May 2005, Lamm co-hosted a monthly genderqueer open mike variety show called The Finger with Ana Jae. The show was held at a feminist sex toy store in Chicago, called Early to Bed, and it featured live poetry, improv, comedy, dance, storytelling, video exhibition, folk music, rock music, and performance art. The Finger was said to inspire local queer people to take artistic risks and express themselves freely.

Lamm's music is featured in the 2006 documentary, Young, Jewish, and Left.[7] An interview with her about the connections between punk rock and Judaism appear in the DVD extras. Lamm's most recent group musical venture is with the band Tricrotic with Marcus Rogers and Erin Daly. They have recorded one EP.[8]

2010s

Her current music project is entitled nomy lamm & THE WHOLE WIDE WORLD. It is a platform for collaborations and workshops with other artists of any genre, such as Dylan Shearer, Mirah, Annah Anti-Palindrome, EPRhyme, and Felonious.

Lamm writes for make/shift magazine in the section called Dear Nomy.[9]

Lamm directed the Artists in Residence Program[10] for Sins Invalid, a non-profit arts organization in the Bay area that features performances about sexuality and disability and centralizes the work of people of color and queer people.[11]

In 2012 Lamm was a keynote speaker at the biannual Femme Conference. She completed writing her first book, for her MFA, a series of short stories about trauma and transformation called 515 Clues.[12]

As of 2017, Lamm was writing a novel titled The Best Part Comes After the End.[13]

Lamm held an artist talk and creative process workshop for students and the Olympia community on June 6, 2019 at the Kenneth J. Minnaert Center for the Arts Black Box Theater.[14]

2020s

Lamm continues writing and performing with Sins Invalid and nomy lamm & THE WHOLE WIDE WORLD.

Personal life

Lamm identifies as a Jewish witch and is involved with Jewitch Camp, an organization of Jewish witches and Jewish pagans from the Reclaiming tradition of Wicca. She has been ordained as a Kohenet Priestess by the Kohenet Hebrew Priestess Institute and has created a divination deck for the Counting of the Omer between Passover and Shavuot. Lamm practices magic, reads tarot, and studies Kabbalah.[15][16]

Lamm's totem animal is a seal. According to artist Riva Lehrer, "In the water [Lamm] feels both psychic and physical freedom. She is a strong swimmer, and in the water she moves from a state of impairment to one of dexterity. Seals are complex creatures in how they are perceived. Usually seen as cute and puppy-like with their enormous eyes and neotenous faces, seals are actually serious carnivores sporting large teeth and claws. Through her work Nomy Lamm also demonstrates a certain edge of danger. Her resonant, smoky, voice has a startling power, whether raised in song or when speaking as an activist for marginalized people."[17]

Lamm lives on occupied Squaxin/Nisqually/Chehalis land in Olympia, WA with her partner Lisa, their dogs Dandelion and Momma, and their cats Calendula and Chanukah.[18]

Discography

Albums
  • Nobody Knows What We've Been Through, self-release 2008
  • Effigy, Yoyo Recordings, 2003
  • The Transfused, (with The Need), Yoyo Recordings, 2000
  • Anthem, Talent Show Records, 1999

Bibliography

Illustrator Only
  • I'm Jay, Let's Play by Beth Reichmuth and Nomy Lamm[19]
gollark: > My opinion on apioforms is ~~not real~~<|endoftext|>If you do things people can do that subject to memetic campaigns.<|endoftext|>You can't do that with Autobotrobot.<|endoftext|>A finite but arbitrarily large quantity of apioforms in a finite time and the GTech™️™️™️™️™️ sphere station capacity.<|endoftext|>They can do that.<|endoftext|>Wait, is this using the advanced heavserver emitter or something?<|endoftext|>In a sense, I mean.<|endoftext|>The picture secretly encodes the entire image into a microcontrollers.<|endoftext|>Well, the picture contains a finite but arbitrarily large quantity of bees.<|endoftext|>https://media.discordapp.net/attachments/47791692185690374144/ferriswd0c68/unknown.png<|endoftext|>Apparently the picture is palaiologos's picture is palaiologos's picture.<|endoftext|><|endoftext|>https://media.discordapp
gollark: Not my phone.
gollark: I mean, you're actually being emulated on one of the GTech™ computing servers.
gollark: This is FURTHER evidence that I made Macron.
gollark: I tried with a prompt:> My opinion on apioforms is ~~not real~~<|endoftext|>I think bees have been mostly created.<|endoftext|>Who doesn't save their money? Just buy bees?<|endoftext|>The apioformic database is actually NOT to be tolerated.<|endoftext|>I'll make macron and macron on bees.<|endoftext|>I think this is a separate token for some reason. I'll have to make macron and macron on osmarks.tk.<|endoftext|>I can't really, I don't really like this.<|endoftext|>I'll make macron and then make macron and macron.<|endoftext|>Anyway, I think I should probably make an apioformic database somehow.<|endoftext|>Nim is for wimps.<|endoftext|>I can't tell, however LyricLy is on my phone.<|endoftext|>I don't like this thus no.<|endoftext|><@!2930660666066606666606688> are inescapable cryoapiaristic beeoids.<

See also

References
  1. Higginbotham, Anastasia (January–February 1997). "Women of the Year". Ms. Archived from the original on July 25, 2008. Retrieved 2009-03-29.
  2. Henderson, Alex. "Nomy Lamm". Allmusic. Retrieved 2009-03-29.
  3. Janssen, Mary Beth (May 2003). "Learning to Love your Body". ConsciousChoice.com. Retrieved 2008-01-04.
  4. Long, Jackson (2002-02-28). "Lady in Pink — Activist Nomy Lamm speaks out on fat oppression". The Western Front. Western Washington University. Retrieved 2008-01-04.
  5. Piepmeiyer, Alison; Zeisler, Andi (2010). Girl Zines: Making Media, Doing Feminism. NYU Press. p. 62. ISBN 978-0-8147-6773-3.
  6. Bergquist, Kathie; Robert McDonald (2006). A Field Guide to Gay & Lesbian Chicago. Chicago: Lake Claremont Press. p. 186. ISBN 1-893121-03-8.
  7. Jewish Film Archive Online
  8. citybeat - Nomy Lamm
  9. make/shift magazine
  10. https://www.sinsinvalid.org/staff
  11. Sins Invalid web site
  12. "2012 Keynotes: Nomy Lamm and Pratibha Pramar". Femme Conference 2012. Retrieved March 2013. Check date values in: |accessdate= (help)
  13. https://www.warresisters.org/magazine-authors/nomy-lamm
  14. https://spscc.edu/news/artist-activist-nomy-lamm-holds-creative-workshops-spscc-students
  15. "Finding the Magic in Shemini Atzeret". Tablet. Retrieved 2019-10-20.
  16. "Nomy Lamm at SPSCC". South Puget Sound Community College on YouTube. Retrieved 2019-10-20.
  17. https://www.rivalehrerart.com/totems-and-familiars
  18. https://www.sinsinvalid.org/staff
  19. http://www.imjayletsplay.com/author-and-illustrator
This article is issued from Wikipedia. The text is licensed under Creative Commons - Attribution - Sharealike. Additional terms may apply for the media files.