Nigel Ayers

Nigel Ayers (born 1957 in Tideswell, Derbyshire) is an English multimedia artist.[1]

His sound art has included numerous audio releases and live performances through his group Nocturnal Emissions.[2]

His sound art collaborations includes work with Bourbonese Qualk, C.C.C.C., Andrew Liles, Lustmord, Randy Grief, Robin Storey, Expose Your Eyes, Stewart Home, Z'EV, and Zoviet France.

In 1980 he founded the record label Sterile Records, releasing the first records by John Balance, Maurizio Bianchi and Lustmord, among many others. In 1987 he formed the Earthly Delights (record label), specialising in audio works and big explosions that examined the technological landscape and the psychic effect of sound.

In the early 90s he performed live soundtracks for the Butoh performances of Poppo & the Go Go Boys. His visual art has been exhibited in the Tate, ICA, and worn by the soccer legend Diego Maradona.

Sound art

Ayers' sound art work is rooted in assemblage and collage. Years before digital sampling became commonplace, his recordings used thousands of edited "found" and specially recorded sound samples. His interest in the psychological effects of sound, and in particular the recombination of sound to affect perception of time and space is reflected in CD titles such as "Practical Time Travel" where sound functions as snapshots of memory forming new associations as it passes into a simulated dream world.

He is also interested in eroding the concept of individualised artistic personality using digital technologies to enable multiple authorship. This is exemplified in the remixable sound sample libraries he has released as a sound developer in the commercially released sample libraries for Sony’s ACID Pro and Propellerhead’s Reason (software).

In his sound installations, such as Soul Zodiac (2006) and The Planetarium Must Be Built (2007) he has explored the possibilities of digital remixes in both time and space, using everyday equipment such as multiple CD boomboxes.

Bibliography
  • Mind Invaders: A Reader in Psychic Warfare, Cultural Sabotage And Semiotic Terrorism Stewart Home Ed. (Serpent's Tail London, 1997). ISBN 978-1852425609
  • International Who's Who in Popular Music (Routledge, 2007) ISBN 9781857434170
  • S. Alexander Reed Assimilate: A Critical History of Industrial Music Oxford University Press USA (2013) ISBN 0199832609 ISBN 978-0199832606
gollark: MINE is better. ANY byte sequence, including zero length ones, shall be interpreted as the entire Shrek movie.
gollark: Here it is. Discord can't play it as it does not support AV1.
gollark: Oh, they did do so, fascinating.
gollark: I really doubt that's going to be better than AV1, unless it's hyperoptimized for specifically Shrek.
gollark: 8MB is *barely* viewable with the latest available codecs.

References

[3] [4] [5] [6]

  1. Fernando Cerqueira, Antibothis Occultural Anthology Vol.3 p.72 (Thisco Portugal, 2010), ISBN 978-989-95447-9-6
  2. Torreano, Bradley. "Nocturnal Emissions Biography". AllMusic. Retrieved 2015-09-22.
  3. "Features | A Quietus Interview | No Commercial Value: Nigel Ayers Interview". The Quietus. 2015-08-11. Retrieved 2020-05-19.
  4. "Nocturnal Emissions Interview from EST#1". Media.hyperreal.org. Retrieved 2020-05-19.
  5. "Nigel Ayers: Viral Emissions". Brainwashed.com. 2011-03-26. Retrieved 2020-05-19.
  6. "BBC - The Virgin's Nipple". BBC News. 2011-01-27. Retrieved 2020-05-19.

Sample libraries
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