Nkeiru Okoye

Nkeiru Okoye (born July 18, 1972) is an American composer and musician. She has composed many works based on American history, including Harriet Tubman: When I Crossed That Line to Freedom, Invitation to a Die-In and "The Journey of Phillis Wheatley".

Biography

Nkeiru Okoye was born on July 18, 1972 and grew up in New York.[1][2] Her mother is African American and her father was Nigerian.[3] During her childhood, she spent time in both the United States and Nigeria.[1] Okoye learned to play piano at age 8 and began writing music at age 13.[2][4] Okoye went to the Preparatory Division of the Manhattan School of Music.[5] When her parents separated, Okoye and her older sister lived with their mother on Long Island.[1] She attended Oberlin Conservatory of Music for her undergraduate work, graduating in 1993.[2] She then went on to Rutgers University to study with her mentor, Noel Da Costa.[6] For a premiere at Rutgers in 1999, she conducted her composition, "The Creation", with Danny Glover narrating key parts of the work.[7]

Work

Okoye penned her best known "Voices Shouting Out" in 2002. It was commissioned by Maestro Wes Kenney and the Virginia Symphony Orchestra.

In 2005, Okoye collaborated with Carolivia Herron to write a narrated work for orchestra based on the life of Phillis Wheatley called "The Journey of Phillis Wheatley".[3] Okoye used some Ghanaian influence in the work.[3]

In 2014, Okoye's Harriet Tubman: When I Crossed That Line to Freedom was premiered by American Opera Projects. The opera looks at the life of enslaved Africans living in plantations in the South, Harriet Tubman and the music of the time period.[8][9] Okoye received a grant from the National Endowment for the Arts to help her complete the work.[10] Her opera not only highlights the life of Tubman, but also of others such as William Still and Samuel Green.[10] Okoye said about choosing Tubman as a subject: "I wanted to write an opera about a woman who did great things and survived."[11] The opera includes her 2006 stand-alone song cycle, "Songs of Harriet Tubman".

Her work, Invitation to a Die-In (2017) was commissioned and premiered by conductor Ng Tian Hui and the Mount Holyoke Symphony Orchestra. A second performance was with the University City Symphony Orchestra in 2018.[12] Invitation to a Die-In was a commission in memory of Trayvon Martin and other young black men who have lost their lives to violence.[9] The text for Invitation was written by David Cote and the performance of the work includes percussion imitating gunshots and members of the orchestra falling over as if they had been hit.[13]

For the 250th anniversary of the founding of Charlotte, North Carolina, the Charlotte Symphony Orchestra commissioned Okoye to write an orchestral work to commemorate the city's history.[14] The piece, reflecting the diversity of the history of the city, is 12 minutes long and called "Charlotte Mecklenburg."[14] "Charlotte Mecklenburg" also holds a reference to a victim of police violence, with the percussion section of the work referencing Keith Lamont Scott.[15]

gollark: What good spelling.
gollark: Hmm.
gollark: Is that ethical?
gollark: Okay.
gollark: Omnipresent.

References
  1. Lipson, Karin (January 27, 2012). "'A Ride on the Underground Railroad,' at Hofstra, Recalls Harriet Tubman". The New York Times. ISSN 0362-4331. Retrieved December 10, 2019.
  2. Gray, Anne (2007). The World of Women in Classical Music. La Jolla, Calif.: WordWorld. pp. 214-215. ISBN 978-1-59975-320-1. OCLC 123539910.
  3. Dyer, Richard (July 17, 2005). "A Pioneer's Struggle Inspires a Sound". The Boston Globe. p. 203. Retrieved December 9, 2019 – via Newspapers.com.
  4. McNatt, Glenn (September 3, 2006). "Is This How It Was With Mozart?". The Baltimore Sun. pp. F3. Retrieved December 9, 2019 – via Newspapers.com.
  5. Walker-Hill, Helen (2007). From Spirituals to Symphonies: African-American Women Composers and Their Music. Urbana: University of Illinois Press. pp. 42–43. ISBN 978-0-252-07454-7.
  6. Kaimann, Frederick (February 19, 1999). "Following Her Muse". The Central New Jersey Home News. p. 75. Retrieved December 9, 2019 – via Newspapers.com.
  7. Kaimann, Frederick (February 22, 1999). "Actor Glover Takes the Lead in RU Student's Premiere". The Central New Jersey Home News. p. 18. Retrieved December 9, 2019 – via Newspapers.com.
  8. Fisher, Harold (February 3, 2008). "Tubman's Story of Bravery Set to Music". The Baltimore Sun. pp. T16. Retrieved December 9, 2019 – via Newspapers.com.
  9. Andre, Naomi (2018). Black Opera: History, Power, Engagement. Urbana: University of Illinois Press. ISBN 978-0-252-05061-9.
  10. Horrigan, Jeremiah (January 7, 2013). "SUNY New Paltz professor's opera hails historical figure". Times Herald-Record. Retrieved December 10, 2019.
  11. Parks, Steve (February 3, 2012). "Riding the Underground Railroad by Song". Newsday. Retrieved December 10, 2019 – via EBSCOhost.
  12. "University City Symphony Orchestra". St. Louis Post-Dispatch. February 23, 2018. Retrieved December 10, 2019 – via Newspapers.com.
  13. Bryan Miller, Sarah (February 23, 2018). "University City Symphony Orchestra takes on 'Invitation to a Die-In'". St. Louis Post-Dispatch. Retrieved December 10, 2019.
  14. Toppman, Lawrence (September 14, 2018). "250 years in 12 minutes? Composer tries to capture Charlotte history in piece for Symphony". The Charlotte Observer. Retrieved December 10, 2019.
  15. Toppman, Lawrence (April 13, 2019). "Review: Charlotte Symphony Orchestra plays two composers, but only one genius". The Charlotte Observer. Retrieved December 10, 2019.
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