Nippon Connection

Nippon Connection is a festival for Japanese film which takes place in Frankfurt am Main, Germany, every year in early summer.[1][2] The festival is organized by the nonprofit organization “Nippon Connection e.V.”. Nippon Connection has become the biggest platform for contemporary Japanese film worldwide, with about 17,000 participants in 2019.[3][4][5]

History

In 1999 two German students of film studies, Marion Klomfass and Holger Ziegler, decided to show some Japanese films at the Goethe University in Frankfurt am Main. The organizers began by planning for 1,500 visitors, but interest quickly grew and the first edition of the festival in 2000 had more than 10,000 visitors. Thirteen films were screened, and two Japanese filmmakers attended that year.[6]

After a one year break, during which the non-profit association Nippon Connection e.V. was founded, the second Nippon Connection Film Festival took place. The festival center was located at the Students’ House of the Goethe University in Frankfurt am Main. In 2002 a new category for digital productions (Nippon Digital) was created. As well, an exhibition was arranged in cooperation with the Künstlerhaus Mousonturm and the Nippon Connection Newcomer Award for the best up-coming film production was introduced.

At the Nippon Connection Film Festival 2003, a retrospective (Nippon Retro) was held the first time in cooperation with the German Film Museum in Frankfurt am Main. Additional events were also organized in cooperation with the Literaturhaus Frankfurt.

In 2004 parts of the program were sent on tour to Leipzig and Barcelona. The festival organizers were invited to Tokyo to take part in a symposium on the impact of Japanese films abroad by the Japanese Agency for Cultural Affairs (Bunkacho).

In 2005 the tour program was extended and the Nippon Cinema Award was introduced.

In 2007 the Kinema Club held its first European conference at Nippon Connection. That year 170 films were shown.[7]

For the 10th anniversary in 2010, the Nippon Digital Award was established to support rising talents. The winner, chosen by a professional jury, receives a free subtitling for his or her next film. The Nippon Digital Award was renamed in 2011 into the Nippon Visions Award.

2010 was the last year that parts of the Nippon Visions section, which focuses on independent productions, were distributed worldwide to cities including New York, Barcelona, and Berlin under the designation Nippon Connection Film Festival on Tour.

In 2012 the children’s program Nippon Kids was established. From 2012 until 2014, the VGF Nippon in Motion Award was given to the director of the best 12-second spot.

In 2013, the festival was extended to six days, and the main venues were moved to the Künstlerhaus Mousonturm and Theater Willy Praml in der Naxoshalle. Further venues include the cinema at the German Film Museum, the Mal Seh’n cinema, the gallery Ausstellungsraum Eulengasse, and the theater Die Käs. Also in 2013 the festival director Marion Klomfass received an honorary award for her outstanding commitment to the support and promotion of Japanese-German exchange from the Japanese Minister of Foreign Affairs (Gaimu Daijin Hyosho).

In 2014 the Nippon Visions Award became the Nippon Visions Jury Award. Also, an audience award, the Nippon Visions Audience Award, was created. That year the festival drew more than 16,000 visitors.

The 15th edition of the festival in 2015 saw the introduction of the Nippon Honor Award for personalities who have made an outstanding contribution to Japanese cinema in their careers.

In 2018 the new section Nippon Docs was introduced.

Directors and actors who have attended the festival: Koji Yakusho, Shinobu Terajima, Kiyoshi Kurosawa, Shinya Tsukamoto, Nobuhiro Yamashita, Toshiaki Toyoda, Yuki Tanada, Koji Wakamatsu, Isao Yukisada, Ryuichi Hiroki, Sakura Ando, Kiyohiko Shibukawa, Miwa Nishikawa, Shuichi Okita, Koji Yamamura, Shinuske Sato, Koji Fukada

In 2020, due to the restrictions imposed by the COVID 19 pandemics, the festival took place exclusively online for the first time from 9 to 14 June 2020. Tokachi Tsuchiya received the Nippon Online Award for the documentary film An Ant Strikes Back for the first time.

Programme

Each year Nippon Connection shows more than 100 short and feature films, mostly as German, European or international premieres. The film program is divided into five sections: Nippon Cinema, Nippon Animation,[8] Nippon Visions, Nippon Docs and Nippon Retro. Many Japanese filmmakers present their works personally and participate in panel discussions. In 2019 more than 70 filmmakers and other artists from Japan visited the festival.

The Nippon Culture section presents lectures, performances, and workshops on various topics of Japanese culture.[9] This includes tea ceremony, taiko drumming workshops, Japanese calligraphy, dance and martial arts performances. In the evenings, there are usually live concerts or parties. International experts on Japanese film give open lectures about various aspects Japanese cinema.

Award Winners

Nippon Connection Newcomer Award (2002)

  • 2002 Blue Spring (Aoi haru) by Toshiaki Toyoda

Nippon Cinema Award

Nippon Digital Award (2010)

  • 2010 Live Tape by Tetsuaki Matsue

Nippon Visions Award (2011–2013)

  • 2011 Doman Seman by Go Shibata; Special Mention: Door to the Sea (Umi e no Tobira) by Reiko Ohashi
  • 2012 The Sound of Light (Hikari no oto) by Juichiro Yamasaki; Special Mention: Fukushima: Memories of a Lost Landscape (Soma kanka: dai ichi bu - ubawareta tochi no kioku) by Yojyu Matsubayashi
  • 2013 A2-B-C by Ian Thomas Ash

Nippon Visions Audience Award

  • 2014 Tale of a Butcher Shop (Aru seinikuten no hanashi) by Aya Hanabusa
  • 2015 -1287 by Ian Thomas Ash
  • 2016 Under the Cherry Tree by Kei Tanaka
  • 2017 Start Line by Ayako Imamura
  • 2018 Ramen Heads by Koki Shigeno
  • 2019 Melancholic by Seiji Tanaka

Nippon Visions Jury Award

  • 2014 Antonym (Rasen ginga) by Natsuka Kusano

Special Mention: Friendship (Tomodachi) by Mikihiro Endo

  • 2015 The Cockpit by Sho Miyake

Special Mention: Treasure Ship: Latitudes of Lust (Shikido shiju hatte: takarabune) by Koichiro Ikawa and Dual City by Yokna Hasegawa

  • 2016 Dear Deer by Takeo Kikuchi

Special Mention: Under the Cherry Tree by Kei Tanaka and The Man Who Was Eaten by Keisuke Kondo

Special Mention: Going the Distance by Yujiro Harumoto

  • 2018 Trace of Breath by Haruka Komori

Special Mention: Of Love & Law by Hikaru Toda

  • 2019 Sea by Kensei Takahashi

Special Mention: Blue Hour by Yuko Hakota

VGF Nippon in Motion Award (2012–2014)

  • 2012 koi-man by Micaela Fonseca
  • 2013 Nippon Invasion by Michael Herber & Liwen Shen
  • 2014 Onigiri no origami (Bierfest) by Christine Mai & David Clausmeier

Nippon Honor Award

Nippon Online Award

Retrospectives
  • 2003 Shuji Terayama
  • 2004 Anime Classics – Early Japanese Animated Films (1924 - 1944)
  • 2005 Seijun Suzuki
  • 2006 Exploding Japan – Subversive Genre Cinema of the 60s and 70s
  • 2007 Shooting the Sun – Japanese Experimental Film from 1960 until Today
  • 2008 Wizards of Japanese Independent Animation : 1960s - Today
  • 2009 Sexploitation and Experimentation: The Many Shades of Pink Film.
  • 2010 Best of Nippon Connection 2000-2009
  • 2011 Sion Sono
  • 2012 Visual Resistance: Protest Culture in Japanese Documentaries
  • 2013 Eccentric and Explosive - The Cinema of Sogo Ishii
  • 2014 Ko Nakahira - The Wild Child of the Sixties
  • 2015 Luminous and Vibrant - The Cinema of Shinji Somai
  • 2016 Ghosts and Demons - Scary Tales from Japan
  • 2017 Ecstasy & Desire - In the Realm of Roman Porno
  • 2018 Elegance & Bloodshed - Japanese Sword Fighting Films from the 1960s
  • 2019 Ayako Wakao – Magnificent Icon Of Japanese Cinema

Design

The corporate design of the festival has been one of its trademarks since it was first held in 2000. The colors range from soft rose colors to bright pink.

Music

In addition to the film and cultural programs, the festival team has created music CDs. Sounds recorded in the Tokyo subway were used by German musicians to produce an imaginary soundtrack of the Japanese megacity. This album, Nippon Connection – The Tokyo Metro Soundtrack, was released in 2003 by Label Ckp. In April 2005 the second CD album, Nippon Connection Exchanging Tracks, was released by das modular.[10] Two traditional Japanese pieces of music were made available to 28 remix artists in Europe and the US, who then produced their own personal soundtracks. The festival team gave these compositions to Japanese film directors, who created short films under the project name Exchanging Tracks.

Organization

The festival is organized by the non-profit association Nippon Connection e.V. on a voluntary basis. The organizational team consists of more than 70 people. During the festival, more than 100 additional volunteers support the team. The budget is made up of the festival’s revenues as well as several subsidies and sponsorship payments. Nippon Connection is a member of the Verbund hessischer Filmfestivals (Network of Hessian film festivals). In 2019 Peter Feldmann, Mayor of the City of Frankfurt, and the Consulate-General of Japan acted as official patrons of the festival.

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References
  1. "Japan wird größer". Frankfurter Allgemeine Zeitung. May 23, 2018, by Eva-Maria Magel
  2. "Die Geister, die ich rief ". Frankfurter Allgemeine Zeitung. May 27, 2016, by Eva-Maria Magel
  3. "Focus on Nippon Connection". NHK World. August 4, 2018
  4. "The Long Excuse wins top Nippon Connection award", Asia in Cinema, June 2, 2017
  5. ""Nippon Connection" geht mit Besucherrekord zu Ende". www.rbb-online.de (in German). Retrieved 2019-12-15.
  6. John Berra (2010). Japan. Intellect Books. pp. 13–. ISBN 978-1-84150-335-6.
  7. Korean Film Observatory: Quarterly Herald about the Film Industry and Policy in Korea. Korean Film Commission. 2007. p. 62.
  8. "Nippon Connection 2005, Teil I: Big in Japan". Evolver, Michael Kienzl. 13.05.2005 (in German)
  9. "Self-Control is Killing Japanese Movie Prospects". Variety, October 3, 2014 Mark Schilling
  10. "V.A. – Nippon Connection – Exchanging Tracks (das modular)". De-Bug, 10.2.2006
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