No Land's Song

No Land's Song (Persian: آواز بی‌سرزمین‎ / Âvâz-e Bi-Sarzamin) is a 2014 Iranian documentary film written and directed by Ayat Najafi, starring Sara Najafi, Parvin Namazi, Sayeh Sodeyfi, Emel Mathlouthi, Elise Caron, and Jeanne Cherhal.

No Land's Song
Theatrical release poster
Directed byAyat Najafi
Produced byAnne Grange
Gunter Hanfgarn
Rouven Rech
Teresa Renn
Written byAyat Najafi
StarringSara Najafi
Parvin Namazi
Sayeh Sodeyfi
Elise Caron
Jeanne Cherhal
Emel Mathlouthi
Release date
  • 28 August 2014 (2014-08-28) (Montreal)
Running time
91 minutes
Country
  • Germany
  • France
  • Iran
Language

Synopsis

In the wake of the revolution of 1979, the new regime forbids women in Iran to sing publicly as soloists in front of men.[1][2][upper-alpha 1]

In defiance of censorship and cultural, religious and legal taboos, a young composer named Sara Najafi decides to organize a concert for female solo singers.[1][2][3]

Najafi starts to enlist others. She recruits two other Iranian singers – Parvin Namazi and Sayeh Sodeyfi – to join her. In turn, Namazi and Sodeyfi invite three female singers from Paris: Elise Caron, Jeanne Cherhal and Emel Mathlouthi. Their stated intention is to perform together as solo artists in a show to be held in Tehran. As the Iranian film festival states, this musical collaboration is said to reopen a "musical bridge" uniting France and Iran.[1][2]

The documentary poses the question whether women will ever be successful in singing free, together, side by side, in front of a mixed audience, without restrictions or interference. Success in their immediate quest makes for a compelling drama. On the other hand, the long term effect is more questionable.[1][2][4][5]

It is said that the movie is an antidote to the misogynist excesses of the government. "The female voice is fading away", Najafi claims.[4]

Reception

No Land's Song has received widespread praise. Some of the reviews:

  • The Guardian: An "audacious" film and enterprise.[6] Unfortunately, the respite from official oppression proved temporary — hard liners banned performances by females even as backing singers.[6]
  • The Hollywood Reporter: Much more than a 'let's do a show' movie, the reviewer considers it to be enthralling, riveting and empowering, even though its end is not suspenseful. The proferred religious justification for the ban is that female solo singing may be sexually arousing to male audience members, and is akin to putting too many ingredients into the soup. “Ayat Najafi's documentary is about the fight for a woman's right to sing in Iran.” [7]
  • Middle East Monitor: Facing endless barriers, the group struggles to its defiant and triumphant conclusion. "Inspired by the memories of ballsy female Iranian singer Qamar-ol-Moluk Vaziri who, in 1924, became the first female to perform without a hijab in front of men, they remain optimistic. ... In the concert she dedicates her solo to the Iranian youth from the Tunisian youth. Instead of a celebration of the female voice, it seems to have become a much more obvious act of rebellion" which conveys their emotion.[3]
  • The New York Times: Clearly showing courage in film making and thus deserving the Human Rights Watch International Nestor Almendros award, it is "candid in its views about the Iranian government’s attitudes toward women, it sears its protagonist’s story into the hearts of viewers with a narrative of artistic resistance, humor, friendship, and, ultimately, triumph in a country notorious for denying women’s rights."[5]
  • Variety: The film is a "gripping documentary" and "a finely tooled, multi-layered [film]." This "gripping chronicle of her efforts covers a nearly three-year period and is as full of ups and downs as a roller coaster, and bursting with beautiful music. The inspiring, enlightening, audience-friendly pic" should receive commercial as well as cultural success.[8]

Awards and nominations

The film has been widely aired at more than a dozen film festivals, and has been well-received, and was nominated for and garnered many awards.

International Film Festival
YearFestivalAwardWinnerResult
2014 Montreal World Film Festival[9][10] Best documentary Ayat Najafi won
Noor Iranian Film Festival[1][10] Best documentary director Ayat Najafi won
Dok Leipzig[10][9] Young Jury Award Ayat Najafi won
Gijón International Film Festival[10][9] Docufix Best Documentary Ayat Najafi won
2015 Middle East Now festival[11] Audience Award Ayat Najafi won
International Film Festival of Human Rights in Paris[10][9] Special Jury Fleury Merogis Ayat Najafi won
Achtung Berlin[12] Special Mention Prize Exterminate Ayat Najafi won
Kraków Film Festival[10][13] Mention spéciale du Jury DocFilmMusic Ayat Najafi won
Human Rights Watch Film Festival[10][4][9] Nestor Almendros Price Ayat Najafi won
Unabhängiges Filmfest-Osnabrück Peace Film Award Ayat Najafi won
Verzio International Human Rights Film Festival[10] Audience Award Ayat Najafi won
International Folk Music Film Festival – Kathmandu[10] Best Longer Film Award Ayat Najafi won
Bir duino International Documentary Film[14] Best Film on Women's Rights Ayat Najafi won
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gollark: Technically, you can.

References

Notes
  1. "Since 1979, Iran has banned women from singing solo in public. The year marked the beginning of the Islamic Revolution and the start of a clampdown on Iranian society. Composer Sara Najafi and her female singer friends are determined to challenge this. They decide to organise a concert in the heart of Iran – its capital Tehran, inviting French and Tunisian female artists to take part. The concert is a celebration of the female voice – something that has been silenced for over 35 years."[3]

Citations
  1. "No Land's Song". Noor Iranian Film Festival. Archived from the original on 21 April 2017. Retrieved 9 February 2016.
  2. "Synopsis". nolandssong.com. 15 January 2015. Retrieved 16 January 2011.
  3. Purkiss, Jessica (20 March 2015). "No Land's Song: The women whose voice will not be silenced". Middle East Monitor. Retrieved March 9, 2015.
  4. "No land's Song". Human Rights Watch. Retrieved 9 February 2016.
  5. Sreedhar, Anjana (22 June 2015). "Solo Act: Iranian musician fights for women's rights to perform in public". The New York Times. Retrieved February 9, 2016.
  6. Petridis, Alexis (15 March 2015). "Rocking the casbah: the gig of a lifetime that put Iranian women back on stage". The Guardian. Retrieved 9 February 2016.
  7. DeFore, John (July 17, 2015). "No Land's Song': Film Review". The Hollywood Reporter. Retrieved February 10, 2016.
  8. Simon, Alissa (20 October 2015). "Film Review: 'No Land's Song'". Variety. Retrieved 9 February 2016.
  9. "International Film Festival Signe de Nuit". Retrieved March 12, 2016.
  10. "Unabhängige FilmFest Osnabrück" (in German). 23 October 2016. Retrieved March 12, 2016.
  11. "FESTIVAL WINNERS". middleastnow.it. 15 January 2015. Archived from the original on 15 February 2016. Retrieved 16 January 2015.
  12. "No Land's Song". achtungberlin.de. 15 January 2015. Retrieved 16 January 2015.
  13. "Awards 2015-Krakowski". krakowfilmfestival.pl. 15 January 2015. Archived from the original on 4 July 2016. Retrieved 16 January 2011.
  14. "Awards". nolandssong.com. 15 January 2015. Retrieved 16 January 2011.
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